The Prince (Spanish: El Príncipe) is a 2019 Chilean drama film directed by Sebastián Muñoz, and co-written by Muñoz and Luis Barrales, based on an obscure 1970s novel written by Mario Cruz. Set around 1970 in a prison cell in San Bernardo, Chile, just prior to Salvador Allende's presidency, The Prince is a dark story about affections and loyalties between prisoners, the search for sexual identity, love, violence and the rise to power behind bars.[1]
Set in a Santiago prison in 1970, the film portrays Jaime, a young prisoner convicted of the violent and inexplicable murder of his best friend. He has a definitive encounter with "The Stallion," an older and powerful inmate who commands respect among the prisoners. Seeking protection, Jaime develops a relationship of affection and tenderness with the man, discovering love and the need for recognition. Later, as "The Prince," he rethinks his sexual identity and the reason for his incarceration.
The film is based the sole novel by little-known author Mario Cruz, which was cherished many years ago by filmmaker Alicia Scherson, who was in talks with playwright Luis Barrales to prepare the script.[5] Cruz's homoerotic novel has its heyday in the 70s, it was never available in bookstores and could only be acquired in the newsstands of San Diego Street, in Santiago, becoming a cult novel. Director Sebastián Muñoz found it by chance and, along with Barrales himself, refined the script to its final form.[1]
Subsequently, the Chilean production team Niña Niño Films and El Otro Films, alongside the Argentine company Le Tiro Cine and the Belgian Be Revolution Pictures, joined the project. The cast was completed with veteran actors Alfredo Castro and Gastón Pauls, and young actors Juan Carlos Maldonado, Sebastián Ayala and Lux Pascal.
Reception
At Venice, much of the Italian specialty press evaluated the film positively. Martina Barone at Cinematographe wrote: "a film of impetuous sensuality. A disturbing film, in its multifaceted sexual, emotional and primitive ferocity",[6] Samuele Sestieri at PointBlank wrote: "The first work by Chilean filmmaker Sebastián Muñoz is a dazzling song of love and death, between pleasure and pain",[7] Carlo Valeri at Sentieriselvaggi wrote: "A claustrophobic film, but at the same time full of desiring impulses. Asphyxiating and passionate as a last hug before saying goodbye".[8] At the end of the festival, the film was awarded the Queer Lion:
El Príncipe is a passionate portrait of life in a Chilean prison on the eve of Allende’s rise to power in 1970. The savage brutality of prison life is contrasted by intensely emotional relationships between prisoners. Led by a towering Alfredo Castro, the excellent ensemble cast give stirring performances of a powerful script which conveys the paradoxical acceptance of gay attachments in prison at a time when it was not socially acceptable. Sebastián Muñoz’s directorial debut is a bold and erotically charged exploration of recent history which reveals an unexpected tenderness at its heart.[9]
After Venice and positive reviews in Europe, the first American evaluation came from Boyd van Hoeij of The Hollywood Reporter (and a former Queer Lion juror himself[10]), who negatively received the film; the bottom line being: "A prison fantasy devoid of personality."[11]
On review aggregation website Rotten Tomatoes, The Prince holds a 94% approval rating based on 16 reviews, with an average of 7.7/10.[12]
