Shortly afterwards, Weill replaced the Hindemith sections with his own music and this new version (described as a "cantata for soloists, chorus and orchestra") opened at Berlin's Kroll Theatre on 5 December 1929, conducted by Otto Klemperer. The play was enlarged as Der Flug der Lindbergh in 1930, but the new portion was not set to music.[3]
In December 1949, Brecht removed Lindbergh's name from the play for an upcoming production by the Südwestrundfunk. He also added a new preface denouncing Lindbergh's contributions to the technology of terror bombing as well as his wartime isolationism and his widely perceived Nazi sympathies. The original line "Mein Name ist Charles Lindbergh" [My name is Charles Lindbergh] became "Mein Name tut nichts zur Sache" [My name doesn't matter].[4][5][3]
Recording
Hindemith, Weill: Der Lindberghflug – Berlin Radio Orchestra and chorus (1930), Cologne Radio Orchestra and Pro Musica Vocal Ensemble (1987)
Principal singers: Ernest Ginsberg (narrator), Erik Wirl (tenor), Fritz Duttbernd (tenor), Gerhard Pechner (voice), Betty Mergler (soprano) (1930), Wolfgang Schmidt, Herbert Feckler, Lorenz Minth, Christoph Scheeben (1987)
Recording date and location: 18 March 1930 (Berlin) and 1987
^ abKlaus-Dieter Krabiel [de]: "Die Lehrstücke Brechts als editorisches Problem". In: Walther Dürr (ed.): Der Text im musikalischen Werk: Editionsprobleme aus musikwissenschaftlicher und literaturwissenschaftlicher Sicht. Erich Schmidt Verlag, 1998, ISBN9783503037896, pp. 338–341 (inGerman)