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Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise."^[1]^[2] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited.^[1]

A stotra can be a prayer, a description, or a conversation, but always with a poetic structure. It may be a simple poem expressing praise and personal devotion to a deity for example, or poems with embedded spiritual and philosophical doctrines.^[3]

A common feature of most stotras other than Nama stotras is the repetition of a line at the end of every verse. For example, the last line of every verse in the Mahiṣāsura Mardinī Stotra ends in "Jaya Jaya Hē Mahiṣāsura-mardini Ramyakapardini śailasute."

Many stotra hymns praise aspects of the divine, such as Devi, Shiva, or Vishnu. Relating to word "stuti", coming from the same Sanskrit root *stu- ("to praise"), and basically both mean "praise". Notable stotras are Shiva Tandava Stotram in praise of Shiva and Rama Raksha Stotra, a prayer for protection to Rama.

Stotras are a type of popular devotional literature. Among the early texts with Stotras are by Kuresha,^{[clarification needed]} which combine Ramanuja's Vedantic ideas on qualified monism about Atman and Brahman (ultimate, unchanging reality), with temple practices.^[3]

Etymology

Stotra comes from the Sanskrit root √stu- which means "to praise, eulogize or laud" combined with the ṣṭran suffix.^[3] Literally, the term refers to "poems of praise".^[4] The earliest trace of stotras are Vedic, particularly in the Samaveda.^[4]

Example

A seated Ardhanarishvara with both the vahanas

The following is a Peterson translation of a Stotra by the Tamil poet Appar for Ardhanarishvara, the Hindu concept of a god who incorporates both the masculine and the feminine as inseparable halves.^[5]

An earring of bright new gold one ear,
a coiled conch shell sways on the other,
On one side he chants the Vedic melodies,
on the other, he gently smiles,
Matted hair adorned with sweet konrai blossoms on one half of his head,
and a woman's curls on the other, he comes.
The one the nature of his form, the other of hers,
And both are the very essence of his beauty.

— Appar, Ardhanarishvara Stotra, ^[5]

Nama-stotra

The nama-stotra is based on chanting a litany of names for a deity. The Sahasranama, a type of nama-stotra, is a litany of a thousand names for a particular deity. Sahasranama means "1000 names"; Sahasra means 1000 and nama means names. For example, Vishnu Sahasranama means 1000 names of Vishnu.^[6] Other nama-stotras may include 100 or 108 epithets of the deity. According to Hinduism, the names of God are valuable tools for devotion.

Notable stotras

Śiva Tāṇḍava Stotra
Mohamudgara Stotra(Bhaja Govindam)
Aṣṭalakshmī Stotra
Hayagrīva Stotra
Dakshinamūrti Stotra
Hari Stotra
Śiva Mahimna Stotra
Panchākṣara Stotra
Rāma Raksha Stotra
Mahiṣāsura Mardinī Stotra
Māruti Stotra
Agasti Lakshmi Stotra
Naṭarāja Stotra
Dvādaśa Stotra
Annapūrṇa Stotra
Radha Sahasranama Stotra
Vishnu Sahasranama Stotra
Lalita Sahasranama Stotra
Narasimha Kavacham Stotra
Asitakṛtam Śivastotram

Jainism

References

^ ^a ^b Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on Stotra
^ Apte 1965, p. 1005.
^ ^a ^b ^c Nancy Ann Nayar (1992). Poetry as Theology: The Śrīvaiṣṇava Stotra in the Age of Rāmānuja. Otto Harrassowitz Verlag. pp. ix–xi. ISBN 978-3447032551.
^ ^a ^b Nancy Ann Nayar (1992). Poetry as Theology: The Śrīvaiṣṇava Stotra in the Age of Rāmānuja. Otto Harrassowitz Verlag. pp. 15–16. ISBN 978-3447032551.
^ ^a ^b Ellen Goldberg (2012). Lord Who Is Half Woman, The: Ardhanarisvara in Indian and Feminist Perspective. State University of New York Press. pp. 91–96. ISBN 978-0791488850.
^ Vishnu Sahasranamam on Hindupedia, the Online Hindu Encyclopedia

Bibliography

Apte, Vaman Shivram (1965), The Practical Sanskrit Dictionary (Fourth revised and enlarged ed.), Delhi: Motilal Banarsidass Publishers, ISBN 81-208-0567-4