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Real World Studios
Company type	Recording studio
Industry	Music
Founded	1989; 36 years ago in Box, Wiltshire, England
Founder	Peter Gabriel
Headquarters	Box Mill, Mill Lane, Box, Wiltshire SN13 8PL, Box, United Kingdom
Website	realworldstudios.com

51°25′08″N 2°15′09″W / 51.4189°N 2.2525°W / 51.4189; -2.2525

Real World Studios is a residential recording studio complex founded by Peter Gabriel and situated in the old Box Mill building in the village of Box, Wiltshire, England, near to the city of Bath. It is closely associated with the Real World Records record label, Real World Publishing, and the WOMAD Festival, whose offices are also based at the complex.

Destinations

Its aim is to provide excellent working opportunities for many musicians, as well as the wider dissemination of world music. It is intended to serve as a springboard for musicians from all over the world to bring their music to areas and cultures they cannot tap into themselves, especially in the USA where music from Africa, Asia and Latin America is rarely broadcast on mainstream stations.

The Real World music label has introduced musicians such as Nusrat Fateh Ali Khan, Papa Wemba and Youssou N'Dour to Western culture. Peter Gabriel has released all his own albums under this label since 1989, and its influence helps sell other artists' world music. Especially his album Passion: Music for The Last Temptation of Christ has helped world music to enter pop music. Besides Peter Gabriel, the studio has been most commercially successful with the band Afro Celt Sound System, which fuses African and Celtic rhythms and melodies.

Facility

The largest recording space, appropriately referred to as the Big Room, is a 2,000 square foot combination live room and control room with a custom wraparound 72-channel SSL 9000 XL K Series mixing console at its centre, with large windows offering expansive views of the adjacent millpond and gardens. Although the Big Room has a separate machine room and two isolation booths, it is designed as one large collaborative recording space with no dividing walls. Alternately, the Big Room also functions as a Dolby Surround 7.1-certified film mixing room.^[1]

Adjoining the Big Room and within the former mill building is the Wood Room. This room utilizes a 24-channel SSL AWS 924 console, and features a more lively acoustic character, mezzanine floor and movable acoustic screens, as well as its own isolation booth. The Big Room and The Wood Room can be booked together for a larger recording space, or individually for smaller or lower-budget projects.^[1] Also available is the Rehearsal Room—a 49 foot by 16 foot space for rehearsals or pre-production.

The Red Room is a dedicated mixing and production room well-suited for post-production, ADR recording, and mixing for television and film, while a Foley stage facilitates recording Foley.

The studio also has the Writing Room and the Work Room, which are Gabriel's own private workspaces.^[2]

A residential studio complex designed as an artist's retreat, Real World offers living accommodations. The House offers six double bedrooms, a living room, dining room, and laundry facilities. The Cottage is a separate building with living room, bedroom, bathroom, and mobile recording rig. Real World's kitchen offers continental breakfast, lunch, and two-course evening dinner prepared by an in-house chef.

History

In 1986, following the success of his album So, Peter Gabriel decided to pursue a permanent recording facility. Knowing that he wanted to remain in the same area as the Ashcombe House that he had been renting, and that he wanted the new location to be close to running water, Gabriel looked at several sites, mostly old mills, near Bath.^[3] A 13-acre site in the village of Box featured the By Brook and several existing buildings, including Box Mill, a 200-year-old water mill that had been converted to offices in the 1950s. Gabriel purchased the site and its buildings from Spafax in 1987.^[1]

Gabriel's vision for the new studio was a unified space where everyone could work together, where musicians aren't separated from the engineer or producer. Additionally, he wanted these creative spaces to have elements of light, air, and water.^[3] Working with architectural design firm FCBStudios, the existing buildings were converted and a new building ('The Big Room') was added. The new complex provided both recording studio facilities and residential accommodations.^[4]^[5]