3 July 1975 (1975-07-03) – 23 July 1984 (1984-07-23)
On the Mat was a professional wrestling television programme for the National Wrestling Alliance-affiliated All Star Pro Wrestling (ASPW), or simply NWA New Zealand, that aired on Television New Zealand's TV2 from 1975 to 1984. One of the most popular and the longest-running weekly sports series in the history of New Zealand, the show featured some of the country's top wrestlers and international stars from throughout the world during the 1970s and early 1980s.
As a member of the National Wrestling Alliance, the NWA World Heavyweight Championship was defended on the show on several occasions, both between North American wrestlers and against New Zealanders, by legendary champions such as Harley Race and "The Nature Boy" Ric Flair. Similarly, NWA storylines and feuds were played out on the programme that would usually not have been seen in the US. In 1983, for example, the show aired what was a controversial ending to a best 2-of-3 falls match between Ric Flair and Mark Lewin in Auckland which saw the NWA World title momentarily change hands but was then returned to Flair via reverse decision. A year later, another NWA title change took place between Flair and Harley Race in Wellington and Geylang, Singapore though these would not be officially recognised by the NWA for several years.
Its cancellation in the early-1980s signaled the decline and eventual close of All Star Pro-Wrestling by the end of the decade. Apart from the short run of The Main Event made for TV3 in 1990, locally produced and televised professional wrestling would remain absent in New Zealand until the appearance of Impact Pro Wrestling's IPW Ignition and Kiwi Pro Wrestling's Off the Ropes in the mid-2000s.
In the years following the Second World War, professional wrestling in New Zealand became extremely popular reaching a high point in the 1950s. The death of longtime Dominion Wrestling Union promoter Walter Miller in 1959, however, caused the promotion to go into a slump as appearances from foreign wrestlers dwindled to only a small few each year. Steve Rickard, one of its rising stars, continued to run the DWU for two years before starting his own promotion, All Star Pro-Wrestling, in 1962. Another New Zealand wrestler, John da Silva,[1] started a short-lived rival promotion called the Central Wrestling Association which operated up until the 1970s.
American wrestlers became especially popular with the public during the early 1970s. One of the biggest US tours occurred in 1972 when Big Bad John, Bulldog Brower, Les Wolff, King Curtis Iaukea, Spiros Arion, Mark Lewin, Thunderbolt Patterson, Sweet Daddy Siki, Tarzan Tyler, Dewey Robertson and Haystacks Calhoun wrestled throughout New Zealand. Calhoun and his wife were often seen and talked about in the national media. The couple made numerous television appearances, press interviews and visited schools.[9] That same year, the Rickard-Barnett partnership ended when Barnett sold his share of Big Time Wrestling, an Australian wrestling programme that had briefly aired in New Zealand,[10] and returned to work in the United States. Rickard then decided to promote wrestling events full-time with All Star Pro-Wrestling. Rickard's later affiliation with the National Wrestling Alliance ensured the arrival of many wrestlers from North America and elsewhere for the next several years.[11]
Early history
With the influx of new talent, both from New Zealand and abroad, Steve Rickard considered creating a weekly television series, much like Britain's World of Sport, to showcase these wrestlers to a national audience and capitalize on the popularity of his promotion's live events and from foreign wrestlers then touring the country. According to Rickard, the promotion sold-out the Wellington Winter Show Buildings ten weeks in a row and still had to turn away hundreds more.[11] Prior to the introduction of television in New Zealand in 1960, wrestling had been extremely popular through live radio broadcasts. In the later years of the "television era" of the 1970s and 80s, television stations commonly aired professional wrestling, such as Hollywood Wrestling or Wrestling at the Chase, as a source of inexpensive yet popular programing.[12]
Encouraged by successful wrestling shows in Australia and the US, Rickard recorded a film pilot at a cost of $500 using matches from one of his shows at the Wellington Winter Show Buildings in 1973. This included a midget wrestling match and another with American wrestler Harley Race. Rickard initially approached TV1 and used the pilot to "pitch" the idea for a New Zealand-based professional wrestling programme. The network showed little interest in the show and eventually passed on the idea. When TV2 was established two years later, however, Rickard managed to get a meeting with then programme director Kevan Moore. A deal was quickly made and Rickard worked with South Pacific Pictures to develop and produce this new wrestling programme.[10][13] Tim Bickerstaff, a popular New Zealand radio personality and television sports writer, was involved in filming early episodes of the show.[14]
On the Mat's success greatly increased attendance for live events throughout the country. Imported talent coming as far away as the United States, Canada, Japan and Australia to challenge local wrestlers, particularly ones that fans could identify with and relate to, kept viewers tuning in each week.[13] The show's popularity also brought the first television exposure to New Zealand stars and, due in part to their TV appearances for On the Mat, Peter Maivia, Tony Garea and The Sheepherders were all brought to the US where they became major stars in the NWA and the World Wide Wrestling Federation in the 1970s, and later in the World Wrestling Federation during the 1980s wrestling boom. WWWF stars such as Don Muraco, Toru Tanaka, Mr. Fuji[4][25] and Rocky Johnson also appeared on the show while touring the country.
