Jacques Daniel Michel Piccoli (27 December 1925 – 12 May 2020) was a French actor, producer and film director with a career spanning 70 years. He was lauded as one of the greatest French character actors of his generation who played a wide variety of roles and worked with many acclaimed directors, being awarded with a Best Actor Award at the Cannes Film Festival and a Silver Bear for Best Actor at the Berlin Film Festival.[1][2]
Life and career
Piccoli was born in Paris to a musical family; his French mother was a pianist and his Swiss father was a violinist from the canton of Ticino.
Piccoli married three times and divorced twice.[6] His first marriage was to Éléonore Hirt. They had one daughter together. He was then married for eleven years to singer Juliette Gréco. His final marriage was to Ludivine Clerc, with whom he adopted a daughter and a son.[5]
Michel Piccoli began his career on the stage - his Don Juan remains celebrated - before crossing to the "other shore", the cinema, finally coming to accept the relativity of travelling back and forth between the two and taking full advantage of their potential interaction. Piccoli captivates us because he is halfway between the clearly defined identity of the film actor and the ductile identity of the stage actor. When Bondy, Brook, and Chéreau turned to him, despite his reputation as a cinema performer, it was undoubtedly because of this receptiveness and adaptability. He was not trapped by an image, but brought a unique presence. He was also ready to take on an unprecedented variety of roles, which took him from Schnitzler to Chekhov and Pirandello, from Shakespeare to Koltès. The film actor was able of step back and make way for his double, the stage actor. What is it that we love about Piccoli? The fact that he is an artist who has lasted over time without turning into an effigy… he provides certainty and maintains a hidden dimension. The light does not expel the shadow, which always accompanies the brilliance of the legendary actor that he is. There is nothing one-dimensional about him. Michel Piccoli is a European figure. In him we do not see so much an international star unaware of borders, but an open-minded actor who strives to cross them. A free citizen, he does not want to become a prisoner and his whole life bears witness to this unquenched desire to go beyond limits. National as well as artistic limits. Michel Piccoli refuses civil indifference. He has never lacked commitment, and has always taken sides and got involved. His ethic is constant, whether as an actor or as a citizen. If he is taken as a model, it is always despite himself. He is not a hero who puts himself on display. More than anyone else, Piccoli has managed to maintain his humanity. A vibrant humanity that continues to guide his actions and his words. Michel Piccoli is an exemplary actor, responsible towards himself and towards his art.[9]