As a leader of the local community, Chairman Amin (Shahir Huda Rumi) bans every kind of image in his water-locked village in rural Bangladesh. He even states that even imagination is sinful since it gives one the license to venture into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village which is embedded upon a sweet triangle love story involving the Chairman Amin's only son (Chanchal Chowdhury), a village girl (Nusrat Imrose Tisha) and their supporting connected employee (Mosharraf Karim). But at the very end of the film, Television, which Chairman Amin hated so much, comes to the rescue and helps to reach a transcendental state where he and his God are unified.
The movie was directed by Mostofa Sarwar Farooki, who started out his career in television shows.[3] The movie received the Asian Project Market 2010 of the Busan Festival.[4] The movie was produced by Bangladeshi firm Chabial and had German co-producers.[5] The movie was shot in Chandpur, Laxmipur, Noakhali, and Dhaka.[6]
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