Occupe-toi d'Amélie is a three-act farce by Georges Feydeau. It was first produced at the Théâtre des Nouveautés, Paris on 15 March 1908, and ran for 288 performances. After the author's death it was neglected until the 1940s, after which it has been frequently revived. The play was adapted into English in 1958 as Look After Lulu!.
Background and first production
Feydeau had been established as Paris's leading writer of farces – which he referred to as "vaudevilles" – since the early 1890s. In 1907 the play he wrote immediately before Occupe-toi d'Amélie, La Puce à l'oreille (A Flea in Her Ear), had been enthusiastically received by critics and public, but the expected long run was curtailed after 86 performances when one of the leading actors died suddenly.[1]Occupe-toi d'Amélie, like its predecessor, is a bedroom farce. It was first produced at the Théâtre des Nouveautés, Paris on 15 March 1908, and ran there for 288 performances.[2] After the run at the Nouveautés the play was revived later in 1909 at the Théâtre Antoine, where it ran for 96 performances.[3]
Source: Les Annales du théâtre et de la musique.[4]
Plot
Act 1
Amélie Pochet, a high-class cocotte, maintains a Paris apartment in which members of her family also live: her father, a former policeman, and her younger brother Adonis, whom she employs as an attendant. Étienne, Amélie's lover, is obliged to go and do his twenty-eight days compulsory military service at Rouen. Before leaving he asks his old friend Marcel Courbois, in whom he has full confidence, to entertain and watch over his girlfriend. "Look after Amélie", he bids his friend. This suits Marcel, who means to pass Amélie off as his fiancée to fool his godfather Van Putzeboom, who holds a huge sum in trust for him, to be handed over when he marries. A visitor to Paris, the Prince of Palestria, has seen Amélie at the theatre and has lascivious designs on her. He sends his aide-de-camp, General Koschnadieff, to arrange a rendezvous.[5]
In his bachelor flat, Marcel Courbois, wakes up after a night on the tiles. He is surprised to find at the foot of his bed a foreign body, and when he lifts the blanket, he observes with amazement that the body is that of Amélie. They were both so drunk the previous night, after a tour of the bars and cabarets of Montmartre, that they are not sure if they have actually betrayed Étienne, but they acknowledge that appearances are against them. They are surprised by the arrival of the Countess of Premilly, who is Marcel's lover, and was Amélie's employer before the latter exchanged the role of lady's maid for that of a cocotte. Amélie hides under the bed while Marcel and the countess are talking, but soon tired of the cramped position, she escapes by wrapping herself in the bedspread and crawling to Marcel's dressing room. Having tied a string to the bedspread and wound it round one leg of the bed she is able to pull the string so that the bedspread moves across the floor back toward the bed. The countess, believing the furniture haunted, runs away in panic. Étienne arrives, his military service cancelled because of an outbreak of mumps at the army base. He is horrified and angry to discover Amélie in Marcel's bedroom and privately vows revenge.[6]
Act 3
Van Putzeboom has insisted on staying to witness the wedding of Marcel and his supposed fiancée, and Étienne takes the opportunity for vengeance on Amélie and Marcel. He tells them that to fool Van Putzeboom into handing over the trust money, Amélie and Marcel should go through a bogus marriage ceremony to be conducted by an actor friend. The ceremony takes place at the town hall, after which Étienne reveals that the "fake" mayor was in fact the genuine one, and that Amélie and Marcel are now married.[7] Amélie and Marcel convince Étienne that they have not deceived him, and after further comings and goings, involving the prince and the police, Amélie and Étienne are found together in circumstances sufficiently compromising for Marcel to obtain a divorce, leaving Amélie and Étienne free to marry. Marcel leaves them together, bidding Étienne, "Look after Amélie".[8]
Reception
The reviewers were enthusiastic; in Le Figaro, Emmanuel Arène said:
M. Georges Feydeau has a spirit, a devil in him which it is impossible to resist. With him, you have to laugh, laugh again, laugh always. We are not deprived of that here. Even those who are not keen on vaudeville or that kind of theatre cannot escape from the contagion. What can one do when surrounded by such unleashed madness and delight?[9]
In Les Annales du théâtre et de la musique Edmond Stoullig wrote:
The mighty, yes the mighty, vaudevillist who is M. Georges Feydeau! Ah, the hilarious farce, first cousin of the Lady from Maxim's, and destined, like her, to attract legions of spectators to the Nouveautés … laughing out loud, as we did without constraint and shamelessly.[10]
