The town dates back to the medieval era, but relatively few of the listed buildings date from before the coming of the Industrial Revolution towards the end of the 18th century. The town grew rapidly during the 19th century, and the majority of the listed buildings date from this time. The oldest listed buildings are part of the town wall, churches, houses, and farmhouses. From the late 18th century to the end of the 19th century the listed buildings include houses and associated structures, shops, more churches, public houses and hotels, bridges, textile mills now used for other purposes, hospitals, railway viaducts, public buildings, a school, railway buildings, almshouses, and memorials and statues. Dating from the 20th century are banks, another mill, an electrical substation, the town hall, war memorials, a cinema, and telephone kiosks.
A shop on a corner site with premises to the rear in brick with a modillioneavescornice and a Welsh slate roof. There are three storeys, the shop has three bays on Great Underbank and one on Bridge Street Brow. On the ground floor is a late 19th-century shop front, and above are sash windows with segmental arches and keystones. The premises behind are rendered and have modern windows.[2]
A pair of stuccoed brick houses with a Welsh slate roof. They have two storeys, five bays, a single-storey single-bay extension to the front left, and a two-storey three-bay wing to the rear right. In the third bay is a porch that has a Tudor arched doorway with a fanlight, a hood mould and an embattledparapet. In the first and second bays are rectangular bay windows containing casement windows with transoms. In the fourth and fifth bays is a canted bay window containing sashes. The windows on the upper floor are paired sashes with Tudor arched heads. The second and fourth bays are gabled.[3][4]
A pair of timber framed houses with an 18th-century extension to the south, they have square panels and brick nogging. The roof is in Welsh slate roof, and the windows are casements.[3][5]
Originally a farmhouse, later divided into two dwellings. It is in brick with a band, and has a stone-slate roof. There are two storeys with attics, three gabledbays, and a later lean-to on the left. In the first bay is a 20th-century porch, in the second bay is a door with a fanlight, and the windows are casements.[7][8]
Originally a hotel and a house, later converted into flats, they are in red brick with a Welsh slate roof. They have three storeys, No. 7 has three bays, and Nos. 9 and 11 have one. Both parts have round-headed doorways, No. 7 also has impost bands and a fanlight, and both parts have sash windows.[9]
A brick shop with a modillioneavescornice, three storeys and a basement, and a front of two bays. On the ground floor is a bowed shop front, and the windows are sashes, those on the middle floor with stuccoedlintels. Underneath is a curved basement in rusticated stone.[10]
A pair of brick shops, No. 11 rendered, with a modillioneavescornice, three storeys, and two bays each. On the ground floor are modern shop fronts, on the upper floor of No. 9 are casement windows with segmental heads, and No. 11 has modern replacements.[11]
Built as the school house to St John's School, it is in red brick with stone quoins and a Welsh slate roof. The house has an L-shaped plan, two storeys, steep gables, and windows with trefoil heads.[14][15]
Originally a shop with a public house added in the later 19th century, the building is in brick with a mouldedeavescornice and three storeys. On the ground floor the public house has a doorway and a window with Gothic glazing, and the shop has a modern shop front. On the upper floors, the public house has sash windows, and the shop has casements.[16]
A shop incorporating an archway and steps leading up to Market Place. It has three storeys, four bays, and a flat roof. The ground floor is in rusticated stone with three large keystones, and contains a modern shop front. To the right is a rusticated archway with a keystone and containing steps. The upper floors are in brick with bands, and contain sash windows, three on the middle floor and four on the top floor.[17]
A pair of brick shops with a modillioneavescornice and three storeys. On the ground floor are modern shop fronts, and above are sash windows, three on the middle floor and two on the top floor.[18]
A brick building, the upper two floors rendered, with a first floor band, three storeys, three bays, and sash windows. On the ground floor is a round-headed doorway with an architrave and a fanlight, to the left are four windows, and to the right is a modern shop front.[19]
A house and shop in brick, partly rendered, with a wood eavescornice, and a Welsh slate roof. There are two storeys, six bays, and a gablepediment in the centre of the top floor. In the first two bays is a modern shop front, to the right the doorway has a fanlight, and the windows are sashes. The rainwater-head is dated, initialled and decorated.[21]
