Michael Lee Firkins (born May 19, 1967) is an American electric guitar player whose music fuses bluegrass, country, blues, and jazz elements into a distorted rock sound. He is noted amongst guitarists for his prolific use of hybrid picking at high speeds.
By 1979, Firkins had a Gibson SG and a Fender Princeton Reverb. Now wielding an electrified tone, he played in local bands and in church from the age of 12 until 18.[citation needed] In 1985, Firkins started touring the country in cover bands. He eventually went back to Omaha and began teaching guitar.[citation needed]
Firkins recorded a five-song demo of instrumental guitar tunes at Rainbow Recording Studios in Omaha, Nebraska.[citation needed] The demo was sent to Shrapnel Records, resulting in a record contract and subsequent release of his first album.[citation needed]
In 1990, Firkins released his self-titled debut album. This release highlighted Firkins's encyclopedic knowledge of bluegrass and country licks.[citation needed] With the help of an international advertising campaign from Yamaha guitars to promote the company's Pacifica models, Firkins's first release sold more than 100,000 copies.[citation needed] The album also landed him the top spot in the category of "Best New Talent" in a readers' poll in Guitar Player magazine that year.[citation needed] He was also hailed as "One of the Most Influential Players of the Next Ten Years" by Guitar for the Practicing Musician.[citation needed] Firkins's music was also popular in Europe, as Firkins won the Edison Award, which is the equivalent of a Grammy, in the Netherlands.[citation needed]
Firkins went on to release three more records for the Shrapnel label.[1] His sound went on to incorporate more music styles, specifically jazz, as shown in a cover of Duke Ellington's "The Mooche" on Firkins' third album, Chapter Eleven.[2]Cactus Cruz was his last recording for Shrapnel in 1996.[citation needed]
In 1997, Firkins recorded Decomposition for Nuerra Records.[citation needed] The album was composed of covers, with Firkins paying tribute to some of his earlier influences, such as Lynyrd Skynyrd, Johnny Winter, and Jimi Hendrix.
In the early 2000s, he teamed up with fellow guitarist Gabriel Moses for a side project titled Dose Amigos, which has been most frequently compared to Tenacious D.[citation needed] Both guitarists incorporated elements of bluegrass and heavy metal at extremely high speeds, with humorous themes. The project showcased Firkins and Moses's original technique of emulating a slide guitar with the use of the tremolo arm.[citation needed]
