While hitchhiking on his journey at age 17, he picked up a camera on a Danish street abandoned by an American who didn't want to appear as a tourist; the resulting images were the first he was able to successfully sell in Japan.[3][4][5]
Everton returned to the United States at 19 years old and landed a job with an educational film company to create college-level archaeological and anthropological filmstrips in Latin America.[6] This led to Everton's introduction to the Maya people in Mexico's Yucatán Peninsula.[6] To support his documentary projects about the Maya and their culture, he took seasonal jobs such as wrangler, muleteer, and white-water rafting river guide.[7][8]
Everton's first trip to the Yucatán was in 1967.[10] His 1991 book, The Modern Maya: A Culture in Transition, shed light on the Maya people during globalization and critical change.[citation needed] In 2012, the University of Texas Press published The Modern Maya: Incidents of Travel and Friendship in Yucatán.[10] He updated readers on the modern Maya people from his previous book and viewed the effects of racism, tourism, and drugs, among others. Everton has chronicled the lives of his Maya friends and their families over a 40-year span.[10] As he wrote, "While most history chronicles the famous, this book is about the lives of ordinary people who are the soul of their culture."[11]
Everton is also considered a master of panoramic photography.[12] His magnum opus is his work with the living Maya on the Yucatán Peninsula.[13][14] His appreciation of light and weather, coupled with his observational skills, have been attributed to his time living in rural areas.[8] Through his photographs, Everton is able to shares a sense of place, whether portraits depict individuals or landscapes.[15]
He has contributed to several archaeological books by other authors, including The Code of Kings: The Language of Seven Sacred Mayan Temples and Tombs, Maya Cosmos: Three Thousand Years on the Shaman's Path, and The Cities of Ancient Mexico: Reconstructing a Lost World.[17]
Peter Galassi, director of photography at Museum of Modern Art, noted the playful creativity of Everton's early artistic exploration: “Macduff Everton's series of fotoverigraphs is an unusually imaginative and witty piece of work. No academic could offer a more persuasive demonstration of the elasticity of photographic meaning -- or one so full of pleasure and surprise.”[21] An early champion of his landscape portraiture, The New York Times photography critic and curator Andy Grundberg wrote, “Macduff Everton updates travel photography in the same way that Ansel Adams updated 19th century photography of the West. He captures strange and eloquent moments in which time, and the world, seem to stand still.”[22]
He was married in 1968 to Ruth Everton, but the couple divorced in February 1973.[28][29] Everton has a son from the previous marriage, Robert Everton.[28][29]
Published works
The Modern Maya: Incidents of Travel and Friendship in Yucatán (University of Texas Press, 2012) ISBN9780292726932[10][30]
Patagonia: La Ultima Esperanza (University of Texas Press, 2012) ISBN9780938531029[31]
^ abHope, Terry (2003). Landscape: The World's Top Photographers and the Stories Behind Their Greatest Images. Hove, England: RotoVision. pp. 68–73. ISBN9782880465766.
^Reynales, Trish (August 1995). "Macduff Everton". Camera & Darkroom: 38–47.