Summertime (George Gershwin song)

"Summertime"
Song
Language	English
Released	1935 (1935)
Genre	Jazz
Composer(s)	George Gershwin
Lyricist(s)	DuBose Heyward Ira Gershwin

"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.^[1]

The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of African-Americans in the South-East United States from the early twentieth century".^[2] Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater".^[3]

Porgy and Bess

Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period.^[4][5] Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera.^[6]

The song is sung several times throughout Porgy and Bess. Its lyrics are the first words heard in act 1 of the opera, following the communal "wa-do-wa". It is sung by Clara as a lullaby. The song theme is reprised soon after as counterpoint to the craps game scene, in act 2 in a reprise by Clara, and in act 3 by Bess, singing to Clara's now-orphaned baby after both parents died in the storm.

The song was recorded for the first time by Abbie Mitchell on July 19, 1935, with George Gershwin playing the piano and conducting the orchestra (on: George Gershwin Conducts Excerpts from Porgy & Bess, Mark 56 667).

The 1959 movie version of the musical featured Loulie Jean Norman singing the song. That rendition finished at #52 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.^[7][8]

Analysis

Lyrics

Heyward's inspiration for the lyrics was the southern folk spiritual-lullaby "All My Trials", of which he had Clara sing a snippet in his play Porgy.^[9][10] The lyrics have been highly praised by Stephen Sondheim. Writing of the opening line, he says

That "and" is worth a great deal of attention. I would write "Summertime when" but that "and" sets up a tone, a whole poetic tone, not to mention a whole kind of diction that is going to be used in the play; an informal, uneducated diction and a stream of consciousness, as in many of the songs like "My Man's Gone Now". It's the exact right word, and that word is worth its weight in gold. "Summertime when the livin' is easy" is a boring line compared to "Summertime and". The choices of "ands" [and] "buts" become almost traumatic as you are writing a lyric – or should, anyway – because each one weighs so much.^[11]

Music

Musicologist K. J. McElrath wrote of the song:

Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use (one exception: the note B under the word "high") of the pentatonic scale (C–D–E–G–A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a "blues". Because of these factors, this tune has been a favorite of jazz performers for decades and can be done in a variety of tempos and styles.^[6]

While in his own description, Gershwin did not use any previously composed spirituals in his opera, Summertime is often considered an adaptation of the African American spiritual "Sometimes I Feel Like a Motherless Child", which ended the play version of Porgy.^[10][12][13]

Other versions

Statistics for the number of recordings of "Summertime" vary by source; while older data is restricted to commercial releases, newer sources may include versions self-published online. The Jazz Discography in 2005 listed 1,161 official releases, ranking the song fourth among jazz standards.^[14]

Other prominent versions include those by:

• In September 1936, a recording by Billie Holiday was the first to hit the US pop charts, reaching number 12.^[6]
• The Chris Columbo Quintet (US number 93, 1963).^[15][16]
• Billy Stewart's scat-laden R&B version reached number 10 on the Billboard Hot 100 and number 7 on the R&B chart in 1966;^[17] his version also reached number 39 in the UK^[18] and number 13 in Canada.
• Janis Joplin recorded a version for her band Big Brother and The Holding Company's 1968 Cheap Thrills album. The album charted at number 1 for eight weeks on the Billboard 200 chart.^[19]
• In the UK, a version by the Fun Boy Three reached number 18 on the UK Singles Chart in 1982.^[20]
• The version by Louis Armstrong and Ella Fitzgerald, released on their 1959 album Porgy and Bess, was certified silver by the British Phonographic Industry (BPI) in 2022.^[21]

See also

• List of 1930s jazz standards

References

1. "Summertime" at ASCAP Archived 2006-02-11 at the Wayback Machine
2. Robert Cummings. "Summertime" at AllMusic
3. "A Century of Creativity: DuBose and Dorothy Heyward". Loc.gov. 1926-08-02. Archived from the original on 2013-11-04. Retrieved 2013-12-29.
4. Pollack, Howard (2006). George Gershwin: His Life and Work. University of California Press. p. 589. ISBN 9780520248649. Retrieved 2013-12-29. Gershwin summertime spiritual style.
5. Hyland, William (2003). George Gershwin: A New Biography. Greenwood Publishing Group. p. 171. ISBN 9780275981112. Retrieved 2013-12-29.
6. ""Summertime" at". Jazzstandards.com. Retrieved 2013-12-29.
7. "100 Greatest Songs in Movies - AFI". www.filmsite.org.
8. "AFI List of Top 100 Songs From U.S. Films". Chicago Tribune.
9. Edward Jablonski, Lawrence Delbert Stewart, The Gershwin Years: George and Ira, Da Capo Press, 1996, ISBN 0-306-80739-4, p. 202
10. Jeffrey Paul Melnick, A Right to Sing the Blues, Harvard University Press 1999, ISBN 0-674-76976-7, pp. 129–133
11. Joanne Lesley Gordon, Art Isn't Easy: The Achievement of Stephen Sondheim, Southern Illinois University Press, Carbondale, Illinois, 1990, p. 13
12. Samuel A. Floyd Jr., ed. (1990). Black Music in the Harlem Renaissance: A Collection of Essays. New York: Westport. ISBN 0-313-26546-1., p. 22
13. Rosenberg, Deena (1991). Fascinating Rhythm: The Collaboration of George and Ira Gershwin. Penguin Books USA. ISBN 0-525-93356-5., p. 281
14. Phillips, Damon J. (2013). Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton University Press. p. 22, Table 1.2. ISBN 978-1-4008-4648-1. Retrieved 23 June 2020.
15. Whitburn, Joel (2003). Top Pop Singles 1955–2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 914. ISBN 0-89820-155-1.
16. Betts 2004, p. 497.
17. Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942–1995. Record Research. p. 421.
18. Betts 2004, p. 747.
19. Cabison, Rosalie (2 January 2013). "Billboard 200". Billboard. Retrieved 11 September 2023.
20. Betts 2004, p. 302.
21. "British certifications – Summertime". British Phonographic Industry. Retrieved 15 October 2022.

Sources

• Betts, Graham (2004). Complete UK Hit Singles 1952–2004 (1st ed.). London: Collins. ISBN 0-00-717931-6.

External links

• "A Languid Look Back To Gershwin's 'Summertime'", NPR Music, October 23, 2008