A traveling puppet theater is legacy of three siblings, father and grandmother. When the father dies during a performance, the remaining family members keep the show running and try to keep legacy alive.
In director's statement Philippe Garrel said, "I wanted to make a film with my three children, since my children are aged 22, 30 and 38, I had to find a reason to bring them together at those ages." His father Maurice Garrel was a puppeteer in Gaston Baty’s troupe along with his godfather, Alain Recoing. So, he decided to depict a family of puppeteers and wrote the screenplay with Jean-Claude Carrière, Arlette Langmann and Caroline Deruas Peano.[5] In March 2022, CNC released funds for the film.[2]
Casting
Besides Louis Garrel, Esther Garrel, and Lena Garrel in the roles of the siblings Louis, Martha and Lena, Francine Bergé as the grandmother,
Alain Recoing's son Aurélien Recoing as the father, Damien Mongin as Pieter, Mathilde Weil as Hélène and Asma Messaoudene as Laura were cast. Renato Berta shot the film in black and white and the scenery was created by Manu de Chauvigny. Jean-Louis Aubert, like Philippe Garrel's previous films composed the music of The Plough.[2][1]
On the review aggregator Rotten Tomatoes website, the film has an approval rating of 50% based on 10 reviews, with an average rating of 4.8/10.[7]
Jordan Mintzer of The Hollywood Reporter calling the film "Intimately familiar" wrote, "A minor if somewhat memorable work by a director who has left his mark not only on his own children, but on a brand of filmmaking that may disappear along with him."[8] Fabien Lemercier reviewing for Cineuropa praised the film and wrote, "It’s a perfect portrait beneath a modest surface, which pulls back the curtain on the universe of those pulling puppets’ strings in the world of fiction, folk who are more than familiar with the ups and downs of life."[9] Jonathan Romney for ScreenDaily wrote in review that the film is "You’d have to be a committed Garrelian, or a hardline upholder of the prerogatives of French auteurism, to really appreciate a glum piece which feels like a relic of a European cinema that is no longer really attuned to the times."[10]
