PROFILBARU.COM

Smilin' Through
Smilin' Through
	Theatrical release poster
Directed by	Sidney Franklin
Written by	James Ashmore Creelman (scenario); Sidney Franklin (scenario)
Based on	Smilin' Through; 1919 play; by Alan Langdon Martin (aka Jane Murfin and Jane Cowl)
Produced by	Norma Talmadge; Joseph M. Schenck
Starring	Norma Talmadge; Harrison Ford; Wyndham Standing
Cinematography	J. Roy Hunt; Charles Rosher
Distributed by	First National Pictures
Release date	February 13, 1922;
Running time	96 minutes
Country	United States
Language	Silent (English intertitles)
Box office	$1 million (US/Canada)

Smilin' Through

Smilin' Through is a 1922 American silent drama film based on the 1919 play of the same name, written by Jane Cowl and Jane Murfin (together under the pseudonym Alan Langdon Martin). The film starred Norma Talmadge, Harrison Ford, and Wyndham Standing. It was co-written and directed by Sidney Franklin, who also directed the more famous 1932 remake at MGM. The film was produced by Talmadge and her husband Joseph M. Schenck for her company, the Norma Talmadge Film Corporation. It was released by First National Pictures. Popular character actor Gene Lockhart made his screen debut in this film.^[3]^[4]

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

The story was an especially popular one and was filmed twice more by MGM: in 1932 with Norma Shearer and 1941 with Jeanette MacDonald.

Plot

As described in a film magazine,^[5] on a moonlit night many years prior to the story, John Carteret (Standing) and the beautiful Moonyeen (Talmadge) were to be married. The guests were assembled and the garden in which the wedding would take place presented a scene of gaiety, beautifully decorated and lit with many lanterns. Just prior to the ceremony, Jeremiah Wayne (Ford), desperately in love with Moonyeen, forces his way through the crowd and tries to stop the wedding. As John moved towards him, Jeremiah drew a pistol and leveled it at the bridegroom. Just as the shot was fired, Moonyeen moved to protect John and received the bullet intended for him. As she lay dying, the marriage ceremony was performed. Many years later, Kathleen (Talmadge), the image of her aunt Moonyeen, has become the ward of John. She meets Kenneth Wayne (Ford), the son of Jeremiah, and the couple fall in love, much to the grief of her guardian, who hates the name of the man who caused him a lifetime of sorrow. John orders the young Wayne away and forbids Kathleen from ever seeing him again. In spite of John's orders, Kathleen goes to bid farewell to her sweetheart as he leaves for duty in World War I. When she returns, John tells her the story of Moonyeen as the reason she must forget Kenneth. After four years Kathleen and Kenneth meet, the latter returning wounded and crippled. Kenneth feels that in his condition he is not fit to wed Kathleen and leaves her, she thinking that he is in love with someone else. That night the spirit of Moonyeen appears to John and, as a result of the visitation, the old man sends for Kenneth. The lovers are reunited just prior to the death of John, who dies happily knowing that he has not doomed the couple to the life of sorrow that he had.

Cast

Norma Talmadge as Kathleen / Moonyeen
Harrison Ford as Kenneth Wayne / Jeremiah Wayne
Wyndham Standing as John Carteret
Alec B. Francis as Dr. Owen
Glenn Hunter as Willie Ainsley
Grace Griswold as Ellen
Miriam Battista as Lil Mary, Moonyeen's sister
Gene Lockhart as Village Rector (credited as Eugene Lockhart)
Buddy Roosevelt as Departing / Returning Soldier with Mother (uncredited)

Reception

Mary Pickford praised Talmadge's performance and the film's sets, costumes, and entertaining story. "It deals with a subject which interests most women — that of spiritualism — which is so delicately and beautifully handled that it could offend no one," she described. It was one of her favorite films.^[6]