By late 1974, touring was beginning to take its toll on the band, especially leader Tom Johnston. Things became worse during touring in support of Stampede when he was diagnosed with stomach ulcers. His condition worsened and several shows were cancelled. With Johnston forced to reduce his involvement with the band, the other members considered disbanding, but while in Baton Rouge, Louisiana, member Jeff Baxter suggested calling up friend and fellow Steely Dan graduate Michael McDonald, who at the time was between gigs and living in a garage apartment. McDonald was reluctant at first, feeling he was not what they wanted; according to him, "...they were looking for someone who could play Hammond B-3 organ and a lot of keyboards, and I was just a songwriter/piano hacker. But more than anything, I think they were looking for a singer to fill Tommy's shoes." He agreed to join them and met them at the Le Pavillon Hotel in New Orleans, where they moved into a warehouse to rehearse for the next two days. Expecting to be finished once touring was completed, McDonald was surprised when the band invited him to the studio to work on their next album.[8]
Recording
With Johnston on the sidelines, the band was unsure how to proceed. They doubted being able to make an album without Johnston. "I knew the record company was panicked about any change in the band," McDonald admitted. "They were leery about getting a new guy. I was thrilled to have had the gig, but I wasn't expecting all that much." With encouragement from producer Ted Templeman, the band began poring over the songs they had available. They knew they needed more, so McDonald brought in his own demos. Templeman told them, according to Patrick Simmons, "You've got a real diamond in the rough here that you can make into something if you want to go ahead." They decided to record his songs knowing it would take them in a completely different direction. While Johnston was absent for most of the sessions, he contributed one song – "Turn It Loose" – as well as back-up vocals and duet vocals with Simmons on "Wheels of Fortune". "I hadn't quit the band", he later stated. "I just wasn't physically able to do it. I needed to get off the road and get away from that whole scene for a while.".[8] "For Someone Special" was written by bassist Tiran Porter for Johnston. Porter both wrote and sang lead on the track.
^ ab"Old Black Water Keep on Rollin': 30 Years of the Doobie Brothers". Long Train Runnin': The Doobie Brothers 1970 - 2000 (CD Booklet). Warner Bros. Records. 1999. p. 33. 75876.
^Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 92. ISBN0-646-11917-6.
