The discrete cosine transform (DCT) is a lossy compression algorithm that was first conceived by Ahmed while working at the Kansas State University, and he proposed the technique to the National Science Foundation in 1972. He originally intended the DCT for image compression.[2][3] Ahmed developed a working DCT algorithm with his PhD student T. Natarajan and friend K. R. Rao in 1973,[2] and they presented their results in a January 1974 paper.[4][5][6] It described what is now called the type-II DCT (DCT-II),[7]: 51 as well as its inverse, the type-III DCT (a.k.a. IDCT).[4]
Ahmed was the leading author of the benchmark publication,[8][9]Discrete Cosine Transform (with T. Natarajan and K. R. Rao),[4] which has been cited as a fundamental development in many works[10] since its publication. The basic research work and events that led to the development of the DCT were summarized in a later publication by Ahmed entitled "How I came up with the Discrete Cosine Transform".[2]
The DCT is widely used for digital image compression.[11][12][13] It is a core component of the 1992 JPEG image compression technology developed by the JPEG Experts Group[14] working group and standardized jointly by the ITU,[15]ISO and IEC. A tutorial discussion of how it is used to achieve digital video compression in various international standards defined by ITU and MPEG (Moving Picture Experts Group) is available in a paper by K. R. Rao and J. J. Hwang[16]: JPEG: Chapter 8; H.261: Chapter 9; MPEG-1: Chapter 10; MPEG-2: Chapter 11 which was published in 1996, and an overview was presented in two 2006 publications by Yao Wang.[17][18] The image and video compression properties of the DCT resulted in its being an integral component of the following widely used international standard technologies:
Storage and transmission of photographic images on the World Wide Web (JPEG/JFIF); and widely used in digital cameras and other photographic image capture devices (JPEG/Exif).
The form of DCT used in signal compression applications is sometimes referred to as DCT-2 in the context of a family of discrete cosine transforms,[19] or as DCT-II.
More recent standards have used integer-based transforms that have similar properties to the DCT but are explicitly based on integer processing rather than being defined by trigonometric functions.[20] As a result of these transforms having similar symmetry properties to the DCT and being, to some degree, approximations of the DCT, they have sometimes been called "integer DCT" transforms. Such transforms are used for video compression in the following technologies pertaining to more recent standards. The "integer DCT" designs are conceptually similar to the conventional DCT but are simplified to provide exactly specified decoding with reduced computational complexity.
The most commonly used format for recording, compression and distribution of high definition video; streaming internet video; Blu-ray Discs; HDTV broadcasts (terrestrial, cable and satellite).
Ahmed later was involved in the development a DCT lossless compression algorithm with Giridhar Mandyam and Neeraj Magotra at the University of New Mexico in 1995. This allows the DCT technique to be used for lossless compression of images. It is a modification of the original DCT algorithm, and incorporates elements of inverse DCT and delta modulation. It is a more effective lossless compression algorithm than entropy coding.[22]
Received his M.S. and Ph.D. degrees in Electrical and Computer Engineering from the University of New Mexico in 1963 and 1966, respectively. His doctoral dissertation adviser was Shlomo Karni;
Principal Research Engineer, Honeywell, St. Paul, Minnesota from 1966–68;
Professor, Electrical and Computer Engineering Department, Kansas State University, 1968–83;
1983-2001: University of New Mexico—Presidential Professor of Electrical and Computer Engineering, 1983–89; Chair, Department of Electrical and Computer Engineering, 1989–94; Dean of Engineering, 1994–96; Associate Provost for Research and Dean of Graduate Studies, 1996–2001;
In season 5, episode 8 of NBC's This Is Us, Ahmed's story was told to highlight the importance of image and video transmission over the Internet in modern society, particularly during the COVID-19 pandemic. The episode ends with a picture of Ahmed and his wife, along with captions explaining the importance of his work, and that producers spoke to the couple over video chat to understand their story and incorporate it into the episode.[23]
^Selected Papers on Visual Communication: Technology and Applications, (SPIE Press Book), Editors T. Russell Hsing and Andrew G. Tescher, April 1990, pp. 145-149 [1].
^Selected Papers and Tutorial in Digital Image Processing and Analysis, Volume 1, Digital Image Processing and Analysis, (IEEE Computer Society Press), Editors R. Chellappa and A. A. Sawchuk, June 1985, p. 47.
^Lee, Jae-Beom; Kalva, Hari (2008). The VC-1 and H.264 Video Compression Standards for Broadband Video Services. Springer Science+Business Media, LLC. pp. 217–245.
