Fifteen years later, director Tyrone Guthrie expressed interest in a new production of the play, which Wilder extensively rewrote and rechristened The Matchmaker. The most significant change was the expansion of a previously minor character named Dolly Gallagher Levi, who became the play's centerpiece. A widow who brokers marriages and other transactions in Yonkers, New York at the turn of the 20th century, she sets her sights on local merchant Horace Vandergelder, who has hired her to find him a wife. After a series of slapstick situations involving mistaken identities, secret rendezvous behind carefully placed screens, separated lovers, and a trip to night court, everyone finds themselves paired with a perfect match.
Productions
The play, starring Ruth Gordon as Dolly and Sam Levene as Horace Vandergelder, debuted at the Edinburgh Festival in Scotland on November 4, 1954; at the Edinburgh Festival, in Berlin—for the troops and at the Theatre Royal Haymarket in London's West End. Due to a salary dispute with Broadway producer David Merrick, Sam Levene left the production after playing the role of Horace Vandergelder for over a year in Europe. Loring Smith replaced Levene as Horace Vandergelder and opened on Broadway December 5, 1955 at the Royale Theatre, later transferring to the Booth to complete its run of 486 performances.[2]Ruth Gordon's performance in the title role earned her a Tony Award nomination as Best Actress; Guthrie won as Best Director.[3]
A production of The Matchmaker at the Thwaits Empire Theatre, in Blackburn, England
The story enjoyed yet another incarnation in 1964 when David Merrick, who had produced the 1955 Broadway play, partnered with composer Jerry Herman to mount the hugely successful, Tony Award-winning musical Hello, Dolly! starring Carol Channing.[5]