A brick shop with three storeys and four bays. On the ground floor is a modern shop front, and above are sash windows, those on the top floor having segmental heads.[22]
A pair of brick shops with three storeys and two bays each. On the ground floor are modern shop fronts, and on the upper floors are sash windows; the middle floor of No. 19 contains one window with a segmental head and a keystone.[23]
A rendered shop with a wooden eavescornice, three storeys and four bays. On the ground floor is a modern shop front, and each floor above contains three windows and one blocked window.[24]
A shop, later used for other purposes, rendered and carved to resemble stone, with a parapet and a slate roof. There are three storeys and five bays. Below the parapet are five recessed panels with dentils, and the windows are replacements. On the front is a clock set at right angles, and around it are three round niches, above which are bells with pediments. The niches contain figures of a guardsman, a sailor, and Father Time. On the ground floor is an original shop front to the left, and a modern shop front to the right.[27][28]
A brick shop with rusticatedquoins, a modern wood parapet, three storeys and six bays. On the ground floor is a modern shop front, and on the upper floors are sash windows.[29]
Two shops on a corner site in brick with a modillioneavescornice, and a Welsh slate roof, hipped to the right. There are three storeys and a front of three bays. On the ground floor are two 19th-century shop fronts with console brackets, and above are sash windows.[31]
A pair of red brick shops on a corner site, with a modillioneavescornice, and three storeys. The front on Market Place has three bays, and that in Park Street has four. On the ground floor is a 19th-century shop front, the windows on Park Street are sashes, and those on Market Place are modern replacements.[33]
The Three Shires Hall, originally a town house and later used for other purposes, it is timber framed, and has two storeys and two bays. Both bays are gabled, the gables have bargeboards and finials, and the upper floor and gables are jettied. There are two shop fronts, one modern and the other older, and the windows are 19th-century casements. The gables are decorated with quatrefoils, and on the upper floor are curved braces and herringbone decoration.[27][34]
A brick house with a slate roof, two storeys and three bays. On the front is a gabled porch, and the windows are modern with keystones. In a link to an outbuilding are the remains of timber framing.[35]
A brick house with a modillioneavescornice and a slate roof, hipped to the right. It has two storeys with a basement and three bays. Two steps lead up to a central doorway that has attached Doric columns, an open pediment, and a semicircular fanlight.[37]
The building is in red brick with stone dressings, terracotta ornamentation, and a hipped tiled roof, and is in Jacobean style. It has a rectangular plan, with a canted corner, one storey, and sides of four and three bays. The doorway in the corner bay has an arched head and a fanlight, and at the top of the bay is a decorative panel containing the date, and a swan-neck pediment. Around the building are pilasters, a cornice, a decorative frieze, and a panelled parapet.[40][41]
A pair of brick houses on a stone plinth, with a modillioneavescornice, three storeys with basements, and five bays. Steps lead up to the doorways, which have attached columns, open pediments, and semicircular fanlights. The windows are sashes.[25][42]
A brick house with a modillioneavescornice and a Welsh slate roof. There are two storeys and a symmetrical front of three bays. The central doorway has attached columns, an open pediment and a semicircular fanlight, and the window are sashes.[44]
A group of six pairs of almshouses arranged in a crescent. The houses are in pale brick with dressings in red brick and terracotta and Welsh slate roofs. They have a single storey and an attic. On the ground floor are round-headed doorways flanking mullioned and transomed windows, and in the roof are dormers with segmental gables. The outer pairs of houses also have a corner tower with a lead cupola. In front of the houses is a communal garden enclosed by a wall containing a gateway with a segmental arch over which is a shaped gable and segmental pediment.[45][46]
A public house in Baroque style, built in red brick on a graniteplinth, with dressings in stone and terracotta, and a slate roof. It is on a corner site, with two storeys, a front of five bays, and single-storey bays to the right and at the rear. On the corner is a full-height octagonal bay window. In the centre is a doorway with a segmental pediment, above which is a window over which is a terracotta plaque, and a semicircular gablet containing a plaque with the date. On the ground floor are corner pilasters with floral decoration, joined by a first-floor cornice, and the windows are sashes. The right bay contains a canted bay window, and in the rear bay is a doorway.[47][48]