Original storylines, apart from the NWA, were also featured in the show. Robert Bruce, who had originally come to New Zealand as a fan favourite, "turned heel", reformed as a "face" then returned to being a heel within the span of a few weeks. His antics gained himself and others national attention[26] and enraged crowds so much that he was actually stabbed by an irate fan.[27] Rickard's two sons were also involved in the promotion. One episode in 1980 featured a tag team match with Ricky Rickard as a participant, his brother Tony Rickard refereeing the match and their father Steve Rickard commentating. The show sometimes featured celebrity guests, most notably, radio personality Billy T. James.[12]
On 17 March 1981, Barry Holland officially took over Ernie Leonard's position as head announcer so Leonard could work full-time behind the scenes in his role as producer. Returning from a period of touring Southeast Asia and Africa, Steve Rickard announced the show was being aired in Kenya, Tanzania, Hong Kong and Malaysia as well as the arrivals of Abdullah the Butcher, Bret Hart, and possibly "The Original Sheik" Ed Farhat. Also on that episode, Rickard read aloud a letter sent to him by Larry O'Day in which the Australian wrestler taunted Rickard over breaking the leg of his son earlier that year and publicly accepted O'Day's challenge to a match for the NWA British Empire/Commonwealth Championship.[12] A month after the death of Peter Maivia, the 6 July 1982 edition of "On the Mat" was a tribute show in his memory and the promotion broadcast two of his matches.[28]
Involvement with the NWA
An official member of the NWA since 1972, many of its top stars were featured on the programme when they visited New Zealand. As a result, NWA storylines and feuds not only became part of the show but were usually not seen by fans outside the country. This was especially true of title defences for the NWA World Heavyweight Championship, defended on the show on several occasions, involving both foreign and native New Zealand wrestlers.
Peter Maivia very nearly won the title from then reigning champion Harley Race in Western Springs Stadium in 1979,[4] winning the bout via disqualification, and there was a serious concern the estimated 10,000 fans in attendance[13] would riot if Maivia did not address the crowd to explain why the NWA did not allow title changes based on a disqualification win.[13][29] A 30-minute NWA title match between Race and Rick Martel took up an entire episode of On the Mat. After returning to the US, Race would later send a tape of this match to promoters before he entered a territory.[30]
Another controversial match occurred in 1983 when Mark Lewin seemingly won the NWA title from "The Nature Boy" Ric Flair in a best 2-of-3 falls match in Auckland. Although he scored the winning pinfall, and was given the belt, the decision was reversed by referees due to Flair having been tossed over the top rope moments before. Although this was not an illegal move in New Zealand, the bout was under NWA regulations and referees were forced to disqualify Lewin. In a post-match brawl, Lewin knocked out Flair with the belt and left the ring with it.[31] The following year, the NWA World title changed hands between Ric Flair and Harley Race in Wellington, New Zealand and Geylang, Singapore[32] though it would be several years before the NWA eventually recognised them.[33]
Cancellation
By the early 1980s, though the show was still popular, it became increasingly more difficult for Rickard to bring in top quality wrestlers from overseas. The World Wrestling Federation's national expansion under Vince McMahon in the US resulted in the decline of the National Wrestling Alliance and made the top American stars less available to travel outside the US.[18] Rickard and World Championship Wrestling had also long shared the transportation costs of bringing in foreign wrestlers into the Pacific, however, the close of WCW in 1978 resulted in Rickard taking on the full cost himself. Even local stars such as Peter Maivia and Siva Afi, despite their popularity in New Zealand, left the country to compete in the US.[13]
