Renée Vivien

Renée Vivien
Renée Vivien, circa 1905
Born	Pauline Mary Tarn 11 June 1877 London, United Kingdom
Died	18 November 1909(1909-11-18) (aged 32) Paris, France
Resting place	Passy Cemetery, Paris, France
Monuments	Place Renée Vivien, Paris, France
Occupation	Poet
Era	Belle Epoque
Partner	Natalie Barney (1900-1901) Hélène van Zuylen (1902-1907)
Signature

Renée Vivien (born Pauline Mary Tarn; 11 June 1877 – 18 November 1909) was a British poet.^[1] A high-profile lesbian in Paris during the Belle Époque era, she is widely considered to be one of the first noteworthy twentieth-century lesbian poets and has recently received more attention following a revival of interest in Sapphic verse. Many of her poems are autobiographical, pertaining mostly to Baudelarian themes of extreme romanticism and frequent despair. Apart from poetry, she wrote several works of prose, including L'Etre Double (inspired by Coleridge's Christabel), and an unfinished biography of Anne Boleyn, which was published posthumously. She has been the object of multiple biographies, most notably those by Jean-Paul Goujon, André Germain [de], and Yves-Gerard Le Dantec [d].

Biography

Early life

Renée Vivien was born Pauline Mary Tarn in London, England to John Tarn [d], a British farmer who had become wealthy through property investments, and an American mother, Mary Gilett Bennett [d].^[2][3][4] Vivien attended the Belsize College in Hampstead, London, where, in 1883, she was awarded a silver medal by the Alliance française for her study of French.^[5][6] Vivien was attending school in Paris^[7] when her father died in 1886. Upon his death, Vivien returned to London and received his inheritance.^[4] Purportedly, Vivien's mother attempted to declare Vivien legally insane so that she could have her husband's inheritance money instead. The plot failed, and Vivien was taken away from her mother to live as a ward of the court until she came of age.^[7] In 1899, after she turned 21, Vivien returned to France with the inheritance money. It is around this time that she began to be known as Renée Vivien.^[8]

Relationships

Vivien harbored^{[clarification needed]} a romantic relationship with her childhood friend and neighbor, Violet Shillito – a relationship that remained unconsummated. Shillito introduced Vivien to the American heiress, Natalie Barney.^[4] The following year Shillito died of typhoid fever, Vivien felt to blame for her death and felt guilty for sidelining Shillito in favour of Barney. Perhaps because of this death, but likely also in part to Barney's infidelities, Vivien and Barney split a year later, in 1901.^[7] It is thought that Shillito is mentioned in Vivien's poems using the word violet or purple.^[9]

Renée Vivien (left) and Natalie Clifford Barney posing for a portrait in Directoire-era costume

Lucien Lévy-Dhurmer (b. 1909), Portrait of Renée Vivien

In 1902, Vivien became romantically involved with the wealthy Baroness Hélène van Zuylen, one of the Paris Rothschilds. Zuylen provided much-needed emotional support and stability. Her social position did not allow for a public relationship, but she and Vivien often travelled together and continued a discreet affair for a number of years. In letters to her confidant, the French journalist and Classical scholar Jean Charles-Brun, Vivien considered herself married to the Baroness.^[8]

While still with Zuylen, Vivien received a letter from an admirer in Istanbul, Kérimé Turkhan Pacha [fr; es], the wife of a Turkish diplomat. This launched a passionate correspondence, followed by brief clandestine encounters. Kérimé, who was French-educated and cultivated, lived according to Islamic tradition. Isolated and veiled, she could neither travel freely nor leave her husband.^[8] Meanwhile, Vivien would not give up the Baroness de Zuylen.

In 1907, Zuylen left Vivien for another woman. Shocked and humiliated, Vivien fled to Japan and Hawaii with her mother, becoming seriously ill on the voyage.^{[citation needed]} Another blow came in 1908 when Kérimé, upon moving with her husband to Saint Petersburg, ended their affair.

Vivien was terribly affected by these losses and turned increasingly to alcohol and drugs.

The French writer Colette, who was Vivien's neighbour from 1906 to 1908, immortalised this period in The Pure and the Impure, a collection of portraits showing the spectrum of homosexual behaviour. Written in the 1920s and originally published in 1932, its factual accuracy is questionable; Natalie Barney reportedly did not concur with Colette's characterization of Vivien.^{[citation needed]}

World travels

Vivien was cultivated and very well travelled, especially for a woman of her era. She wintered in Egypt, visited China, and explored much of the Middle East, as well as Europe and America.

