The Washington Post thought that "singer-guitarist Charles Gansa, bassist-singer Pumpkin Wentzel and drummer Danny Tunick don't demolish traditional song form, but they do like to beat it up a bit."[4]Philadelphia City Paper called the album "a charming swirl of their cheeky, off-key melodicisms and experimental tweeks and wonks ... Even bassist Pumpkin Wentzel's conceptually ill-conceived cover of John Lennon's 'Jealous Guy' works with a little chutzpah."[5]NME concluded that the album "chews on exactly the same pop bubblegum as their previous releases with a nerdy hook here, a quirky instrument there (castanets, Moog, Spanish guitars, etc) but, unlike 1996’s The Hunt, it chooses to hide its considerable light under a bushel of obscurity."[2]
AllMusic wrote that "the album is a frequently brilliant combination of acoustic guitars, assorted tone waves and other varied sounds, drawing them together into minimal but highly dynamic and well-constructed pieces in a beautifully rustic, desolate ballad style."[1]
