The album features most of the tracks Elvis recorded at Sun studio and were produced by Sam Phillips, the head of Sun Studios. Elvis began his singing career with Sun Records label in Memphis.[1] Phillips signed Presley after hearing a song that he had recorded for his mother on his birthday.
Phillips said that Presley was rehearsing with his band, Scotty Moore and Bill Black, when Presley started singing the song, a blues song written by Arthur "Big Boy" Crudup. Phillips said that the version of the song was what he was looking for when he signed Presley, and turned the tape recorder on.
Elvis recorded more than 20 songs at Sun, including some private recordings. Of these, 15 appear on this album.
Missing songs:
"Harbor Lights"
"Tomorrow Night"
"When It Rains, It Really Pours"
"I Got a Woman" (tape lost)
"Satisfied" (tape lost)
The earlier private recordings
In 1987, RCA Records released The Complete Sun Sessions which included all 15 tracks previously issued on The Sun Sessions plus "Harbor Lights", "Tomorrow Night", "When It Rains, It Really Pours", and 14 other outtakes. Although the album claims to contain the Complete Sun recordings, the collection was still missing "I Got a Woman", "Satisfied" and the earlier private recordings.
Commercial performance
The Sun Sessions was released in March 1976 and reached No. 76 on the pop and No. 2 on the country charts.
The single "Baby, Let's Play House" combined with "I'm Left, You're Right, She's Gone" reached No. 5 on the country charts in 1955. Aware that Elvis was rapidly building a reputation for his live performances, RCA Victor bought out Presley's contract with Sun Records for $35,000.
The single "That's All Right" did not chart in the US when released in 1954, and it was never issued as a single in Great Britain during Presley's lifetime. In 2004, the song became the focus of attention when it was the subject of a great deal of publicity because of the 50-year anniversary. There was a special ceremony on July 6, 2004, featuring Isaac Hayes, Justin Timberlake and Scotty Moore which was beamed live to 1200 radio stations. The song went top five in the UK and Canada and also charted in Australia. The Sun Sessions was also re-released in 2004 (in Japan only) to celebrate the anniversary.
In 2003, the album's 1999 extended 2CD reissue was ranked No. 11 on Rolling Stone magazine's list of the 500 greatest albums of all time,[8] maintaining the rating in a 2012 revised list,[9] and dropping to number 78 in the 2020 reboot of the list.[10] In 2001, the TV channelVH1 named it the 21st greatest album of all time.[11] Music scholar Michael Campbell called it "quintessential rockabilly" with Presley's voice "the magical element" drawing on country and rhythm and blues but confined to neither,[12] while AllMusic critic Cub Koda said "what we ultimately have here is a young Elvis Presley, mixing elements of blues, gospel and hillbilly music together and getting ready to unleash its end result – rock & roll – on an unsuspecting world."[2]
The last six tracks are original Sun recordings, but were not issued until 1956 on Presley's first album for RCA Victor. They were never released on the Sun label.