You can help expand this article with text translated from the corresponding article in German. (May 2010) Click [show] for important translation instructions.
View a machine-translated version of the German article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Maria Orska]]; see its history for attribution.
You may also add the template {{Translated|de|Maria Orska}} to the talk page.
Gabryela Marchesa di Serra Mantschedda and Edwin Orska
Maria Orska (Ukrainian: Марія Орська; Russian: Мария Орская; 16 March 1893 – 16 May 1930) was an important actress of the German theater and cinema in the 1920s.
Maria Orska was born as Rachel Blindermann in 1893, of a Jewish family, in a city of Mykolaiv (Russian: Nikolaev), not far from Odesa, in what is now Ukraine, at the time a part of Russian Empire. Just before World War I Maria Orska moved to Wien, Hamburg and Berlin in 1915. She spoke fluently German, French, Italian, Russian and Polish.
Eldest child of Habrán Moiseyvich Blindermann (Lawyer) and Augusta Frankfurter.
In Berlin, Maria Orska worked with Rudolf Bernauer in the Hebbel Theater, Max Reinhardt and was famous for her parts in theater plays by Strindberg, Wedekind and Pirandello. She also gained national popularity in Germany for her film parts, although theater was always more important to her. Her first movie Dämon und Mensch (1915) was produced by Jules Greenbaum, one of the pioneers of the German cinema, who discovered cinema during his 20 years long stay in Chicago and migrated back to Germany in 1895. Most of her movies were produced by Alfred Maack, director and producer employed by Greenbaum. She was sometimes credited in films and film publicity materials as Maria Daisy Orska.
Oskar Kokoschka drew in 1922, a famous portrait of her, now kept as a lithograph in collections of several museums. Orska married an important Jewish banker from Berlin in 12. November, 1920, Baron Hans von Bleichröder (grandson of Gerson von Bleichröder) and took a name of Baroness von Bleichröder. They were divorced in 1925. Maria Orska's lover, a wealthy Jewish industrialist and geologist Julius Heinrich Koritschoner from Vienna, shot himself in Constantinople in 1928, writing before death a letter to Orska. His morphine addiction is thought to have made him suicidal.
Maria Orska's sister Gabryela Marchesa di Serra Mantschedda, married to an Italian aristocrat, committed suicide in 1926 by hanging herself on a curtain rope in a Berlin hotel, after a heated argument with Maria.
Her youngest brother, Edwin Orska, aviator of the Russian Empire Air Force, survived the Bolshevik Revolution and lived in Berlin until 1937. He married in Ecuador South America in 1938. He died in Quito in 1966 at the age of 71.
Maria Orska enjoyed enormous popularity in Central Europe in the 1920s. Her stage performances at the Hebbel-Theater in the Kreuzberg district were seen as extraordinary by the Berlin audience of that era. Her photographs appeared on covers of magazines, postcards with her portraits were distributed all over that part of the continent.
Maria Orska committed suicide in 1930, in Vienna. Some people speculate that an addiction to morphine had a decisive influence on the last years of her life.