After the heartbreak from Zuylen and Pasha, Vivien fled to Japan and then Hawaii with her mother in 1907. Vivien became ill on the voyage.^[10]

Her Paris home was a luxurious ground-floor apartment at 23, avenue du Bois de Boulogne (now 23, Avenue Foch) that opened onto a Japanese garden. She purchased antique furnishings from London and exotic objets d'art from the Far East. Fresh flowers were abundant, as were offerings of Lady Apples to a collection of shrines, statuettes, icons, and Buddhas.

A public square is named in her honor in Paris: Place Renée-Vivien [fr], in Le Marais, central historic district of the French capital.

Illness and death

While visiting London in 1908, Vivien tried to kill herself by drinking an excess of laudanum. She stretched out on her divan with a bouquet of violets held over her heart. The suicide failed, but while in England, she contracted pleurisy; later, upon her return to Paris, she grew weaker. According to biographer Jean-Paul Goujon, Vivien suffered from chronic gastritis, due to years of chloral hydrate and alcohol abuse. She had also started to refuse to eat. By the summer of 1909, she walked with a cane.^{[citation needed]}

Vivien died in Paris on the morning of 18 November 1909 at the age of 32; the cause of death was reported at the time as "lung congestion", but likely resulted from pneumonia complicated by alcoholism, drug abuse, and anorexia nervosa ^{[citation needed]}. She was interred at Passy Cemetery in the same Parisian neighbourhood where she had lived.^[11]

Works

Published works

Vivien only wrote in French. Some of her works have been translated.^[9]

She published her first collection of poetry, Études et préludes, in 1901. She would go on to publish 12 more collections of poetry in her lifetime, as well as her own translations of Sappho's verses from Greek (the language she learnt specifically for the purpose). Contemporary feminists consider her one of the first women to write openly lesbian poetry.^[8]

In 1903, Vivien produced a translation of Sappho's poetry from the edition of Hentry Thornton Wharton, entitled Sapho, traduction nouvelle avec le texte grec (Sapho: A New Translation with the Greek Text).^{[12] [p. 78]} She learned Greek by taking private lessons with a teacher, Gaetan Baron, because she wanted to read Homer in the original Greek.^{[12] [p. 93]} In 1904, Vivien originally published A Woman Appeared to Me (in French), an autobiographical novel. In 1976, it was translated to English by Jeanette Foster and published by Naiad Press. Naiad also published a translation of Vivien's poetry collection, The Muse of Violets, in 1977.^[13][14][15]

Vivien also published poetry and prose in collaboration with lover, Hélène van Zuylen using the pseudonym, Paule Riversdale [fr]. The true attribution of these works is uncertain, however; some scholars believe they were written solely by Vivien. Even certain books published under Zuylen's name may be, in fact, Vivien's work.

Title page for Vivien's biography of Anne Boleyn, published in 1909

During her brief life, Vivien was an extremely prolific poet who came to be known as the "Muse of the Violets", derived from her love of the flower. Her obsession with violets (as well as with the colour violet) was a reminder of her beloved childhood friend, Violet Shillito.

She took to heart all the mannerisms of Parnassianism and of Symbolism, as one of the last poets to claim allegiance to the school. Her compositions include sonnets, hendecasyllabic verse, and prose poetry.

Virtually all her verse is veiled autobiography written in the French language; most of it has never been translated into English. Her principal published books of verse are Cendres et Poussières (1902), La Vénus des aveugles (1903), A l'heure des mains jointes (1906), Flambeaux éteints (1907), Sillages (1908), Poèmes en Prose (1909), Dans un coin de violettes (1909), and Haillons (1910).

Her poetry has achieved greater appeal and a wider audience due to the contemporary rediscovery of the works of the ancient Greek poet Sappho, also a lesbian. Her work has been described as 'coded, even though it is consciously lesbian poetry - erotic, romantic, about some of the complexities of women's relationships as she saw them, occasionally explicitly political - a poetry that celebrates lesbian experience, but more than celebrates, accepts it as a given.'^[16]

List of works

• Études et Préludes  (in French). Paris: Alphonse Lemerre. 1901 – via Wikisource.; appearing under the name R. Vivien
• Cendres et Poussières  (in French). Paris: Lemerre. 1902 – via Wikisource.
• Évocations  (in French). Paris: Lemerre. 1903 – via Wikisource.
• Sapho  (in French). Paris: Lemerre. 1903 – via Wikisource.
• Du Vert au Violet  (in French). Paris: Lemerre. 1903 – via Wikisource.
• Une Femme m'apparut  (in French). Paris: Lemerre. 1904 – via Wikisource.; Une femme m'apparut  (nouvelle ed.). 1905 – via Wikisource.
• La Dame à la louve  (in French). Paris: Lemerre. 1904 – via Wikisource..
• Les Kitharèdes  (in French). Paris: Lemerre. 1904 – via Wikisource.
• La Vénus des Aveugles  (in French). Paris: Lemerre. 1904 – via Wikisource.
• À l'heure des mains jointes  (in French). 1906 – via Wikisource.
• Flambeaux éteints  (in French). Edward Sansot & C^ie. 1907 – via Wikisource.
• Le Christ, Aphrodite et M. Pépin  (in French). E. Sansot. 1907 – via Wikisource.
• Chansons pour mon ombre (in French). Paris: A. Lemerre. 1907. OCLC 776850126, 902991449 – via BnF – Site institutionnel; appearing under Pauline M. Tarn
• Plusieurs Proses ironiques et satiriques (in French). 1907.
• L'Album de Sylvestre  (in French). Sansot. 1908 – via Wikisource.
• Sillages  (in French). Sansot. 1908 – via Wikisource.

