In April 1892, Low (then MacMonnies) was approached by Sarah Tyson Hallowell, agent for Bertha Palmer, the prime mover behind the Woman's Building at the World's Columbian Exposition, Chicago, 1893, to paint one of the two mural tympana planned for the building's interior. The other was Modern Woman, by Mary Cassatt. The topic of Low's mural was Primitive Women and it was by all accounts at the time deemed to be the more successful of the two.[6] These were to be the only murals by these two painters.[7] MacMonnies Low also exhibited her work at the Palace of Fine Arts at the 1893 Exposition.[8]
Five O'Clock Tea (1891), Sheldon Swope Art Museum. This painting, also known as Tea at Fresco was exhibited at the Chicago Columbian Exposition, where "both the picture and the artist received favorable critical attention."[14]
^‘’Revisiting the White City: American Art at the 1893 World’s Fair’’, National Museum of American Art and National Portrait Gallery, Smithsonian Institution, Washington D.C., 1993 p. 189
This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Mary Fairchild MacMonnies Low". New International Encyclopedia (1st ed.). New York: Dodd, Mead.