In this work, numerous acquaintances of Crowley appear as thinly disguised fictional characters. Crowley portrays MacGregor Mathers as the primary villain, including him as a character named SRMD, using the abbreviation of Mathers' magical name. Arthur Edward Waite appears as a villain named Arthwaite, and the unseen head of the Inner Circle of which SRMD was a member. "A.B." is theosophistAnnie Besant. Among Crowley's friends and allies Allen Bennett appears as Mahatera Phang, Leila Waddell as Sister Cybele, the dancer Isadora Duncan appears as Lavinia King, and her companion Mary D'Este (mother of Preston Sturges, and who helped Crowley write his magnum opus Magick: Book 4 under her magical name 'Soror Virakam') appears as Lisa la Giuffria. Cyril Grey is Crowley himself, while Simon Iff is either an idealized version of an older and wiser Crowley or his friend Allen Bennett.[1]
Plot summary
A year or so before the beginning of World War I, a young woman named Lisa la Giuffria is seduced by a white magician, Cyril Grey, and persuaded into helping him in a magical battle with a black magician and his black lodge. Grey is attempting to save and improve the human race and condition by impregnating the girl with the soul of an ethereal being — the moonchild. To achieve this, she will have to be kept in a secluded environment, and many preparatory magical rituals will be carried out. The black magician Douglas is bent on destroying Grey's plan. However, Grey's ultimate motives may not be what they appear. The moonchild rituals are carried out in southern Italy, but the occult organizations are based in Paris and England. At the end of the book, the war breaks out, and the white magicians support the Allies, while the black magicians support the Central Powers.
We are constantly reminded of the moods of Anatole France and the methods of Rabelais. From extensive dissertations on magic and spiritualism we are suddenly switched into humour that is sometimes normal, sometimes sardonic. From a glimpse into the blackest mysteries of Hecate we are transferred to a wonderful white vision of the poets. From the trivialities of peace we emerge into the horrors of the Great War. Moonchild is not more fantastic than a thorough going "thriller", but it is also a satire and an allegory, full of disorder and genius.[2]
Related writings
Crowley also wrote a number of short stories where the character Simon Iff investigates various crimes and mysteries.[3]
^Collected in The Simon Iff Stories and Other Works (Wordsworth Editions, 2012), ISBN978-1-84022-678-2.
^Urban, Hugh B. (2011). The Church of Scientology: A History of a New Religion. Princeton University Press. pp. 39–42. ISBN9780691146089. The aim of Parson's 'Babalon Working' was first to identify a female partner who would serve as his partner in esoteric sexual rituals; the partner would then become the vessel for the 'magickal child' or 'moonchild,' a supernatural offspring that would be the embodiment of ultimate power... According to Parson's account of March 2–3, 1946, Hubbard channeled the voice of Babalon, speaking as the beautiful but terrible lady...
^Urban, Hugh B. (2006). "4. The Beast with Two Backs". Magia Sexualis: Sex, Magic, And Liberation in Modern Western Esotericism. University of California Press. pp. 135–137. ISBN9780520247765. The ultimate goal of these operations, carried out during February and March 1946, was to give birth to the magical being, or 'moonchild,' described in Crowley's works. Using the powerful energy of IX degree Sex Magick, the rites were intended to open a doorway through which the goddess Babalon herself might appear in human form.
