Mario Jaén | |
|---|---|
| Born | 1957 (age 68–69) |
| Occupations | Actor, theatre director, playwright |
| Known for | Role in Caligula (IV Central American Theatre Festival, 1996); work with Teatro Taller Tegucigalpa |
Mario Jaén (born 1957) is a Honduran actor, theatre director, and playwright associated with the independent theatre scene in Tegucigalpa.[1] He was among Honduran theatre practitioners who contributed to late-20th-century Honduran theatre, including work influenced by collective creation and politically engaged theatre traditions.[2]
Jaén received regional attention for his title-role performance in Albert Camus’s Caligula, staged as part of Honduras’s participation at the IV Central American Theatre Festival.[3][4] He has also directed touring community performances with Teatro Taller Tegucigalpa (TTT), including productions connected to human-rights and social-justice themes.[5]
Jaén is the son of the Honduran actor Emmanuel Jaén.[4] He studied theatre in Colombia and later contributed to theatre practice in Honduras upon returning.[2]
In 1996, in the IV Central American Theatre Festival, Jaén’s versatility was praised in the title role of Caligula as giving “life and humanity” to the character.[3] His lead Caligula performance was described as the best-realised element of the production, with a strong audience response.[4]
In July 1999, Jaén represented Honduran theatre at a Central American theatre festival in El Salvador, with the monologue El atravesado (after Colombian writer Andrés Caicedo).[2]
Jaén is situated within a generation influenced by collective creation, campesino theatre, and politically engaged theatre, which shaped Honduran theatrical responses to late-20th-century social conditions.[2] He is the cofounder and artistic director of the Teatro Taller Tegucigalpa.[5]
Jaén was also the writer and director of the play Canícula, staged within Teatro La Fragua’s programme, addressing water scarcity in southern Honduras and its social consequences.[6]
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