A brick public house on a corner site with a wooden eavescornice and a Welsh slate roof. It has three storeys with cellars, a front of four bays on Corporation Street and one bay on Millgate. The doorway has a reeded architrave and a fanlight, the windows on the ground floor are casements, and on the upper floors they are sashes. There is a similar doorway in the left return, and at the rear is a tall stair window.[49]
The armoury of the Cheshire Regiment, later used by the Territorial Army, is in red brick with stone dressings. The block facing the street has a stone-copedplinth, a hipped roof, two storeys and four bays. On the ground floor is a continuous band of slit windows, the upper floor has windows with pointed heads, and in the roof are gableddormers. On the corner is a polygonal tower with rusticatedquoins and a cornice. At the top is a lantern of lancet lights, and a steep copper spire.[50][51]
A brick public house on a stone plinth with a mouldedstring course, a modillioncornice, and a hipped roof. There are two storeys, a front of three bays, and five bays along the side. On the front the outer bays contain round-headed doorways with semicircular fanlights, and in the middle bay is a pair of round-headed windows in a round-headed arch containing a laurel wreath. Above this is a window with a segmental head, a moulded surround, and with a moulded apron, the other windows having segmental heads and hood moulds.[52][53]
The building is in brick with a rusticatedashlar ground floor on a plinth, stone dressings, bands, and a mouldedcornice. There are three storeys and six bays. In the outer bays are round-headed doorways with keystones, the left doorway having granite columns, and a coat of arms in the tympanum; the inner bays contain round-headed windows. On the upper floors the outer bays are flanked by rusticated pilasters, and contain round-headed windows, with segmental-headed windows in the inner bays.[54]
A brick house and coach house with slate roofs. The house has a stone plinth, a double-depth plan, two storeys and an attic, and three bay. The central doorway has a semicircular head, side panels, enriched consoles, and an ornate radial fanlight. The windows are sashes with stone sills and brick heads. At the rear the central bay is gabled and contains a stair window and a circular attic window. The coach house to the right has three elliptical-headed doorways, a lunette to the right, and a gable pediment containing an oeil-de-boeuf window. In front of the house are ornate cast iron railings and gates.[55]
Originally the rectory to St John's Church, it is in red brick with dressings in blue brick. It has two storeys and steep gables with decorative bargeboards. The windows are mullioned and transomed.[14][56]
A public house in brick on a stone plinth, with stone dressings, quoins, and three storeys. It is on a corner site, with four bays on Vernon Street and one on Market Place. The round-headed doorway has a semicircular fanlight, and the windows are sashes with stuccoedlintels.[57]
Originally a cotton mill, later used for other purposes, it was designed by Stott and Sons. It is in red brick on a steel frame, with terracottabands and a mouldeddentileavescornice. There are five storeys and a semi-basement and 36 bays. The windows have segmental heads, and at the north is an octagonal turret with a copper cupola.[58][59]
The public house is stuccoed, and has paired bracketed eaves, three storeys and four bays. On the ground floor are pilasters and a fascia, and the windows on the middle floor have cornices.[60]
The memorial to members of the Carrington family is in Stockport Cemetery. It is in sandstone and consists of a large rectangular chest tomb in Romanesque style. The tomb has a mouldedplinth, an arcade of flutedpilasters and arches with shell and flame motifs in the tympani. In the arcades are plaques in carved relief or bronze inscribed with family names. Above the arcade is an entablature with an egg-and-dart and dentilledarchitrave, an inscribed frieze, and a moulded cornice. The lid has a roof-like shape, with chamfered ends and a moulded cornice.[61]
The clock and drinking fountain were a memorial to William Houldsworth. There is a stone plinth with a bronze portrait medallion, an inscription, and a niche for the drinking fountain. Standing on this are clustered columns in pink granite with carved capitals carrying a block with clock faces, gables, and a foliated finial.[66][67]
The public house is in brick with a slate roof. It has an L-shaped plan, consisting of a main range and a gabled cross-wing to the right. The windows are sashes with segmental heads.[3][68]
The engine house is in Italianate style, and built in red brick on a stepped blue brick plinth, with stone dressings, blue brick bands, a white brick cornice and a slate roof. It has a square plan with two single-storey parallel ranges, and a square accumulator tower with a pyramidal roof to the southeast.[40][69]
