| This is the talk page for discussing improvements to the Falling Down article. This is not a forum for general discussion of the subject of the article. |
Article policies
|
| Find sources: Google (books · news · scholar · free images · WP refs) · FENS · JSTOR · TWL |
| Archives: 1Auto-archiving period: 3 months |
| This article is rated C-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||||||||||||||||||||||||
| ||||||||||||||||||||||||||||||||||||||||
There should be a "Themes" section. The two main themes in Falling Down are mental health, and post-Cold War America. The film contains a lot of Western motifs. The film's screenwriter Ebbe Roe Smith said in the 2009 DVD commentary that Falling Down is about where the extra ordinary meets the ordinary. Ebbe said Falling Down works as a detective story, not just social commentary. He felt the mystery element of Prendergast tracking Foster provided crucial structure to the narrative. Prendergast's core motivation isn't about rebelling against the police department or proving himself, it's simply that he's a detective who can't stop being a detective. Even on his last day, faced with disbelief from colleagues, he has to solve the mystery because that's who he fundamentally is.
In essence, Ebbe is saying Prendergast's story isn't primarily about redemption or rebellion, but about a detective following his nature despite circumstances. Michael Douglas, Ebbe Roe Smith, Joel Schumacher, and L.A. Times writer Shawn Hubler talk about the film's themes in the commentary for the 2009 DVD and Blu-ray release of the film.
The production of the film should give out an accurate description.
Ebbe Roe Smith was inspired to write Falling Down after reading a news story where, on the L.A. Freeway, an angry trucker snapped and started to ram and shove people off the road as he was driving. Producers Arnold Kopelsen and Anne Kopelsen brought the script to Michael Douglas in 1991. Douglas had worked with director Joel Schumacher as a producer on Schumacher's 1990 film Flatliners, and gave Schumacher the script. Douglas learned that Falling Down was turned down by almost every studio and was going to be developed as a television film. Douglas saw its potential and cut down his salary to ensure the project would get made. Douglas was personally drawn to Falling Down because it addressed his concerns about middle-class decline and growing wealth inequality in the United States under the George H.W. Bush presidency. He was specifically looking for a role where he could initiate action rather than play reactive characters like in Basic Instinct, Fatal Attraction, and Black Rain. He wanted something like Robert De Niro's role in Cape Fear, where he could push buttons and make others react to him. Douglas took the role of William Foster, partly because it allowed him to be more physically expressive instead of keeping emotions bottled up like his previous roles. Barbara Hershey was cast as Foster's ex wife Elizabeth Tavino. She was only available for two weeks as she was due to shoot a film in England. Schumacher was drawn to the film, saying that it felt like a Western.
Ebbe originally wrote a scene where Foster came across a rich plastic surgeon giving out a birthday party for one of their children, and Foster humiliated the plastic surgeon's wife by forcing her to strip and show all her surgeries. Schumacher changed the scene to his encounter with the caretaker and the caretaker's family because Schumacher felt Foster making the plastic surgeon's wife strip would make audiences loose sympathy for him.
During the filming of Falling Down, the 1992 Los Angeles riots happened. Schumacher said that there were police helping with the film's production. The police warned them about potential unrest if the officers in the Rodney King case were acquitted. They were originally going to shoot the Whammy Burger scene in Inglewood, but the cops told them not to go there because of the riots. The Whammy Burger scene was shot at a burger place called "Angelo's Burgers" in Lynwood California. Schumacher raced home from Mulholland to Bel-Air and saw the riots on television. The production later came back to the same neighborhoods and worked with local LA residents to maintain some authenticity in the film. The 1991 dissolution of the Soviet Union, combined with the 1992 Los Angeles riots tie in with the film's themes.
I found this information from the 2009 DVD and Blu-ray releases of Falling Down. The special features "Deconstructing D-FENS" and the commentary with Michael Douglas, Joel Schumacher, Ebbe Roe Smith, Paul Hirsch, Michael Paul Chan, Vondie Curtis Hall, Frederic Forrest, and Shawn Hubler. Oh and also, the home media section should reference the 2009 DVD and Blu-Ray releases of the film. And the soundtrack by James Newton Howard that was released by Intrada and WaterTower Music in January 2014.2600:6C40:5900:29C6:40C3:6FB2:C2A8:1AE6 (talk) 04:19, 8 March 2025 (UTC)
There has been a (near) edit war recently over the plot.....one point of contention is the gang guy Foster shoots in the leg and "leaves to die". Seems to me like that part should be left out because (if I am not mistaken), we never learn if the guy died or not. I don't think Foster said that was his intent either.Rja13ww33 (talk) 17:49, 10 March 2025 (UTC)
I had to squint, but I was finally able to read the description on the movie poster. It seems to me that "The adventures of an ordinary man at war with the everyday world" goes a long way to informing the reader exactly what the movie is about, yet I don't recall that text in the article at all. 2601:183:487E:4370:1BE:425B:A09B:8FC5 (talk) 18:07, 9 April 2025 (UTC)
Over the years this page has had several edits changing the film’s genre from thriller to action to drama, I feel it should stop. Most sources typically refer to the film as a thriller so I think it would be more fitting to consider the film as a thriller or psychological thriller as the film deals with a man being driven to his breaking point by societal flaws. 209.202.60.98 (talk) 22:01, 15 October 2025 (UTC)
The reason I insist that Foster leaves the man to die is that a detective later tells his girlfriend that he is dead. I also wish to remove the sections of the black man and the phone, as I don't think this is entirely relevant. ~2025-37136-02 (talk) 16:01, 10 December 2025 (UTC)
Am I alone in thinking that some of the sentence structure in the plot summary could be tightened up a little? It feels a little lazily written. And why were some of the links removed? GenesisMaster (talk) 16:40, 22 July 2026 (UTC)
Informasi ini disarikan dari Wikipedia dan disajikan kembali untuk tujuan edukasi. Konten tersedia di bawah lisensi CC BY-SA 3.0. Kami tidak bertanggung jawab atas ketidakakuratan data yang bersumber dari kontribusi publik tersebut.