Reviewing for The Village Voice in 1974, Robert Christgau said the album's best music "breathes with a lushness and lyricism that never cloys". He found the melodies, harmonies, and polyrhythms to be "sensuous without coming on about it" and felt that Tyner's minor flaws as a pianist, including "Tatumesque flourishes", are "less egregious in an ensemble setting like this one."[5] In a retrospective review for AllMusic, Scott Yanow said that Tyner is "heard at the height of his powers throughout this rewarding set", which serves as "a strong example of McCoy Tyner's music".[2]