OED apparently uses ".." without any spaces around (example). Our article doesn't mention such kind of punctuation at all, so I'm wondering whether this corresp
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Unspaced double dot
Latest comment: 3 months ago5 comments3 people in discussion
OED apparently uses ".." without any spaces around (example). Our article doesn't mention such kind of punctuation at all, so I'm wondering whether this corresponds to any standard in principle or is just their own quirk (then why?!). — Mikhail Ryazanov (talk) 11:32, 19 December 2021 (UTC)Reply
A very systematic error... :–) I see it in all their articles that I've checked in the online edition. I don't have a paper copy, but a scan from a very old edition shows the same double dot, although more loosely typeset. It's also weird that their article "ellipsis" doesn't define it as a punctuation mark, only mentioning in that sense that it's an obsolete name for the dash (for comparison, "colon" does include "punctuation-mark consisting of two dots"). And "Key to symbols and other conventions" says that "… (within cited text) indicates an omitted part of a quotation" using a precomposed glyph, rendered as three dots (I'm wondering how it looked on paper). So regarding a style manual, my question was exactly that: where they've got this strange thing from and why? — Mikhail Ryazanov (talk) 06:19, 21 December 2021 (UTC)Reply
The part of that section that talked about the OED has now been removed, for want of a better source. Here's the text that used to be in there, in case anyone needs a lead:
::the [[Oxford English Dictionary]]<!-- ("solely a space-saving device") this claim is presented from an authority they reached out to in the interview, but it seems like highly unlikely speculation, as the two-dot ellipsis isn't even particularly horizontally compressed--> ("to show that words have been deleted within a quotation"),<ref>{{cite web |author=Pat and Stewart |title=The Grammarphobia Blog: Two dots or three? |url=https://grammarphobia.com/blog/2008/12/two-dots-or-three.html |website=grammarphobia.com |access-date=22 April 2026 |language=en |date=10 December 2008}}
::</ref><ref>
::For an example of usage, see, eg, [[:File:NED Entry Encyclopedia.jpg]]
::</ref>
::
Latest comment: 3 months ago4 comments2 people in discussion
Our history section seems to suggest that an ellipsis evolved from the printed form of the Em dash that was written with three dashes ---. Yet it does not come right out and say it. Possibly due to a lack of an RS that puts all the pieces together like that. Or are those similarities spurious? Wonder if we'll ever know for certain. Dingolover6969 (talk) 04:08, 23 April 2026 (UTC)Reply
To figure this out I guess I would have to read Ellipsis in English Literature: Signs of Omission by Anne Toner. It's not very certain to me from the page what exactly she's claiming. I think, I get the hunch that, she's using ellipsis in the sense of "omission of words" and thus it's not a contradiction for her to say that --- was a notation for ellipsis. Also, probably the later chapters of this book would go off into some irrelevant later history, so maybe it's not that strenuous of a journey... Dingolover6969 (talk) 05:59, 23 April 2026 (UTC)Reply
Oh wow this is crazy. I think the current page is perhaps barking up the wrong tree talking about the english dash. Here's all of the relevant stuff I could find:
The dash and ellipsis points . . . were originally equivalent versions of the same mark.
—page 3, in the introduction.
In five editions of Wycherley’s The Country Wife, printed between 1675 and 1725 by a range of printers, the dash alone is used.102
But the page reproduced as Figure 8 complicates this story. This is from a 1710 octavo edition of Congreve’s Love for Love and here we see that dashes have been usurped by three dots.103 This text was published by Thomas Johnson [...] Although the 1710 Love for Love has a London imprint, Johnson printed his work from The Hague.
Many of Johnson’s plays used ellipsis points instead of dashes or hyphens. [...] One may speculate that periods might have seemed suitable for smaller formats, neatly complementing the proportions of the book. But because Johnson also used dashes, as did other publishers, including Tonson, who moved their plays into smaller formats following Johnson’s example, this does not seem the most convincing reason. More likely perhaps is that Johnson’s dots reflect the continental tradition of punctuating ellipses with points rather than dashes. Whatever the case, these plays reveal that an English audience was encountering series of dots as a variant notation of ellipsis in works written in English. They were also encountering dot, dot, dot in works published abroad. An alternative practice of marking ellipsis was in circulation.
In 1540 Estienne Dolet in La Punctuation de la Langue Francoyse commented on the non-translatability of punctuation: Although all languages have different means of speaking and writing, without exception, they have only one system of punctuation.108 The standardization of common printing types throughout Europe meant that this statement is by and large accurate, but not entirely. An examination of the print history of Terence’s ‘Quid ais omnium’ in France reveals
—pg 49, in Ellipsis marks in early printed drama § Ellipsis points
(the text resumes a couple pages later after some figures)
that interruption was signalled by another mark of punctuation altogether. Points de suspension . . . rather than a dash or series of hyphens became the conventional mark of omission in French texts. These seem to become a standard feature of the dramatic text rather later than their equivalents in England, but they are certainly well established by the 1630s.109 Furetière in his dictionary of 1690 described how: ‘Quand on met plusieurs points après un mot, c’est signe que le sens est imparfait, qu’il y a quelque lacune, ou quelque chose à ajouter.’ [‘When one puts a series of points after a word, it’s a sign that the sense is imperfect, that there’s a gap, or something to add.’]110 In Anne Dacier’s 1688 edition of Terence both the French translation and the Latin text are marked with suspension points (see Figure 9).111
—pg 51, in Ellipsis marks in early printed drama § Ellipsis points
So, um, the answer to "why dots?" is "they probably just took it from continental Europeans" and the question "why did continental Europeans use dots?" is not answered in this book because it's a book about English literature. Dingolover6969 (talk) 06:43, 23 April 2026 (UTC)Reply
"Boomer ellipsis"
Latest comment: 3 months ago1 comment1 person in discussion
There's a certain style of ellipsis usage that this page could, ideally, cover. Here are a bunch of low-quality sources I don't feel like citing that at least sort of establish what I'm talking about.
Clarify the distinction between ellipsis as omission and as punctuation
Latest comment: 19 days ago2 comments2 people in discussion
‘Ellipsis’ originally referred to the omission of words or other material. It later also came to refer to the punctuation mark used to indicate an omission, hesitation, or trailing off. The current lead defines an ellipsis immediately as a punctuation mark, which is valid usage, but it may obscure the older and broader grammatical meaning of the term.
Would it be worth revising the opening to distinguish these two senses more explicitly? This would not require changing the article title or suggesting that calling the punctuation mark an ‘ellipsis’ is incorrect, only clarifying that the mark and the underlying linguistic concept are related but distinct meanings of the same word. Desuforeverlulz (talk) 22:08, 16 July 2026 (UTC)Reply
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