Note: Later books were published published posthumously.

• Poèmes  (in French). Paris: Lemerre. 1909 – via Wikisource.
• Anne Boleyn (PDF) (in French). Paris: Alphonse Lemerre. 1909 – via Wikimedia Commons.

• Poèmes en Prose  (in French). Sansot. 1909 – via Wikisource.
• Dans un Coin de Violettes  (in French). Sansot. 1910 – via Wikisource.
• Le Vent des vaisseaux  (in French). Sansot. 1910 – via Wikisource.
• Hallions  (in French). Sansot. 1910 – via Wikisource.

Collections

• Vivien, Renée (1975). Deforges, Régine (ed.). Femmes sans Tain: Poèmes [Women without Tain: Poems or Two-way Women: Poems] (in French). Illustrated by Irina Ionesco. Paris: SECLE. OCLC 461535380.^[a]

Works available in English translation

• A Crown of Violets. Translated by Pious, Samantha. Sequim, WA: Headmistress Press. 2015. ISBN 978-0-692-53691-9. OCLC 953040430.
• A Woman Appeared to me. Translated by Foster, Jeannette H. Tallahassee, FL: Naiad Press. 1982. OCLC 1036921036.
• A Woman Appeared to me. Translated by Stableford, Brian M. UK: Snuggly Books. 2019. OCLC 1134528100.
• At the Sweet Hour of Hand in Hand. Translated by Belgrade, Sandia. Weatherby Lake, MO: Naiad Press. 1979. ISBN 978-0-930044-11-4. OCLC 6086492.
• Vivien, Renée; Zuylen de Nyevelt, Hélène de (2019). Faustina and Other Stories. Translated by Stableford, Brian M. UK: Snuggly Book. ISBN 978-1-943813-85-8. OCLC 1081437683.
• Lilith's Legacy: Prose Poems and Short Stories. Translated by Stableford, Brian M. UK: Snuggly Books. 2018. ISBN 978-1-943813-63-6. OCLC 1054178318.
• The Muse of the Violets: Poems. Bates City, MO: Naiad Press. 1977. OCLC 568761370 – via Internet Archive.
• The Woman of the Wolf and Other Stories. Translated by Jay, Karla; Klein, Yvonne M. London: Gallic Books. 2020. ISBN 978-1-913547-06-6. OCLC 1203946716.

Gallery

• 
  Otto Wegener circa 1900, portrait of Renée Vivien
• 
  Nicolas-Guy-Antoine Brenet [fr]; 1883 Alliance française medal awarded to Pauline Tarn, obverse
• 
  Reverse; inscription: ALLIANCE FRANCAISE
  MISS PAULINE TARN BELSIZE COLLEGE LONDON
• 
  Renée Vivien

See also

• List of poets portraying sexual relations between women

Notes

1. Tain in this context refers to silvering. The dictionary definition of tain at Wiktionary contains informative French and English information.

