You can help expand this article with text translated from the corresponding article in Hungarian. (June 2013) Click [show] for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Hungarian Wikipedia article at [[:hu:Seress Rezső]]; see its history for attribution.
You may also add the template {{Translated|hu|Seress Rezső}} to the talk page.
Rezső Seress (Hungarian: Seress Rezső,[ˈʃɛrɛʃː ˈrɛʒøː]; 3 November 1889[1] – 12 January 1968[1]) was a Hungarianpianist and composer. Some sources give his birth name as Rudolf ("Rudi") Spitzer.
Biography
Rezső Seress lived most of his life in poverty in Budapest, from where, being Jewish, he was taken to a labor camp by the Nazis during the Second World War. He survived the camp and after employment in the theatre and the circus, where he was a trapeze artist, he concentrated on songwriting and singing after an injury. Seress taught himself to play the piano with only one hand. He composed many songs, including Fizetek főúr (Waiter, bring me the bill), Én úgy szeretek részeg lenni (I love being drunk), and a song for the Hungarian Communist Party to commemorate the chain bridge crossing the river in Budapest, Újra a Lánchídon (Again on the chain bridge).
His most famous composition is Szomorú Vasárnap ("Gloomy Sunday"), written in 1933, which gained infamy as it became associated with a spate of suicides.
Seress felt a strong loyalty to Hungary, and one reason for his poverty while having a world-famous song was that he never wished to go to the USA to collect his royalties, instead staying as pianist at the Kispipa restaurant in his home town. This restaurant had a pipe stove at the centre of its dining room and was remarkably cold for a restaurant. The place was a favourite of prostitutes, musicians, bohemian spirits and the Jewish working class.
As his fame began to wane, along with his loyalty to the communist party, Seress plunged into depression. Though he himself survived the Nazi forced labour in the Ukraine, his mother didn't, which intensified his gloom.
Seress committed suicide in Budapest in January 1968; he survived jumping out of a window, but later in the hospital, he choked himself to death with a wire. His obituary in The New York Times mentions the notorious reputation of "Gloomy Sunday":
Budapest, January 13.
Rezsoe [sic] Seress, whose dirge-like song hit, "Gloomy Sunday" was blamed for touching off a wave of suicides during the nineteen-thirties, has ended his own life as a suicide it was learned today.
Authorities disclosed today that Mr. Seress jumped from a window of his small apartment here last Sunday, shortly after his 69th [sic] birthday.
The decade of the nineteen-thirties was marked by severe economic depression and the political upheaval that was to lead to World War II. The melancholy song written by Mr. Seress, with words by his friend, Ladislas Javor, a poet, declares at its climax, "My heart and I have decided to end it all." It was blamed for a sharp increase in suicides, and Hungarian officials finally prohibited it.
In America, where Paul Robeson introduced an English version, some radio stations and nightclubs forbade its performance.
Mr. Seress complained that the success of "Gloomy Sunday" actually increased his unhappiness, because he knew he would never be able to write a second hit.