The high costs of running the show, in addition to a worsening economy in New Zealand, forced Rickard to cancel the show in 1984. The final episode aired on 23 July 1984, and featured Samoan Joe, Larry O'Day, Mel Fortuna, Tony Rickard and Rip Morgan.[34] He and All Star Pro-Wrestling attempted a couple of tours during the next two years but the show's cancellation eventually saw the close of his promotion.[18]
Production
The show usually aired on a late night timeslot each week on Tuesdays and was approximately 24–25 minutes in length (produced for a 30-minute time-slot) per episode. The first 14 episodes were taped in Auckland, and in Hamilton for a short time, before settling in at the Canterbury Court Stadium in Christchurch. The final season in 1983–84 was shot at the Auckland YMCA. The show was not only a ratings success, it also helped promote live events which sold out town halls and other venues throughout the country on a weekly basis. By the time the show ended, Rickard estimated he had promoted shows in 135 New Zealand cities and towns.[18]
Episode format
Each episode opened with a video of the All Star Pro-Wrestlers competing in various matches as well as the show's theme song, before going to an introduction and the opening match. An episode typically featured two to three matches (and sometimes footage from a recent live event or match from overseas) as well as post-match interviews and vignettes from wrestlers regarding their upcoming matches or current storylines. Celebrity guests were often invited to the show where they were later interviewed by one of the hosts such as comedian and radio personality Billy T. James in 1980. The show typically ended after the main event (the final match on an episode) and closed similar to the opening credits.
In 1990, Steve Rickard proposed a new wrestling programme under a similar format and, supported by Isambard Productions, secured a deal with the newly established TV3 to air The Main Event that year. The show was filmed at ASB Stadium in Auckland and the first episode aired in May. The show's producers attempted to replicate the high production values of the World Wrestling Federation's WWF Superstars of Wrestling, which had premiered on TV2 the previous year to high ratings, but also clashed with the more basic and traditional style of On the Mat.[13][21]
Airing on a slightly earlier timeslot than WWF Superstars, it was technically not in head-to-head competition, however its attempt to emulate the sports entertainment aspect of the WWF failed to impress neither the critics nor fans. Gus Forearm, a columnist for the Sunday News, wrote "Okay, it is filmed in New Zealand – but it lacks any of the gloss and zap we've become used to, thanks to TVNZ's Superstars of Wrestling show and many of the NWA wrestlers on the show simply don't rate on the Forearm scale of skill".[13]
The hiring of John Dybvig, a former US basketball coach and commentator, was the main "heel" announcer who portrayed a stereotypical "loudmouth" American.[21] His unpopularity, however, did not come from his on-air persona but rather his lack of knowledge about professional wrestling and is believed to have also hurt the show in the long run.[13]
A WWF tour of Christchurch, Wellington and Auckland had drawn over 15,000 people and it was expected that the costs of filming such a high-cost show could be offset by profits made from the gate takings at the ASB Stadium but attendance was much less than expected. In the end, The Main Event was unable to compete with the WWF for ratings and was cancelled after 11 episodes.[13]
Like the final years of "On the Mat", Siva Afi was the main star of the programme. Returning from a brief stint in the WWF, it was his first major appearance in the country since 1978.[13] On 13 July 1990, he defeated Canadian Stockman for the NWA British Empire/Commonwealth Championship and remained undefeated throughout the series. After The Main Event's cancellation, the NWA British Empire/Commonwealth title was retired after a 60-year history.[7]
