The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present is a book compiling the greatest songs from 1977 to 2006, published in 2008 by Pitchfork Media. The book focuses on specific genres including indie rock, hip-hop, electronic, pop, metal, and experimental underground. The book is broken down into 9 chronological periods, each period beginning with a description of the music scene before the featured artists, and how those artists changed the music scene.[1]Time described the book as having "42 critics to cover 30 years of music, from 1977 punk to 2006 crunk, and all the starry-eyed, acoustic acts in between."[2]
Critical reception
The book received attention and criticism from mainstream and alternative media. TIME commented that the book's record reviews "have been pleasantly stripped of their supercilious phrases" and that "its tributes to popular songs are exquisite" but concluded, "the project comes off like a personal message that High Fidelity's Rob Gordon might obsessively attach to a mix-tape."[2] The Washington City Paper called it Pitchfork's "boomer-like shot at print-based respectability, a coffee-table book..."[3]Under the Radar gave the book a 7/10 rating, noting that Pitchfork "has emerged as arguably the preeminent music criticism source of its time while fashioning itself into a multimedia powerhouse".[4]
On the other hand, the Houston Press criticized the book for what it saw as its unwarranted disregard for Latin, country, funk, soul, and classic rock, opining that Pitchfork's "school of criticism has always relied more on trendy perceptions than actual musical merit and song structure."[5] And Time Out Chicago called the book "a slow, meandering walk through the arbitrary tastes of the site's editors and authors" and "a wasted opportunity".[6]
