Ramón Pagayon Santos (born 25 February 1941) is a Filipinocomposer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music,[1][2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions,"[2] and for finding new uses of indigenous Philippine instruments.[2][3]
A University Professor Emeritus of the composition and theory department at the College of Music of the University of the Philippines Diliman,[4] he was proclaimed National Artist of the Philippines for music in 2014.[3][4]
Work as ethnomusicologist
In 1976, Santos began doing fieldwork among folk religious groups in Quezon, collecting and documenting their music.[1] He later also did similar fieldwork among the Ibaloi, Mansaka, Bontoc, Yakan and Boholano peoples.[2] The Philippines' National Commission on Culture and the Arts notes that as a result, Santos' compositions beginning in this period in his professional life were characterized by "the translation of indigenous musical systems into modern musical discourse."[1]
^Lucrecia R. Kasilag. Santos, Ramon Pagayon. Grove Music Online. Oxford Music Online. Oxford University Press. Accessed June 2014. (subscription required)