In 1964, Standford was awarded the Mendelssohn Scholarship, enabling him to travel to Venice and study with Gian Francesco Malipiero, and later to Warsaw where he studied with Witold Lutosławski. In 1967 he joined the professorial staff of the Guildhall School of Music and Drama, and from then divided his working life between composing, conducting, teaching and musical journalism. When Edmund Rubbra retired, Standford was appointed the School's principal composition professor and was awarded a Fellowship of the Guildhall School of Music (FGSM) in 1972. In 1978, he gained a master's degree in composition at Goldsmiths College, London University.
Standford became chairman (1977–1980) of the Composers' Guild of Great Britain (since amalgamated into the British Academy of Songwriters, Composers and Authors (BASCA)) and chairman (1980–1992) of the British Music Information Centre (since amalgamated into Sound and Music). In those capacities, he organised British music representation at various international events, including the Nordic Music Committee (NOMUS) in Helsinki and the Latin-American Festival in Venezuela in collaboration with the BBC.
Standford held the post of Head of Music at the Leeds University College Bretton Hall from 1980 to 1993, while continuing to compose, write and appear as a regular jury member for competitive choral festivals in Hungary, France and Estonia.
He married his wife Sarah Blyth Hilton in 1967 and they lived in London. She died in 2011 after 44 years of marriage, and he moved to Occold, a village near Eye in Suffolk, where he continued to work, composing, writing and teaching until his death of a heart attack in April 2014, aged 75.[2]
Composer
Standford's music covers many genres, predominantly the orchestra. His first symphony The Seasons, written in 1972, gained the Premio Città di Trieste award. His Symphony No. 2 was awarded the Óscar Esplá prize for composition in Spain. In 1983, Standford was awarded the Ernest Ansermet Prize of the City of Geneva for his Symphony No 3, a choral symphony subtitled Toward Paradise and setting Dante's journey from Purgatory to Heaven.[2] The 5th Symphony was commissioned by the BBC Philharmonic Orchestra in 1984. Orchestral concertos include the Cello Concerto (1974), Violin Concerto (1975), Piano Concerto (1979) and the Concertino for Harpsichord and Small Orchestra (1999).
He wrote his Easter oratorio Christus Requiem for the Guildhall School of Music and Drama's principal Allen Percival and the City of London in 1973. Christus Requiem brought together the full orchestral, choral and dramatic forces of the Guildhall School for its first performance in St. Paul's Cathedral, in the Spring of that year. This oratorio received the Yugoslavian Government award in 1974. Other choral works include The Prayer of Saint Francis, the Mass for Hildegard of Bingen,[3] recorded by the BBC Singers in 2013, and smaller scale pieces such as the carol This Day and the Stabat mater.[4]
Chamber music includes the early String Quartet (winner of the Clements Memorial Prize in 1975), the Five French Folksongs written for and performed by the Nash Ensemble of London, and the Symphony No 4, Taikayoku, a chamber work for piano and six percussionists, including parts written for elementary players. The string trio Holiday Memories is also written for amateur players. Standford was commissioned to write a number of pieces for the Guildhall graded examinations (now Trinity College London).
He also composed commercial and light music and arranged for films, television and theatre - including assignments for Pathé News, the London Palladium and Granada Television. In 1971 he composed a 26 minute piece, Autumn Grass, for the classically-influenced progressive rock group Continuum, and ghost wrote and directed classical style pieces for Rod McKuen.[2]
Standford continued to compose up until his death. Late works include the Recorder Quintet, commissioned by John Turner, recorded and premiered at the Rawsthorne Festival in 2014, and Anthem commissioned by Elis Pehkonen, premiered at the William Alwyn Festival 2014. He also revised Christus Requiem, with plans for performances at Norwich or Chichester Cathedrals.
Standford contributed articles and reviews to Choir and Organ. From 1980 to 2008, he was music critic for the Yorkshire Post, writing features and revues.[5] He also wrote a series of lively articles entitled Provocative Thoughts for Music & Vision Magazine[6][7][8][9][10] and a monthly blog for the Open College of the Arts.
In 1992, Standford published Projects: A Course in Musical Composition,[11] and in 2008 he devised and wrote the composition study course for the Open College of the Arts.
Awards
1972 Premio Cittá di Trieste for Symphony No 1
1974 Oscar Espla Prize for Symphony No 2
1976 Yugoslavian Solidarity Award, Skopje for Christus Requiem
1982 Evelyn Glennie Percussion Award for Taikyoku: Symphony No. 4
1985 City of Geneva 'Ernest Ansermet Prize' for Toward Paradise
1997 Budapest International Composers' Award for The Prayer of St Francis
1999 International ClarinetFest Prize for Fantasy Quintet
^Stanley Sadie, ed. (1980). The New Grove Dictionary of Music and Musicians (Vol 18 Spiridion to Tin Whistle ed.). London: Macmillan Publishers Limited. p. 68. ISBN0-333-23111-2.
Kennedy, Michael (2006). The Oxford Dictionary of Music, second edition, revised, Oxford and New York, Oxford University Press ISBN0-19-861459-4
Larner, Gerald. (2001). "Standford, Patric" The New Grove Dictionary of Music and Musicians, second edition, ed. by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Jacobs, Arthur (1990). The New Penguin Dictionary of Music. Penguin
East, Leslie. (1986). "Standford and his Fifth Symphony". The Musical Times 127 (No.1715)
Foreman, Lewis (1975). British Music Now: A Guide to the Work of Younger Composers. London: Elek
Larner, Gerald. (1973). "Patric Standford" The Musical Times 114 (No.1561)
Routh, Francis. (1972). "Contemporary British Music". London: Macdonald