Legacy
Over 20 years after its cancellation, On the Mat has remained the longest-running weekly sports series in New Zealand's history. It has since achieved a cult status in New Zealand popular culture and has been an influencing factor among several New Zealand media personalities. Wallace Chapman, co-host of the political interview show Back Benches, has said his "favourite TV moment" was watching On the Mat as a child.[45]Oscar Kightley, a Samoan-born actor and writer, has credited the series for partly inspiring his stories.[46] Several writers for NZPWI.co.nz, including editor-in-chief Dion McCracken, have also claimed to have been fans of the show as children.[47] Another childhood fan is New Zealand-born cartoonist Jason Conlan, also known as Pro Wrestling Illustrated's "Mr. J", whose monthly comic strip shares the same name.[48] Tim Bickerstaff, a one time crew member for On the Mat, recalled working for Rickard in a sports column for XTRA in 1999.[14]Television New Zealand counted On the Mat among the most notable programmes in its 50-year history.[49]
It was not until the emergence of the country's three major promotions, Impact Pro Wrestling, Kiwi Pro Wrestling and New Zealand Wide Pro Wrestling, that nationally syndicated wrestling returned to New Zealand television with the debut of IPW Ignition in 2007[23] and Off the Ropes in 2009.[20][21][22] Both shows were also made available to an international audience via internet broadcasting. Also in 2009, in memory of the passing of Scottish-born New Zealand wrestler Robert Bruce, Chris Rattue of The New Zealand Herald named several former On the Mat stars including Bruce, King Curtus Iaukea, Rick Martel, Steve Rickard, John da Silva, Peter Maivia, Samoan Joe and The Bushwhackers as among his Top 10 favourite wrestlers of all-time.[50]
In early-2010, two episodes were chosen to be shown on NZ On Screen[30] and Tammy Davis of Outrageous Fortune starred in an internet promotional video which spoofed the series.[51] On 9 April, Scoop.co.nz reported that On the Mat ranked #3 among the top 10 most watched videos on NZ on Screen.[52] The episodes were favourably reviewed by 411mania.com shortly after their release and whose author, Ryan Byers, wrote they "were very fun to watch as a curiosity, a look into an old territory that I, as an American, have almost never seen or even heard discussed" and that "these shows created an interest in me in seeing more from the New Zealand territory, if for no other reason than to document some of the forgotten career moments of US wrestlers who heavily toured abroad".[12]
In 2024 the rights to the On The Mat name were acquired by the New Zealand wrestling promotion Legacy Pro Wrestling (LPW).
^Adams, Yvette. More Than Meets The Eye: A True Story Based on the Life and Times of the Best Blind Wrestler the World Has Ever Seen. Southbank, Victoria: Griffin Press, 2006. (pg. 151, 208) ISBN0-9757770-0-9
^ abcRoyal Duncan & Gary Will (2000). Wrestling Title Histories (4th ed.). Archeus Communications. ISBN0-9698161-5-4.
^ abcSolomon, Brian. WWE Legends. New York: Simon & Schuster, 2006. (pg. 142–143, 145, 162, 195–196, 199) ISBN0-7434-9033-9
^Myers, Robert. The Professional Wrestling Trivia Book. Boston: Branden Books, 1999. (pg. 58) ISBN0-8283-2045-4
^Morton, Gerald W. and George M. O'Brien. Wrestling to 'Rasslin: Ancient Sport to American Spectacle. Bowling Green, Ohio: Popular Press, 1985. (pg. 72) ISBN0-87972-324-6
^ ab"'Laughing Killer' They All Loved". THE NEW WAWLI (Wrestling As We Liked It) PAPERS No. 211-2001. WrestlingClassics.com. 3 July 1982. Retrieved 2 August 2010.
^Hornbaker, Tim. National Wrestling Alliance: The Untold Story of the Monopoly that Strangled Pro Wrestling. Toronto: ECW Press, 2007. (pg. 209–210, 219) ISBN1-55022-741-6
^Steve Ogilvie; Dion McCracken; Kirsty Quested; Matt Sparnon; Simon Sweetman; Leigh Leighton; Troy Rawhiti-Forbes (11 September 2008). "Gimme Five: Unforgiven, Punk vs. Orton & Memories Galore!". Gimme Five. NZPWI.co.nz. Retrieved 2 August 2010.
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