The film is structured as a series of interviews, interspersed with footage from all over the world. The film is said to be "inspired by" Wright's lectures:[2] Unlike the book, which focused on ancient civilizations, the film focuses on the present-day impact of civilization, including the impact of concentrated wealth.[4] The underlying message here is that current models and strategies of economic growth have no practical connections with the real world. That is to say, the lack of an ethical underpinning in modern global economic practices is directly responsible for the overconsumption and exploitation of natural resources to the extent that the increasingly more probable future population collapse would take modern society right along with it.
The film rights were sold to Cinémaginaire in 2008.[5] It was directed by Mathieu Roy and co-directed by Harold Crooks with Daniel Louis and Denise Robert as producers for Cinemaginaire and Gerry Flahive as producer for the National Film Board of Canada (NFB). Executive producers included director Martin Scorsese, Silva Basmajian from NFB, and Big Picture Media Corporation; the latter had produced the 2003 documentary The Corporation.[6]
Calling it a "bone-chilling new documentary", Roger Ebert gave the film 3½ stars out of 4, and called it "bright, entertaining".[7] According to Maclean's:[8]
Turning ideas into seductive, irresistible cinema isn't easy, especially if they're the kind of ideas that are good for you....But a fresh genre of populist persuasion has emerged in recent years that's met with remarkable success: the dynamic docu-essay. Some notable examples include The Corporation, an likely [sic] hit that diagnosed capitalism's basic organism as a psychopath; The Inconvenient Truth, Al Gore's power-pointpolemic, which put global warming on the map; and Inside Job, a forensic inquiry into Wall Street's 2008 financial meltdown. The popularity of these films (the last two won Oscars) underscores a genuine appetite for global analysis that the fragmented vision of the news media fails to provide....The latest example is Surviving Progress, a Canadian documentary about the increasing weight of the human footprint of the planet. It's a high-level lesson that is enlightening, engrossing and beautiful to look at.
Kenneth Turan calls it "brainy and light on its feet, bristling with provocative insights and probing questions"; according to Turan, "though it features lively editing and a wide variety of involving visuals, Surviving Progress depends for its impact on the intelligence and eloquence of the numerous people interviewed."[9]