References

1. Annas 1986, p. 12.
2. "Pauline Mary Tarn details on a grave monument at Passy Cemetery, Paris, France". gravestonephotos.com. Retrieved 28 September 2020.
3. Delmas, Lisa (21 March 2022). "TARN Pauline". Agorha. Translated by Sharpley, Gammon. Retrieved 8 June 2024.
4. Cyane, Cristie (9 February 2006). "Renée Vivien". reneevivien.com (in French). Archived from the original on 6 August 2012.
5. "The National Society of French Teachers". The Leeds Mercury (17, 110). Leeds [England]: Edward and Frederick Baines: 2. 6 February 1893. OCLC 641537675 – via The British Newspaper Archive.
6. "French Masters at the Mansion House". The Jersey Weekly Press and Independent. 48 (6). Saint Helier, Jersey [Channel Islands]: 6. 11 February 1893. OCLC 751646390 – via The British Newspaper Archive.
7. LC (12 June 2017). "JUNE 11: Renée Vivien (1877-1909)". 365 DAYS OF LESBIANS. Archived from the original on 14 December 2018.^{[better source needed]}
8. "Renée Vivien and the Trials of Lesbian Poetry". A R T L▼R K. 10 June 2020. Retrieved 28 September 2020.
9. "So Much Love of Death: A Crown of Violets by Renée Vivien". The Rumpus.net. 2 February 2018. Retrieved 28 September 2020.
10. "Pauline Tarn" in the Honolulu, Hawaii, Passenger and Crew Lists, 1900-1959 (National Archives and Records Administration (NARA); Washington, D.C.; Passenger Lists of Vessels Arriving at Honolulu, Hawaii, compiled 13 February 1900 - 30 December 1953; National Archives Microfilm Publication: A3422; Roll: 016; Record Group Title: Records of the Immigration and Naturalization Service, 1787 - 2004; Record Group Number: RG 85)
11. Jay 1988, pp. 18–19.
12. Fabre-Serris, Jacqueline (2016). "Anne Dacier (1681), Renée Vivien (1903): Or What Does it Mean for a Woman to Translate Sappho?". In Wyles, Rosie; Hall, Edith (eds.). Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly. Oxford University Press. ISBN 978-0-19-872520-6.
13. "A Crown of Violets by Renée Vivien, translated by Samantha Pious". Lambda Literary. 24 December 2017. Retrieved 28 September 2020.
14. "Naiad Press records". researchworks.oclc.org. Retrieved 28 September 2020.
15. "Women and Women". The Washington Post. 8 January 1978. Retrieved 27 September 2020.
16. Annas 1986, p. 13.

Sources

• Annas, Pamela J. (December 1986). ""Drunk with chastity": The poetry of Renée Vivien". Women's Studies. 13 (1–2): 11–22. doi:10.1080/00497878.1986.9978649. ISSN 0049-7878. OCLC 4660828908.
• Jay, Karla (1988). The Amazon and the Page: Natalie Clifford Barney and Renee Vivien. Bloomington, IN, US: Indiana University Press. ISBN 978-0-253-30408-7. OCLC 568764307 – via Internet Archive.

Further reading

• Barney, Natalie Clifford (1992). Adventures of the Mind. Translated by Gatton, John Spalding. New York: New York University Press. ISBN 978-0-8147-2507-8. OCLC 906938542 – via Internet Archive.
• Colette (1967). The Pure and the Impure. Translated by Briffault, Herma. New York: Farrar, Straus & Giroux. ISBN 978-0-9403-2248-6. OCLC 1420826188 – via Internet Archive.
• Fabre-Serris, Jacqueline, 'Anne Dacier (1681), Renée Vivien (1903): Or What Does it Mean for a Woman to Translate Sappho?', Rosie Wyles and Edith Hall (eds), Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly, Classical Presences (Oxford: Oxford University Press, 2016)
• Goujon, Jean-Paul (1986). Tes Blessures sont plus douces que leurs Caresses: Vie de Renée Vivien [Your Wounds are sweeter than their Caresses: The Life of Renée Vivien] (in French). Paris: R. Deforges. ISBN 978-2-905538-15-4. OCLC 15653279.
• Germain, André (1917). Renée Vivien (in French). Paris: G. Crès & cie. OCLC 574551247 – via HathiTrust.
• Le Dantec, Yves-Gérard (1930). Jaulme, André (ed.). Renée Vivien: femme damnée, femme sauvée [Renée Vivien: damned woman, saved woman] (in French). Aix-en-Provence: Éditions du Feu. OCLC 491005431.
• Lorenz, Paul (1977). Sapho 1900: Renée Vivien (in French). Paris: Julliard. ISBN 978-2-260-00057-0. OCLC 3071152.
• Marçal, Maria-Mercè (2020). The Passion according to Renée Vivien. Translated by McNerney, Kathleen; Buffery, Helena. London: Francis Boutle Publishers. ISBN 978-1-9164906-5-9. OCLC 1140261144.

External links

• "11 juin 1877 - Naissance de Renée Vivien" [11 June 1877 - Birth of Renée Vivien]. Terres de femmes (in French). 11 June 2007. Retrieved 26 January 2023.
• "Liste des oeuvres de Renée VIVIEN" [List of works by Renée VIVIEN]. poesie.webnet.fr (in French). 15 April 2000. Archived from the original on 4 February 2006.
• "Renée Vivien". fembio.org (in German). Retrieved 26 January 2023.
• "Renée Vivien, vie et oeuvre" [Renée Vivien, life and work]. perso.wanadoo.fr (in French). 17 April 2002. Archived from the original on 18 October 2003.
• "Renée Vivien, poétesse de l'amour". Gentleman Jack (in French). 18 June 2022. Retrieved 7 June 2024.