The Hunger Games: Mockingjay – Part 1 (Original Motion Picture Score) is the score album to the 2014 film The Hunger Games: Mockingjay – Part 1. James Newton Howard who composed music for the previous installments, returned to score for Mockingjay – Part 1. The soundtrack was released by Republic Records on November 24, 2014, three days after the film's release.[1] It includes Howard's score along with the original song "The Hanging Tree" performed by Jennifer Lawrence.[2][3]
The song was initially not included in the film's soundtrack, however due to the tremendous success, the song was included in the digital extended edition as the 15th track from the album, which was released on December 9.[11] A remix of the track by Michael Gazzo, titled as "The Hanging Tree (Rebel Remix)" was released on December 15, 2014.[12]
Reception
Music critic Jonathan Broxton hailed the score for Mockingjay – Part 1 as the "strongest one" from the Hunger Games scores, though despite claiming the subtlety of its restrained nature, and the "lack of truly significant thematic statements being disappointingly anonymous", the score had enough emotion in the quieter moments made up for the lack of overt melodic ideas.[13] He praised "The Hanging Tree" as the "standout single moments of the year".[13]Filmtracks.com also accomplished the score, the best among the three film scores for the series, while writing "despite its continuing melodic haziness, it achieves greater potential for enjoyment with each entry".[14] James Southall of Movie Wave praised that the score had plenty of moments to offer the audiences, but criticized the excessive length of the album and felt that it did not get into the Maleficent (which Howard had composed).[15]
Listing it as one of the best scores and soundtracks of 2014 (along with Maleficent), Michelle McCue and Melissa Thompson of We Are Movie Geeks wrote that the music for both films "cover the whole breadth of experience from scenes of epic action to moments of epic heartache and intimate poignancy".[16]Den of Geek also listed the score as one of 2014's best film scores; critic Ivan Redford wrote that the "darker development of themes match the growing sense of identity of its protagonist".[17]
Synth programming – Christopher Wray, Sunna Wehrmeijer, Sven Faulconer
Additional arrangements – Sunna Wehrmeijer, Sven Faulconer
Sound designer – Joe Trapanese
Engineer – Matt Ward
Recording – Shawn Murphy
Mixing – Erik Swanson, Shawn Murphy
Mastering – Dave Collins
Music editor – David Olson
Supervising music editor – Jim Weidman
Score editor – David Channing
Score coordinator – Pamela Sollie
Scoring crew – Adam Miller, John Prestage, Toby Kettel
Music preparation – Dakota Music Service
Music librarian – Mark Graham
Technician – Chris Cozens, Richard Grant
Instruments
Bass – Allen Walley, Andy Marshall, Andy Pask, Mary Scully, Richard Pryce, Steve Williams, Steve Mair
Bassoon, contrabassoon – Gavin McNaughton
Cello – Caroline Dale, Chris Worsey, Dave Daniels, Frank Schaefer, Ian Burdge, Joely Koos, John Heley, Jonathan Williams, Josephine Knight, Martin Loveday, Nick Cooper, Paul Kegg, Tony Lewis, Josephine Knight (soloist), Richard Tunnicliffe (baroque)
Clarinet, bass Clarinet – David Fuest, Nick Rodwell
Fiddle – Giles Lewin, Sonia Slany (soloists)
Flute – Anna Noakes, Michael Cox, Nina Robertson, Siobhan Grealy
Harp – Skaila Kanga
Horn – David Pyatt, John Thurgood, Martin Owen, Nigel Black, Richard Berry, Richard Bissill, Richard Watkins
Oboe, cor Anglais – John Anderson
Percussion – Frank Ricotti, Gary Kettel, Paul Clarvis, Bill Lockhart
Piano, celesta – Simon Chamberlain
Trombone – Andy Wood, Dave Stewart, Mark Templeton, Richard Edwards
Trumpet – Andrew Crowley, Gareth Small, Philip Cobb
Tuba – Jim Anderson, Lee Tsarmaklis, Owen Slade
Viola – Andy Parker, Bruce White, Fiona Bonds, George Robertson, Gustav Clarkson, Julia Knight, Kate Musker, Max Baillie, Paul Cassidy, Peter Lale, Rachel Bolt, Reiad Chibah, Richard Cookson, Ruşen Güneş, Steve Wright (15), Sue Dench, Vicci Wardman
Viola da Gamba – Richard Boothby
Violin – Bea Lovejoy, Boguslaw Kostecki, Chris Tombling, Corinne Chapelle, Debbie Preece, Debbie Widdup, Dorina Markoff, Duncan Riddell, Everton Nelson, Gaby Lester, Ian Humphries, Jenny Godson, John Bradbury, Jonathan Evans-Jones, Jonathan Strange, Julian Leaper, Lorraine McAslan, Maciej Rakowski, Mark Berrow, Martin Burgess, Natalia Bonner, Patrick Kiernan, Paul Willey, Perry Montague-Mason, Peter Hanson, Philippa Ibbotson, Philippe Honoré, Rita Manning, Roger Garland, Sonia Slany, Steve Morris, Thomas Bowes, Tom Hankey, Tom Pigott-Smith
Vocalists
Alto – Alexandra Gibson, Catherine Backhouse, Clara Sanabras, Deryn Edwards, Heather Cairncross, Jo Marshall, Judy Rees, Tamsin Dalley
Bass – Benjamin Bevan, Cheyney Kent, John Evanson, Jonathan Wood, Lawrence Wallington, Michael Dore, Nicholas Garrett, Nigel Short, Patrick Ardagh-Walter, Richard Fallas, Russell Matthews, Stefan Berkieta
Tenor – Benedict Hymas, Garth Bardsley, Matthew Howard, Matt Long, Peter Wilman, Richard E. Wilson, Richard Eteson, Rory O'Connor
Solo vocalist – Sunna Wehrmeijer
Orchestra
Orchestration – Jeff Atmajian, John Ashton Thomas, Jon Kull, Pete Anthony, Peter Bateman
Leader – Thomas Bowes
Conductor – Pete Anthony
Contractor – Isobel Griffiths
Assistant contractor – Jo Changer, Susie Gillis
Choir
Choir – London Voices, Trinity Boys' Choir
Choirmaster – Ben Parry, Terry Edwards (London Voices), David Swinson (Boys' Choir)
Lead vocalists – Amiri Harewood, Andrew Sinclair-Knopp, Benedict Hill, Benjamin Withnells, Charles Davies, Daniel Gilbert, Daniel Le Maitre-George, Daniel Williams, Graham Bass, Harry Cookson, Harry Lees, Igor Sterner, Joel Okolo-Hunter, Joshua Dumbrill, Joshua Kenney, Owen Davis, Quentin-Zach Martins, Roman Southcombe, Sebastian Davies, Sebastian Exall, William Gardner, William Stone
Management
Director of music business affairs – Karen Sidlow
Executive vice president of music business affairs – Lenny Wohl
Executive in charge of film music – Carter Armstrong, Rona Rapadas
Music management executive – Trevon Kezios, Ally Wigmore
Film music coordinator – Nikki Triplett, Ryan Svendsen