Symphony No. 2 (Bax)

The Symphony No. 2 in E minor and C major by Arnold Bax was completed in 1926, after he had worked on it for two years. It was dedicated to Serge Koussevitzky, who conducted the first two performances of the work on 13 and 14 December 1929.

Instrumentation

It is scored for piccolo, three flutes, two oboes, English horn, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, two tenor trombones, bass trombone, euphonium, bass tuba, timpani, bass drum, tambourine, cymbals, xylophone, glockenspiel, celesta, piano, two harps, organ and strings.

Form

It is in three movements:

  1. Molto moderato - Allegro moderato
  2. Andante
  3. Poco largamente - Allegro feroce - Molto largamente

Overview

The opening movement is noted for its complex orchestration. The orchestra is unusually large for Bax, with the organ used solely for pedals to add a dark effect. The thematic material for the entire symphony is laid out in the Molto moderato introduction of the first movement. The Allegro moderato section which follows is a further development of the introductory material, as is the more lyrical second subject. The movement ends with the sonorous theme which was first stated by the lower woodwinds at the beginning of the symphony. A typical performance of this movement lasts 16 minutes.

The second movement begins with an ostinato on harp and the flutes, which eventually develops into a beautiful melody that forms a basis for the development of the movement. A quotation of Bax's tone poem In Memoriam is used[citation needed], and motifs are quoted from the opening movement of the symphony. A typical performance of this movement lasts 12 minutes.

The final movement continues to use the main thematic material, with a short Poco largamente introduction followed by a fast, furious Allegro feroce section. A direct quotation from the first movement is used, the main climax of the piece is reached just before the epilogue in which the symphony fades into unresolved tranquility. A typical performance of this movement lasts 11 minutes.

A Closer Look at the Score

This symphony is luxuriantly and brilliantly orchestrated. The composer's palette is expansive, but it is expertly deployed. The composer's inclusion of an instrument into the fabric of the piece is to exploit the subtle musical ambience that the instrument provides, and in this manner we are treated to a remarkable rainbow of mood and nuance throughout the piece.

First Movement

The first movement opens nearly in silence, as if the sound is emerging from the morning fog. After some initial rumblings we are presented the main theme by the woodwinds:


{ \new PianoStaff 
  <<
\new Staff  \with { instrumentName="CA"}
  \relative c'
{ 
   \set Score.tempoHideNote = ##t  \tempo 2 = 35
  \set Staff.midiInstrument = #"english horn" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7
  \key e  \minor 
  \clef treble 
  \time 4/4 
  r1^\markup { \bold "Molto Moderato" }
  ees2.^\accent\f ees16^\accent_\markup { \italic \small declamato } ees^\accent e^\accent a^\accent |
  ees2^\accent~ ees8 ees^\accent  e^\accent g^\accent |
  fis^\accent cis e^\accent c^\accent ees2^\accent~ | 
  ees8 r8 \tuplet 3/2 {ees^\accent\=1( e^\accent a^\accent\=1)} \tuplet 3/2 {g\=1( ees fis\=1)} \tuplet 3/2 {des\=1( e c!\=1)} | 
  ees4.^\accent\=1(_\markup {\italic \smaller"dim" } b8\=1) d8 r8 r4 |
  r2 r4 d16\f\=1( f a c\=1)|
  \time 3/2
  e8
  }
\new Staff  \with { instrumentName="Cl"}
\relative c'
{ 
  \set Staff.midiInstrument = #"clarinet" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7 
  \transposition a
  \key c \minor 
  \clef treble 
  \time 4/4
  r1
  b2.^\accent\f b16^\accent_\markup { \italic \small declamato } b^\accent c^\accent f^\accent |
  b,2^\accent~ b8 b^\accent c^\accent ees^\accent |
  d^\accent a c^\accent a^\accent b2^\accent~ | 
   b8 r8 \tuplet 3/2 {b^\accent\=1( c^\accent f^\accent\=1)} \tuplet 3/2 {ees\=1( b d\=1)} \tuplet 3/2 {a\=1( c aes\=1)} |
   ces4.^\accent\=1(_\markup {\italic \smaller"dim" } g8\=1) bes4.\=1( f8\=1) |
   a2\pp~ a8_\markup {\italic \smaller "cresc."} r16 ges16\=1( bes des f aes\=1) |
   < des, aes' c >8\sfz 
  }
\new Staff  \with { instrumentName="BC"}
\relative c'
{ 
  \set Staff.midiInstrument = #"clarinet" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7 
  \transposition a
  \key c \minor 
  \clef treble 
  \time 4/4
  e,1\ppp\=1~|
  e~ |
  e~ |
  e~ |
  e~ |
  e~_\markup {\italic \smaller "dim." } |
  e2~\pp_\markup{\italic \smaller "cresc."} e8 r8 r4
  r8
}
\new Staff  \with { instrumentName="Bn"}
\relative c'
{ 
  \set Staff.midiInstrument = #"bassoon" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7 
  \key c \major 
  \clef bass 
  \time 4/4
  cis,,8\ppp r8 r4 r2
  \set Staff.clefGlyph = "clefs.C"
  des'2.^\accent\f des16^\accent_\markup { \italic \small declamato } des^\accent d^\accent g^\accent |
  des2^\accent~ des8 des^\accent d^\accent f^\accent |
   e^\accent bis d^\accent b^\accent des2^\accent~ |  
   des8 r8 \tuplet 3/2 {des^\accent\=1( d^\accent g^\accent\=1)} \tuplet 3/2 {f\=1( des e\=1)} \tuplet 3/2 {bis\=1( d b\=1)} |
   des4.^\accent\=1(_\markup {\italic \smaller"dim" } a8\=1) c4.\=1( g8\=1) |
   \set Staff.clefGlyph = "clefs.F"
   ges'2\pp_\markup {\italic \smaller "cresc."}~ ges8 c,16\f\=1( ees g bes d f |
   a8\=1)\sf
  }
\new Staff  \with { instrumentName="CB"}
\relative c'
{ 
  \set Staff.midiInstrument = #"bassoon" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7 
  \key c \major 
  \clef bass 
  \time 4/4
  ces,,1\ppp\=1~|
  ces1~ |
  ces1~ |
  ces1~ |
  ces1~ |
  ces1~_\markup {\italic \smaller "dim." } |
  ces2~\pp_\markup{\italic \smaller "cresc."} ces8 r8 r4
  r8
}
>> 
}