The hall has an ashlar front, and the upper storey was added in 1875. There are three bays, and the rusticated ground floor contains three round-headed openings. On the upper storey are four engaged Corinthian columns on a cornice with consoles brackets. Above the windows are semicircular niches with shell decoration and console keystones, and at the top is a dentil cornice and a parapet with balustrades and panels.[70][71]
The memorial is in Stockport Cemetery and commemorates George Fearn, a brewer who paid for St George's Church, Heaviley. It is in sandstone and consists of a replica of the tower of the church. There are inscriptions on the east face of the tower and on the plinth.[72][73]
The former bank is in sandstone and timber framing with a copedslate roof, and has two storeys with a basement and three bays. The central bay is wide with a sandstone plinth and the upper part rising to a gableddormer. The upper floor is jettied and carried on carved brackets, and the windows are mullioned and transomed. The outer bays are narrow and recessed. The left bay contains a narrow window with a Tudor arched head, and in the right bay is a doorway with a moulded surround, a Tudor ached head, carving in the spandrels, and an inscribed lintel.[74][75]
The goods warehouse, built by the London and North Western Railway Company, is in Italianate style. It is in red brick on a blue brick plinth, with stone dressings, blue brick bands and a cornice and lettering in white brick. The warehouse has a trapezoid plan with four storeys and a basement, 33 bays in the east front, 32 on the west front, 13 on the north front, and 11 on the south front. On the west side are seven openings, with two on the south side, and two taking-in doors on the north. Most of the windows have segmental heads, impost blocks, and blue brick keystones.[40][76]
The rectory, later used for other purposes, is in brick with stone dressings, rusticatedquoins, a moulded wood eavescornice, and a Welsh slate roof. It has three storeys, a symmetrical front of five bays, and a single-storey three-bay extension to the right. The central bay protrudes slightly and contains a doorway with Ionic columns, an entablature, a dentilledpediment, and a segmental fanlight.[77][78]
The former bank is in Renaissance style, and has an ashlar front with brick at the rear, and a slate roof. There are three storeys and attics, an asymmetrical front, a canted corner, and a rusticated ground floor. The corner bay contains the main entrance, and rises to a polygonal tower with three pedimented clock faces and a dome with a finial. The windows are rectangular, and in the middle two bays the windows on the top floor have a recessed round arch, and above them is a shaped gable. In the right bay is a doorway with a segmental pediment, and in the roof is a dormer with a shaped gable.[12][79]
The gateway consists of a stone Gothic screen by Lewis Wyatt. There are three pointed arches, the outer arches smaller and angled backwards, with crocketedfinials over the centre arch. The wall to the left contains a granitedrinking fountain dated 1858, with two moulded steps below.[81][82]
A terrace of four brick cottages with a slate roof. They have two storeys, each cottage has a double-depth plan, and one bay. Some of the windows are casements and others are horizontally-sliding sashes.[83]
The guidepost stands near a road junction. It is in cast iron, and consists of a cylindrical post with four fingers, and is surmounted by an inscribed annular finial. The fingers point in the directions of north, south, northeast and southwest, and indicate the distances in miles to London, Hazel Grove, Macclesfield, and Buxton, Carlisle and Manchester, Marple, and Hyde, and Cheadle, Altrincham, and Chester.[85]
The farmhouse is in rendered stone on a plinth, with a first floor band and a stone-slate roof. It has two storeys, three bays and a small rear wing. The windows are mullioned, and the house contains upper crucks.[7][86]
Originally a council school, later used for other purposes, it is in red brick with buff terracotta dressings and a Westmorlandslate roof, red terracotta ridge tiles and finials. It has an irregular T-shaped plan, with the senior school facing the street and the junior school at right angles behind. The front of the senior school is symmetrical, and at each end is a stair tower with shaped gables and a pyramidal roof, between which are single-storey gabled bays.[91][92]
Originally a farmhouse, later divided into separate dwellings, it has two storeys. The main block is in red brick with a stone-slate roof, and there is a modern single-storey extension to the right. The rear wing is at right angles, and is in rendered brick with a roof of old slate and Welsh slate. The windows are mainly modern.[93]
A cotton spinning mill, later used for other purposes, it is in red brick with slate roofs, and in Italianate style. It is a double mill with a symmetrical front. In the centre is a block with five storeys and nine bays, flanked by blocks with four storeys and 18 bays, and the mill is about twelve bays deep. The central block has a clock and a dated plaque in the parapet, and it is flanked by stair towers with pyramidal roofs. At the rear are an octagonal chimney stack with a corbelled top, and an engine house.[58][94]
