In 1849, Captain Stanton has been cited for a court martial because of a misunderstanding over a woman with Major Davolo. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meets Davolo, there is another fight between Stanton and Davolo in which Davolo is killed.
The colonel has Stanton put in the guard house on a murder charge. He escapes disguised as a parson and continues along with the wagon train in order to be near Virginia, the daughter of his former commander. They fall in love and when Stanton decides to leave the wagon train, Virginia follows him.
Stanton marries Virginia and opens a gambling hall. When the regiment eventually turns up at the gambling hall, Virginia makes merry with her former friends. Stanton, in a fit of jealousy, leaves the establishment with another woman and tries his luck in California, searching for gold. He has poor luck and becomes a derelict. Eventually he meets his wife in San Francisco, resulting in a happy reconciliation. Some soldiers find him and give him a choice between being deported or re-enlisting in the army. He re-enlists. Joe E. Brown, in the part of Hasty, his doomed sidekick, provided the comedy for the film.
This was Boles's follow-up to his successful role in The Desert Song (1929). The film was finished in June 1929. Following a number of dismal previews, however, Warner Bros. shortened the film by two reels, removing some of the musical content in the process. In spite of being delayed for almost a year before release, the film had a worldwide gross of $920,000 and the featured songs were quite popular, leading RCA Victor to hire Boles, who was then at the height of his popularity, to record "The One Girl" and "West Wind" for commercial release.
"The Bride Was Dressed in White" (sung by Joe E. Brown)
"West Wind" (sung by John Boles) (music by Vincent Youmans, lyric by J. Russell Robinson)
"Kingdom Coming" (sung by chorus) (authors unknown)
Preservation
Alleged recently discovered fragment showing the wagon train in the film.
Since the 1970s, no copies of the film are known to exist.[1] The complete soundtrack survives.
Although the film's copyright was renewed in 1956, it does not appear to have been shown on television. 16mm prints of early Warner Bros. films, including sound-on-disc films, were made in the 1950s for distribution as local television package (see Associated Artists Productions), and some two-color Technicolor films now survive (in black and white) only because of those prints. Some pre-1931 sound films made by Warner Bros. and First National have been lost because United Artists (former rights holder of pre-1950 WB films) donated most films to foreign film preservation or private collector and presently it is impossible to search for a film after when UA donated to the Library of Congress the earliest surviving preprint material from the pre-1950 (including some pre-1931) film library of Warner Bros. and post-1923 First National library.
In a June 2011 forum discussion, a small fragment, running about a minute, was claimed to have been discovered in the UK and identified as being from the film.[2] It is available on DVD from the Warner Archive Collection. One short fragment of an original color print was identified in the British Film Institute archives in 2018.
