"Stars"—which was written by Hum band members Matt Talbott, Jeff Dimpsey, Tim Lash, and Bryan St. Pere—had been penned by the band years prior to their signing with RCA Records.[5][6] The single was produced by the band and Keith Cleversley.[5]
In terms of style, "Stars" is predicated on "quiet-loud dynamics" akin to those used by Pixies.[7] According to the St. Louis Post-Dispatch, "Stars" (along with the other Hum tracks "The Pod" and "I'd Like Your Hair Long") features a "fuzzed-out barrage of guitars [that] suggest[s] a mixture of the pummeling sound of Dinosaur Jr. and the more dreamy soundscapes of Irish or British bands like My Bloody Valentine or Lush."[8]Vox magazine wrote, "Tracks like 'Stars' ... are achingly melancholic, but Talbott's detached tone and the crashing outbreak of guitars prevents the [song] from sliding into sentimentalism."[9]
Reception
Prior to its being released as an official single, "Stars" received heavy airplay on the Los Angeles radio station KROQ-FM. According to the St. Louis Post-Dispatch, "KROQ jumped on the song so soon that RCA had to rush release the song nationwide, a full month before the scheduled release of [the] single." Hum's drummer Bryan St. Pere credited KROQ with making the song so popular, saying in an interview, "Yeah, I think [KROQ] helped us out the most, because from what I gather, that's the station in the country, and when they decide to add a song, all the other stations kind of follow suit."[8] "Stars" eventually debuted on the Billboard Alternative Songs chart (then known as the "Modern Rock Tracks") at number 32 during the week of June 3, 1995, eventually peaking at number 11.[10][11] According to the Los Angeles Times, "Stars" was vital in helping You'd Prefer an Astronaut sell over 250,000 copies.[12]
In 2008, it was announced that the song had sold 26,000 digital copies, 29% of which had occurred since September 2007. Billboard magazine later hypothesized that this uptick in sales was due to a Cadillac commercial that used the song. According to Matt Talbott, the frontman of Hum:
People have always said this or that about using our songs in movies or commercials and nothing ever really comes of it. [...] [But one day] some guy at an ad firm asking about using a song for a commercial [...] I said, 'Yeah, sure, whatever man.' [He eventually] wrote back and told me more, and when I knew it was for real and that it sounded like a large campaign, I called my lawyer.[13]
The commercial was released before the members of Hum were aware that a deal had been agreed upon. According to Talbott, he only learned of its existence when he was at a hotel and the commercial was playing. Suddenly, Talbott received a call from his wife, who informed him that others had seen the ad and were phoning their house.[13]
Music video
A music video was released in 1995 that featured the band performing the song in a darkened basement-like room, interspersed with footage of a man covered in tattoos interacting with candles, a mask, a wall clock and other ephemera.
In the Beavis and Butt-head episode, "The Future of Beavis and Butt-head", the duo watch the video and change the channel after the extended chord early on, mistakenly thinking the song is over.[14]