The school, designed by Alfred Waterhouse in late Gothic style, is in red brick with stone dressings and has a slate roof. It has an E-shaped plan, with a central range and projecting gabled wings. The windows are mullioned and transomed, there are dormers in the roof, and on the front is a porch.[58][95]
The club was designed by Abraham Henthorn Stott, and is in brick with stone dressings, and a roof with bands of slate and red tiles. It has two storeys and a U-shaped plan with rear wings, and there are later extensions to the rear. On the front are eight bays, the seventh bay wider and gabled. In the fifth bay is a gabled porch, the ground floor has mullioned and transomed windows, the upper floor windows have round-arched heads, and in the roof are three gabled dormers. In the left return is a two-storey bow window with a conical roof.[66][96]
The former public house is in brick and has three storeys. The original part has four bays, with a two-bay extension to the right. On the ground floor are modern shop windows with pilasters and a fascia, and above are sash windows with rusticatedlintels and keystones.[97]
The market hall has a base of wood panels and a superstructure in iron and glass. Its plan is that of an irregular parallelogram with eight gabledbays. The building has thin pilasters with carved capitals and simple tracery.[98][99]
A country house later used for other purposes, it is in Greek Revival style. An east wing was added during the 1840s, and it was substantially rebuilt in 1880–82. The house is in ashlar stone with bands, a cornice, a parapet, and a hippedslate roof. There are two storeys and a symmetrical entrance front of seven bays. The central three bays form a Greek Doricportico that has a doorway with a moulded surround. The right return has Ionicunflutedpilasters and a pediment, and in the left return is a two-storey rounded bay.[100][101]
The mill is in red brick with a basement of blue brick, and internally has a cast iron frame and brick arches. The main block has seven storeys, basements, and 41 bays. Most of the windows have segmental heads, and those in the top floor are paired with round-arched heads. The central six bays form a feature, the outer bays projecting, and containing windows with stone surrounds, arcades and carved capitals. At the top of the mill is a brick arcaded bracket cornice and a stone parapet. At the rear is a tall one-story wing, a chimney, and a gatehouse.[102]
Two schools, the junior school with an irregular H-shaped plan, and the infants school smaller, both mainly in a single storey. They are in red brick with stone dressings and bands, and have slate roofs with red ridge tiles and decorative finials. The gables have plastered tops, one with a shield in relief, and the windows are sashes, the larger windows mullioned and transomed. There is a block with an embattledparapet and a pyramidal roof.[66][103]
A public house in brick with a rendered upper floor and a hipped Italian tile roof. There are two storeys, five bays on the front and six on the sides. The doorways have canopies with curved corners, and the windows are casements. At the rear is a single storey part with a bow window. Much of the interior is unaltered.[104]
The farmhouse was much altered and extended in the early 19th century. It is in brick on a projecting brick plinth, and has a stone-slate roof. The farmhouse has an irregular plan with two storeys and fronts of five and three bays. In the third bay of the main front is a later porch, the fourth bay projects slightly, and the fifth bay projects more, and is gabled. The windows are mullioned and transomed, and contain casements.[105]
A pair of K6 type telephone kiosks, designed by Giles Gilbert Scott. Constructed in cast iron with a square plan and a dome, they have three unperforated crowns in the top panels.[106]
Originally a memorial hall and orphanage, later used for other purposes, it is in red brick with stone dressings and slate roofs. In the centre is a tower with cupolas, and a doorway with carved spandrels, above which is an oriel window. Flanking this are two-storey blocks, including five-sided bay windows containing mullioned and transomed windows on the ground floor.[45][107]
The cinema, in Art Deco style, is in brick on a steel frame with a front of faience. It has a symmetrical front of projecting and recessed planes. In the centre are giant flutedpilasters and a decorated parapet with a dog-tooth cornice and a high frieze. To the sides are openwork grilles, and the double doors have an Art Deco fountain motif.[108][109]
The most substantial existing portion of the medieval town wall is behind the bank in Great Underbank. It is in red sandstoneashlar, it is supported by a buttress, is about 7 metres (23 ft) long, and a water spout cuts through it. There are other portions to the east of Mealhouse Brow and behind Nos. 9 to 13 Little Underbank.[110]
