Mickey Sabbath (modeled after American Jewish painter R.B. Kitaj[2]) is an unproductive, out-of-work, former puppeteer with a strong affinity for prostitutes, adultery, and the casual sexual encounter. Sabbath takes great pleasure in his status as the prototypical "dirty old man." He takes an equal pleasure in manipulating the people around him, primarily women—in a sense, they play the same role as his puppets. The loss of a decades-long wingman—the equally depraved Drenka—precipitates a crisis in a life he has long considered an utter failure. Sabbath wonders whether he should simply take his own life, thereby heeding the advice of the ghost of his departed mother, a frequent visitor who urges suicide as the fitting end for his failed life.
Reception
Literary critic Harold Bloom has declared Sabbath's Theater Roth's "masterwork."[3] Prominent literary critic James Wood told The Morning News, "I am a great fan of Sabbath’s Theater, it was an extraordinary book."[4]New York Times critic Michiko Kakutani found it hard to finish and "distasteful and disingenuous".[5]
After Roth's passing, the New York Times asked several prominent authors to name their favorite Roth book. Claire Messud picked Sabbath's Theater, writing: "The novel, outrageous when it was first published is all but inconceivable today; which is part of what makes it literarily important. Roth fearlessly embraces the ugliness of the aging degenerate, with Dostoevskian zeal. He manages to do so with such wit and in such pyrotechnic prose that this reader, at least, doesn’t hurl the book across the room."[7]
