After having travelled in several countries, especially in Australia and Belgium, she came back to France in 2006.
In 2009, she was the recipient of the Grand Prix Lycéen des Compositeurs (France) for "les quatre elements", a concerto for flute, children choir and percussion instruments. In 2010, the SACEM gave her the Claude Arrieu Prize for her body of work. In 2012, she was a laureate of the Beaumarchais-SACD association. In 2023, Lacaze won the ‘100 femmes de culture’ award, which aims to highlight the inspiring and creative voices of French-speaking women in the arts.
Unsubdued but attentive to musical trends and schools, Lacaze has developed an original aesthetics that seeks to give back to music its first vocations, such as ritual, incantation, dance, and its links with nature, and in which the sound is essential.
Sophie Lacaze is also a committed artist who champions classical and contemporary music. She founded, and for several years directed, the Printemps Musical d'Annecy, a multi-disciplinary festival with a section dedicated to musical creation. She then went on to direct the Turbulences Sonores Festival in Montpellier, in collaboration with musicologist Guilherme Carvalho. In September 2018, she was appointed director of the Musiques Démesurées festival in Clermont-Ferrand.
In March 2013, with pianist Nathalie Négro, she founded the French association of women composers Plurielles 34, of which she was president until September 2020.
She taught composition and music history at the Université Paul Valéry in Montpellier for ten years.
Selected works
(1992): Trois melodies, for soprano voice and string trio. On poems by Jules Supervielle.
"Noûs", Vous ne rêvez encore… (France), 2024. With Maye, for vibraphone and gong, and And Earth moves away for flute quartet, by the ensemble PTYX.
"En songe", Klarthe (France), 2024. With L'art est le plus beau des mensonges, for voice and japanese bowls, by Anne Warthmann.
Il pleut des voix de femmes, Paraty (France), 2023. With Je vois passer l'Ange, En Quête, Fauvette, Il pleut des voix de femmes and O Sapientia by Els Janssens, Mora Vocis - voix solistes au féminin (Els Janssens, Caroline Marçot, Isabelle Deproit, Céline Boucard), Alain Carré (narrator), Michel Supéra (saxophone) and Marie Vermeulin (piano).
"Metamorphose", Ethan Nylander (USA), 2023. With Archèlogos II, for bass flute and tape, by Ethan Nylander.
"Les femmes dansent", Klarthe (France), 2021. With Tarantella, for piano, by Axia Marinescu.
"Accents", Aparté (France), 2021. With Histoire sans paroles, for violin, cello and piano, by musicians of the ensemble K (artistic director: Simone Menezes): Manon Galy (violin), Kacper Nowak (cello) and Mara Dobresco (piano).
"Fair_Play 2", Fair_Play network (France), 2018. With the 1st movement of Deux mouvements, for tenor saxophone and orchestra, by Daniel Kientzy and the Romanian National Radio Orchestra, conductor Horia Andreescu.
"Fair_Play One", Fair_Play network (France), 2017. With Vents du Sud, acousmatic work.
"7 saxophones autour du monde", Nova Musica (France), 2016. With Deux mouvements for tenor saxophone and orchestra, by Daniel Kientzy and the Romanian National Radio Orchestra, conductor Horia Andreescu.
"Souffles", Les Editions de l'Astronome, 2012. With L'espace et la flute, En quete, Quatre haikus, Voyelles and Het Lam Gods III, by Alain Carre, Baudoin Giaux, Jean-Yves Fourmeau, Amaya Dominguez, Martin Surot, Hinemoa Quartet and Royal Conservatory of Brussels flute ensemble.
"Encounters / Rencontre", AF Adelaide (Australia), 2012. With two Preludes for piano, by Stephen Whittington.
"Sophie Lacaze - Works with flutes", Solal (Germany), 2008. With Het Lam Gods II, Voices of Australia, Archelogos II, And then there was the sun in the sky, Cinq voyelles pour quatre flutes, Py and Les quatre elements by Pierre-Yves Artaud, French Flute Orchestra (conductor Pierre-Alain Biget), Phillip Peris, Fuminori Tanada and Michel de Maulne.
"Cosmogonies", Galun Records, 2005. With Voices of Australia by Ivan Bellocq.
"Plurielles", Maguelone, 2004. With Broken Words and Voyelles by the Helios Ensemble and Christel Rayneau.
"Aperto (Re)Forms", Gaudeamus (Roumania), 2000. With Comme une rue pavee and Trois preludes by the Trio Aperto and Dolores Chelariu.
"En Quete", Galun Records, 2000. With En Quete, Kulungalinpa, La Vita e Bella ?, Jetez-vous sur l'avenir and Le Becut. By Marie Kobayashi, Marcelle Rosnay, Ivan Bellocq, Mie Ogura, Phillip Peris, Fuminori Tanada, Lucie Bessiere, Marie-Agnes Letellier, Arnaud Limonaire, Paul Broutin, Bernard Vandenbroucque, and children of Lappacca (in Lourdes) and Parc Suzanne (in Argeles Gazost) primary schools.
"Musiques francaises du XXe siecle", REM, 1996. With Voyelles by Chiharu Tachibana.
La stoffa inesauribile di cui sono fatti i sogni - Intervista alla compositrice francese Sophie Lacaze, prima donna a ricevere il Grand Prix Lycéen des Compositeurs - [1], Weekly news and culture magazine Azione, July 2024. By Davide Fersini.
"La música de los cuatro elementos" - by Genevieve Mathon (translation Alberto Leongómez H.) about "Les quatre elements", concerto for flute, children choir and small percussion instruments by Sophie Lacaze, in “(Pensiamento), (palabra)… Y oBra”, Revista de la Facultad de la Universidad Pedagogica Nacional de Bogotà, Colombia (2014).
"Interpreting a cappella music in 20th- and 21st-century France", The project A cappella Impromptu, June 2014, Universität für Musik und darstellende Kunst, Graz, by Anaïs Maillard de la Morandais, p. 26.
"Compositrices françaises au XXe siècle", Association Femmes et Musique, with an article about Sophie Lacaze by Michèle Friang, p. 103-105, Editions Delatour France [2].
"Composer profile: Sophie Lacaze" - by David Leone, Musicakaleidoscope, July 2014 [3].
"Aborigines-Impressionen" - by Dr. Hanns-Peter Mederer about music by Sophie Lacaze, April 2016, Amusio [4].
"L'annuaire des expertes", Club de la presse du Languedoc-Roussillon, Femmes & Medias, June 2016, p. 72.