Sally Templeton sings at Tony Angelo's popular turn-of-the-century nightclub in San Francisco, which is called the Gold Coast. She is also in love with Tony.
One day, a young girl, Katie Flanagan, just off the boat from Ireland, arrives looking for her uncle. Informed that he has died, Katie is about to be sent back by Tony on the next ship until Sally persuades him to let the girl stay a while.
Tony falls for Nob Hill socialite Harriet Carruthers and agrees to support her brother, Lash, who is a candidate for district attorney. Business acquaintances are upset because Lash might shut down clubs like theirs if elected DA. Sally objects to the attention he is paying Harriet and takes a job singing in another club. Katie misses her terribly.
After the election, Tony discovers that Harriet has no interest in a future with someone like him. He grows despondent and turns to drink. Sally reconciles with Tony, who is also heartened by Lash's acknowledgment that he intends to investigate only law-breaking operations, not Tony's, which is respectable. All is well until Katie runs away, but after a desperate search in Chinatown for the child, Tony and Sally finally find her.
In March 1943, producer Harry Sherman announced he had purchased an original screen story, Crocus Hill by Eleanore Griffin, about a ten-year-old Irish girl in 1860s San Francisco; she arrives to discover her uncle is dead and gets adopted by a gambler because she is good luck. Sherman was going to change the title to Nob Hill and film it for United Artists the following year.[4]
In May 1944 Ratoff dropped out and Darryl F. Zanuck offered the film to Henry Hathaway, who turned it down because he was uncomfortable with directing a musical. Zanuck put Hathaway on suspension, and Hathaway agreed to make the film. Zanuck allowed Hathaway to make some key changes, including reducing the amount of musical interludes, and removing a sequence that made fun of a Chinese servant.[8] (Hathaway later claimed Nob Hill was the only film "a studio ever handed me that I said I didn't want to make and I made it anyway."[9])
Fred MacMurray proved unavailable due to delays on Murder, He Says and was replaced by George Raft. Raft had previously made a successful film set during this period for Zanuck, The Bowery (1933). MacMurray instead went into Where Do We Go From Here?. Bari was then put in Where Do We Go From Here and Oberon dropped out; the female leads would be Vivian Blaine and Joan Bennett. Filming started in July 1944.[10]
Reception
Box office
The film was one of the most popular releases at the US box office in 1945.[1][11]
Critical
Bosley Crowther of the New York Times said the film was essentially a remake of Hello, Frisco, Hello, which was a remake of Alexander's Ragtime Band, adding that "What's to be said about such wish-wash that hasn't been said before? Shall we say that the songs are presentable and that Vivian Blaine presents them all right? Shall we say that George Raft is rather silly... that Joan Bennett is even sillier... and that Peggy Ann Garner is badly wasted...? Or shall we just say that everything in it, including the whiskey (which flows freely), is corn—only this corn, unlike the whiskey, does not improve with age?"[12]
References
^ abEverett Aaker, The Films of George Raft, McFarland & Company, 2013 p 104
