Reuven Rubin (Hebrew: ראובן רובין, Yiddish: רובין זעליקאָװיטש; November 13, 1893 – October 13, 1974) was a Romanian-born Israeli painter and Israel's first ambassador to Romania.[1]
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernăuţi. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.[4] Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York City. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition.[1]
The history of Israeli art began at a very specific moment in the history of international art, at a time of Cezannian rebellion against the conventions of the past, a time typified by rapid stylistic changes.[5] Thus Jewish national art had no fixed history, and no canon to obey. Rubin began his career at a fortunate time.
The painters who depicted the country’s landscapes in the 1920s rebelled against Bezalel. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s[6] were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the biblical landscape, folklore and people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose style combined Eastern nuances, as well as by the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His autobiography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin.[1]
Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York City in 2007, his work accounted for six of the ten top lots.[1]
Diplomatic career
In 1948, he became the first official Israeli diplomatic envoy (minister) to Romania. He served in this position until 1950.
Dalia Manor, "The Dancing Jew and Other Characters: Art in the Jewish Settlement of Palestine during the 1920s", Journal of Modern Jewish Studies, 1(1), 2002, pp. 73–89.
Dalia Manor, "Imagined Homeland: Landscape Painting in Palestine in the 1920s", Nations and Nationalism, 9 (4), 2003, pp. 533–554.
Claus Stephani: Das Bild des Juden in der modernen Malerei. Eine Einführung. / Imaginea evreului în pictura modernă. Studiu introductiv. (Zweisprachige Ausgabe, deutsch-rumänisch. Ediţie bilingvă, româno-germană.) Editura Hasefer: Bucharest, 2005. ISBN973-630-091-9
