Ri Ryeong-hun Kim Hye-gyeong Ri Yun-su Yu Hye-gyeong
Cinematography
Shim Yeong-hak
Edited by
Kim Gye-hyeong
Music by
Seong Jong-cheol
Distributed by
Korea Film Export & Import Corp.
Release date
2006 (2006)
Running time
107 minutes
Country
North Korea
Language
Korean
Pyongyang Nalpharam (Korean: 평양 날파람) is a 2006 North Korean film directed by Phyo Kwang and Maeng Cheol-min. It is a martial arts film set during the Japanese colonial rule of Korea. One of only two North Korean films released in 2006, it received ticket sales of 6 million cinema-goers in North Korea. Critics describe the film as "routine" and "adequate."
Plot
The film is set in the early 20th century, during the Japanese colonial rule of Korea. Jeong Taek is a master of Pyongyang Nalpharam, a form of the ancient Taekkyeon martial art perfected on Mount Taeseong near Pyongyang. He returns home one day to find his father poisoned by Korean-born Japanese woman Mieko, who claims that the elder was responsible for the death of her own father. At first mistaking the woman for his childhood sweetheart, So Gyeon, Taek is forced into action when Japanese forces lay claim to the sacred texts containing the secrets of Pyongyang Nalpharam.[1]
Cast
Ri Ryeong-hun ... Jeong Taek
Kim Hye-gyeong ... So Gyeon
Ri Yun-su
Yu Hye-gyeong ... Mieko
Kim Gweong-yeol
Nam Ryeong-woo
Kim Cheon-yeol
Choi Yeong-chun
Ri Seong-gang
Release
Pyongyang Nalpharam was released in August 2006,[2] and received a reported 6 million admissions at the North Korean box office.[1] It was one of only two North Korean films released in 2006—the other being The Schoolgirl's Diary—and both films were screened at that year's Pyongyang International Film Festival.[2][3]
Critical reception
Derek Elley of Variety described Pyongyang Nalpharam as "a routine period actioner... with flashes of interest for Asiaphile auds", reminiscent of 1970s Hong Kong "chopsocky" films. He regarded the action choreography as "adequate", and considered only a single sequence during a "masked entertainment" to have any "real verve".[1]
