The cast included Al Jolson, Kitty Doner, Claude Flemming, and Isabelle Rodrigues.[4]
The show was built around Jolson, and was a vehicle for Jolson.[5][a]
A company of two hundred supported Al Jolson in ten major scenes.[2]
The show included songs from a number of sources, including some written by Jolson. He often added or removed songs from one show to another.
Atteridge created a simple framing story that unified the acts.[1]
The show ran on Broadway for 139 performances.[7]
It then went on the road in the fall. Jolson sometimes performed twice or three times in one day in one city before moving on.[2]
Hiram Westbury, a millionaire, is exhausted by some film makers who want to use his estate as a film location.
He falls asleep. In his dream, he imagines he is Robinson Crusoe, Jr.
His chauffeur, played by Al Jolson, is his Good Friday.[1]
Jolson played the chauffeur in blackface.[2]
The dreams make up most of the show.[8]
After the opening scene the pair travel to Crusoe's island, which is given a haunted forest, and to a pirate ship crewed by chorus girls.[9]
The "glittering galaxies of gorgeous, glorious, gladsome girlies mirthfully monopolized the mad, merry hours and the ten tremendous tumultuous scenes of Robinson Crusoe, Jr."[10]
At one point in the story trees woke up and began to sway to the music.
Jolson has comic interactions with a goat and a crocodile.[11]
The shorter second act was set back in the millionaire's home.[10]
There were 27 musical numbers in the show, including five specialty dances. Many of the huge cast danced in Minstrel Days. Jolson himself did not play a major role in the musical numbers, and was always alone on the stage when he sang.[10]
According to Jolson's biographer Michael Freedland, Robinson Crusoe, Jr. was "the nearest Jolson had yet come to a show with a real plot ... although from opening night on, it was quite plain that the story was not going to interfere with his domination on stage."[11]
Where the Black-Eyed Susans Grow (by Dave Radford and Richard Whiting)
References
Notes
^Al Jolson's roots in show business came from performing in a carnival and a traveling circus, and then in vaudeville.
He mostly worked in blackface, a convention that originated with minstrel shows. His breakthrough came with La Belle Paree in 1911.[6]