The band performed the track live on Conan on October 30, 2013.[1][2] An interactive music video for the song was also released on November 18, 2013.[3]
Critical reception
Jason Heller of The A.V. Club described the song as "insidiously catchy."[4] Leonie Cooper of NME wrote that the song "is a startlingly low-key piano hymnal, even with its flashes of Giorgio Moroder synths and cocaine-soul guitar solo," while comparing the confessional lyrics and the power ballad melody to the works of Fleetwood Mac.[5] Kitty Empire of The Observer also compared the song to the works of David Bowie during the 1970s.[6] Hywel Roberts similarly wrote that the song "is a piano driven Bond-esque track with Homme sounding really very similar to David Bowie in the opening verse.[7] Stuart Berman of Pitchfork Media stated that the song "strains too hard in its attempt at an early-70s John Lennonpiano ballad."[8]
In his track-by-track review, Gary Graff of Billboard wrote: "This dark power ballad starts with just Homme's voice and piano before filling out into an angsty but tuneful lament."[9] Sharon O'Connell of Uncut stated that elements of electronica are added to a backdrop of the song "that taps, Eric Clapton, Queen and early-’70s Elton John."[10]
Music video
A teaser trailer for the interactive music video was released on October 28, 2013,[11] while the video itself was officially released on November 18, 2013.[3] It was directed by Kii Arens and Jason Trucco, in partnership with the Creators Project.[12]
The video shows "embalmed-looking Josh Homme" and rest of the band performing in a set of increasingly macabre locales, including "a taxidermist’s parlor," accompanied by "two maids and one voodoo priestess."[12][13] The viewers of the interactive video are able to tour "a haunted house" which the band is performing in and flip through the song's lyrics.[14][15]
The regular version of the music video was also released on YouTube.[3][12]
Ms. Dolly Boyd plays the role of the voodoo priestess.