The opening movement is colorfully orchestrated. Particularly notable is the second theme which starts with pulsating oboes and bassoon before the flute enters with a falling motif. The expositional coda also features a pulsating accompaniment against a chromatic rise in the strings.[1]
Daniel Heartz has noted the "hunt"-like character of the final movement, and Haydn's greater mastery of rondo form compared to earlier symphonies.[2]
References
^ abBrown, A. Peter, The Symphonic Repertoire (Volume 2). Indiana University Press (ISBN025333487X), pp. 171-172 (2002).
^Heartz, Daniel, Haydn, Mozart, and the Viennese School, 1740–1780 (New York: W. W. Norton & Company, 1995) (ISBN0393965333), pp. 371–72.