Further presentation of this theme with embellishment continues and pace picks up and we are then presented a 2nd theme this time by the clarinets:


{ \new PianoStaff 
  <<
\new Staff  \with { instrumentName="Cl."}
  \relative c'
{ 
  \set Score.tempoHideNote = ##t  \tempo 2 = 52
  \set Staff.midiInstrument = #"clarinet" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7
  \set Staff.midiMaximumVolume = 0.7 
  \transposition a
  \key g  \minor 
  \clef treble 
  \time 2/4 
  r4 r8.^\markup {\smaller "Soli"}_\markup {\italic \smaller "poco"} <d a'>16\f^\markup {\italic \smaller "molto ritmico" } |
  <f bes>8.^\accent <e a>16 <f bes>8.^\accent <d a'>16 |
  <f bes>8^\staccato  <bes, g'>8^\staccato <d a'>4^\accent~|
  <d a'>8[ <bes f'>^\staccato <d g>^\staccato <e a>^\staccato] |
  << 
  \relative { bes'8 a16\=1( f a4\=1)} 
  \\
  \relative { f'8 d4\=2( \tuplet 3/2 {e16 d c\=2) }}
>> |
  << 
  \relative { g'8^\staccato[ a^\staccato bes^\staccato c^\staccato]} 
  \\
  \relative { bes8\staccato[ d\staccato f\staccato e\staccato]\<}
>> |
  << 
  \relative { d''8^\staccato e^\staccato d^\staccato bes16\=1( g\=1)} 
  \\
  \relative {g'8 a g e }
>> |
  << 
  \relative { f'8^\accent f16\=1( a\=1) e8^\accent e16\=2( g\=2)} 
  \\
  \relative { des'4\! c}
>> |
  <b d>2^\accent\f |
  }
  >>
}

This theme with some variability continues to be presented by various groups of instruments, and we then proceed toward the end of the movement, where the pace softens to present this line from the string:


{ \new PianoStaff 
  <<
\new Staff  \with { instrumentName="Va"}
  \relative c'
{ 
  \set Score.tempoHideNote = ##t  \tempo 2 = 27
  \set Staff.midiInstrument = #"string ensemble 1" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7
  \key e  \major 
  \clef alto 
  \time 4/4 
  a'8\p^\markup {\tiny "arco"}_\markup {\italic \tiny "cantabile"} a\< a8. a16\!\> gis8\tenuto\=1( fis\!\=1) fis4 |
  fis8\=1(\< gis a\=1) b a\=2(\!\> gis\=2) cis,\=3( e\! |
  fis8[ fis] fis[ gis] fis\=1( b,\=1) b4~ |
  b8 e \tupletUp \tuplet 3/2 {e\tenuto\=1( e\tenuto e\tenuto\=1)} dis\=2(_\markup {\italic \tiny "dim."} cis\=2) fis4 |
  }
\new Staff  \with { instrumentName="Cel"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"string ensemble 1" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7
  \key e  \major 
  \clef tenor 
  \set Staff.clefPosition = 2
  \time 4/4 
  a'8\p^\markup {\tiny "arco"}_\markup {\italic \tiny "cantabile"} a\< 8. a16\!\> gis8\tenuto\=1( fis\!\=1) fis4 |
  fis8\=1(\< gis a\=1) b a\=2(\!\> gis\=2) cis,\=3( e\=3)\! |
  fis8[ fis] fis[ gis] fis\=1( b,\=1) b4~ |
  b8 e \tupletUp \tuplet 3/2 {e\tenuto\=1( e\tenuto e\tenuto\=1)} dis\=2(_\markup {\italic \tiny "dim."} cis\=2) fis4 |
  }
\new Staff  \with { instrumentName="B"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"pizzicato strings" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7
  \key e  \major 
  \clef bass 
  \time 4/4 
  << 
  \relative { fis2\p dis} 
  \\
  \relative { fis8 r8 r4 dis8 r8 r4}
>> |
  << 
  \relative { fis2 gis} 
  \\
  \relative { fis8 r8 r4 gis8 r8 r4}
>> |
  << 
  \relative { fis2 d} 
  \\
  \relative { fis8 r8 r4 d8 r8 r4}
>> |
  <cis, cis>8 r c^\markup {\teeny "Tutti pizz."} r b r \tuplet 3/2 { r_\markup {\italic \teeny "dim."} a gis } |
  }
  >>
}

Second Movement

The main theme in the 2nd movement is presented by the strings:



{ \new PianoStaff 
  <<
\new Staff  \with { instrumentName="V"}
  \relative c'
{ 
  \set Score.tempoHideNote = ##t  \tempo 2 = 30
  \set Staff.midiInstrument = #"string ensemble 1" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.7
  \key b  \major
  \clef treble
  \time 3/4 r4 r r8 fis8\p |
  b_\markup {\italic \teeny "cantabile" }\=1( cis dis4\=1) cis8 b |
  \time 4/4 cis4 fis,2~ fis8 fis |
  \time 3/4 fis\=1( gis b4\=1) cis8\=2( fis,8\=2) |
  dis'2_\markup {\italic \teeny "un poco cresc"}~dis8 dis8 |
  \time 4/4 fis\=1( e dis2\=1) cis8\=2( b |
  \time 3/4 cis4\=2) fis,2~ |
  fis8 fis4 gis8 b[\=1( gis]\=1) |
  dis'4\< cis~ cis8 fis\! |
  \time 4/4 fis\f\=1( gis a2\=1)\< gis8\=1( fis\! |
  \time 3/4 gis4\=1)\> fis4. fis8\!\p |
  e\=1( fis g4\=1) e8\=1( c\=1) |
  d2_\markup {\italic \teeny "cresc." } fis,4 |
  b8_\markup {\italic \teeny "poco" \bold \italic f} ( cis) d4 cis8( b) |
  \tuplet 3/2 {cis( e cis} fis,4.)\< fis8\! |
  fis(_\markup {\italic \teeny "poco" \italic \teeny \bold sfp} gis b dis) (cis\mordent b) |
  fis'2\< gis4\! |
}
  >>
}

This theme is explore a little further, then the landscape is suddenly transformed as if by a fresh spring breeze, and we are presented a beautiful fluttering melody by woodwinds (oboe with flute first, then with cor anglais) set among tremolo strings and accompanied by harps and celesta, here is this expanded extraction:

Page 1Page 2Page 3Page 4Page 5

Third Movement

The third movement begins ominously with tremolo strings and a brass fanfare:



{ \new PianoStaff 
  <<
\new Staff  \with { instrumentName="FH"}
  \relative c'
{ 
  \set Score.tempoHideNote = ##t  \tempo 2 = 30
  \set Staff.midiInstrument = #"french horn" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \transposition f
  \key c  \major 
  \clef treble 
  \time 4/4 
  << 
   \relative { r2^\markup {\bold "Poco largemente"} r4 gis'4\accent}
  \\
    \relative { r4\ff g2\accent\< cis4\accent\!}
>> |
  << 
   \relative {dis''1\accent}
  \\
    \relative { dis'1\sf}
>> |
  << 
   \relative { r2 r8 gis'8\accent\sf dis'4\accent~}
  \\
    \relative { r4 g4\accent~ g8 cis dis4\accent~}
>> |
  << 
   \relative { dis''2.~ dis8 r8}
  \\
    \relative {dis'2.~ dis8 r8}
>> |
  r1 |
  }
\new Staff  \with { instrumentName="FH"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"french horn" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \transposition f
  \key c  \major 
  \clef treble 
  \time 4/4 
  << 
   \relative { r2 r4 eis'4\accent}
  \\
    \relative { r4\ff g2\accent\< cis4\accent\!}
>> |
  << 
   \relative {dis''1\accent}
  \\
    \relative { gis'1\sf}
>> |
  << 
   \relative { r2 r8 eis'8\accent\sf dis'4\accent~}
  \\
    \relative { r4 g4\accent~ g8 cis gis'4\accent~}
>> |
  << 
   \relative { dis''2.~ dis8 r8}
  \\
    \relative {gis'2.~ gis8 r8}
>> |
  r1 |
  }
\new Staff  \with { instrumentName="Tr"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"trumpet" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef treble 
  \time 4/4 
   r4\f c2^\accent\< fis4^\accent\! |
   cis'1\sf\accent
   r4 c,!4^\accent~\< c8 fis8^\accent cis'4\sf\!\accent~ |
   cis2.~ cis8 r8 |
   r1 |
  }
\new Staff  \with { instrumentName="Tr"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"trumpet" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef treble 
  \time 4/4 
   r4\f\accent c2^\accent\< cis4^\accent\! |
   e1\sf^\accent
   r4 c!4^\accent\<~ c8 cis^\accent e4\sf^\accent\!~ |
   e2.~ e8 r8 |
   r1 |
  }
\new Staff  \with { instrumentName="Tn"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"trombone" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef bass 
  \time 4/4 
  << 
   \relative { r4^\accent g2^\accent ais4}
  \\
    \relative { r4\f ees2\accent\< fis4\accent\!}
>> |
  << 
   \relative {cis'1\accent}
  \\
    \relative { gis1\sf}
>> |
  << 
   \relative {r4 g!4\accent~ g8 ais cis4\sf\accent~}
  \\
    \relative {r4 ees4~\< ees8 fis g4\!~ }
>> |
  << 
   \relative {cis'2.~ cis8 r8}
  \\
    \relative {g2.~ g8 r8}
>> |
  r1 |
  }
\new Staff  \with { instrumentName="Tn"}
  \relative c'
{ 
  \set Staff.midiInstrument = #"trombone" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef bass 
  \time 4/4 
  r4\f g,2^\accent\< cis4^\accent\! |
  e1\sf\accent |
  r4 g,4^\accent\<~ g8 cis^\accent e4\accent\!\sf~ |
  e2.~ e8 r8 |
  r1 |
  }
\new Staff  \with { instrumentName="Tb"}
  \relative c
{ 
  \set Staff.midiInstrument = #"tuba" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key d  \major 
  \clef bass 
  \time 4/4 
  r4\f d,2^\accent\< gis4^\accent\! |
  dis'1\sf\accent |
  r4 d,!4^\accent\<~ d8 gis^\accent dis'4\accent\!\sf~ |
  dis2.~ dis8 r8 |
  r1 |
  }
\new Staff  \with { instrumentName="Tb"}
  \relative c
{ 
  \set Staff.midiInstrument = #"tuba" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef bass 
  \time 4/4 
  r1 |
  r1 |
  r1 |
  r8 c,!4\f\accent\< fis8\accent cis'4\accent\! ais16\accent g\accent e\accent dis\accent |
  c!4\accent\>~ c8\! r8 r2 |
  }
\new Staff  \with { instrumentName="C"}
  \relative c
{ 
  \set Staff.midiInstrument = #"string ensemble 1" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef bass 
  \time 4/4 
  c,1:32\ff\accent |
  c:32 |
  c:32 |
  c8 c4\accent\<^\markup {\italic \tiny "molto marcato"} fis8\accent cis'4\accent ais16\accent\! g\accent e\accent dis\accent |
  c!4\accent\>~ c8\! r8 r2 |
  }
\new Staff  \with { instrumentName="CB"}
  \relative c
{ 
  \set Staff.midiInstrument = #"string ensemble 1" 
  \set Staff.midiMinimumVolume = 0.2
  \set Staff.midiMaximumVolume = 0.9
  \key c  \major 
  \clef bass 
  \time 4/4 
  c,1:32\ff\accent |
  c:32 |
  c:32 |
  c8 c4\accent\<^\markup {\italic \tiny "molto marcato"} fis8\accent cis'4\accent ais16\accent\! g\accent e\accent dis\accent |
  c!4\accent\>~ c8\! r8 r2 |
  }
  >>
}

Notable recordings

References

  • "IMSLP Music Library". IMSLP Music Library.
  • Bax Symphony No. 2. Murdoch, Murdoch and Company.

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