The bridge carries Howard Street over the River Goyt. It is in sandstone, and consists of two semi-elliptical arches with plain voussoirs. The central pier has cutwaters on both sides, and the bridge has plain central and terminal pilasters, a band, a flat deck, and parapets with ridged coping. In the southwest corner is a blocked semicircular arch, and on the west parapet is a post with an inscribed cast iron band.[111]
Originally a Congregational church, later used for other purposes, it is in red brick and has two storeys. The entrance front has three bays and is gabled. There are two doorways with plain pilasters and open pediments. Between the doorways and in the centre of the upper floor are Venetian windows. The other windows have round heads, and in the gable is a quatrefoil. There are two tiers of windows along the sides.[112][113]
A row of six almshouses in speckled brick on a plinth, with stone coping, detailing in red brick, sandstone dressings, and a tile roof with decorative ridge tiles. They have two storeys, one bay each, and gables with finials. The central house projects forward and has a doorway with a gabled porch and a tympanum containing a portrait relief of the founder; the other doorways have sloping canopies. Also included in the listing are the walls and gate piers enclosing the garden, and the outbuildings in the back yards.[114][115]
A row of brick cottages with a slate roof, two storeys and five bays. The windows are casements, those on the ground floor having segmental heads, and there are two modern doors.[117]
The farmhouse is in roughcast stone and has a tiled roof. There are two storeys, three bays, and a projecting wing to the right. The central bay projects forward, it is gabled, and contains a doorway with a moulded surround and has a hood on brackets. The windows are mullioned.[7][118]
A farmhouse, later a private house, in brick with a stone-slate roof, it has a rectangular plan, two storeys and two bays. On the front is a gabled porch and a doorway with pilasters and a pediment, and at the rear are horizontally-sliding sash windows.[14][122]
A pair of sandstone cottages with a stone-slate roof. They have a linear plan, two low storeys, and four bays. There are two doorways, and the windows are horizontally-sliding sashes.[14][123]
The church, designed by Alfred Waterhouse, is in red brick with stone bands and dressings, a clay tile roof, and a lead spire. It consists of a nave with a clerestory, north and south aisles, a chancel with an apse, a north vestry and a south Lady Chapel, also with an apse, and a steeple at the southeast incorporating porches. The steeple has a tower linked to the south aisle by a flying bridge and steps, and has pinnacles and an octagonal spire.[124][125]
The infant school was built first, and both schools are in Elizabethan style. They are built in red brick on a stone-capped plinth, with stone dressings. The senior school has two storeys, with a two-storey canted bay, and two single-storey bays. The windows are mullioned and transomed, and there are four gables. The infant school is similar, with one tall storey.[72][130]
The vicarage is in red brick with a band and a roof of red tiles, and is in Arts and Crafts style. It has an irregular plan, two storeys and attics. The vicarage has a stone doorway, a cantedbay window, and gables. Some windows are casements and others are sashes.
The vicarage is in the process of demolition by Purcell Developments, who want to build eight houses at the site.[128][131]
Later Stella Maris School, it is in red brick and has a Welsh slate roof with ridge tiles. It has a single storey, steep gables, lancet windows, a truncated turret, and a small rose window in a dormer.[14][132]
The chancel was added in 1891, and the spire was removed in 1995. The church is in sandstone with a Welsh slate roof, and consists of a nave, a south porch, a chancel with a north vestry and a west tower. The tower has three stages, angle buttresses, a west door, clock faces, and a parapet with pinnacles. The windows in the tower and the body of the church are lancets.[14][133]
The church was largely rebuilt in 1813–17 to designs by Lewis Wyatt, and alterations were carried out by J. S. Crowther in 1881–82. It is in stone with slate roofs, and consists of a nave, a lower chancel with a former north chapel, and a west tower with north and south porches. The tower has buttresses, clock faces, an embattled pierced parapet, and octagonal corner pinnacles with crocketedfinials. Along the sides of the nave the buttresses rise to crocketed pinnacles, and the parapets are embattled. The east window has six lights with Decoratedtracery. Inside the church are galleries on the north and south sides.[136][137]
The church was extended to the east in 1896, and the tower was added in 1900. The church is in sandstone with a slate roof, and consists of a nave, a southwest porch, a chancel with a northeast vestry, and a southeast tower. The tower has four stages, an east doorway, a south window, and angle buttresses rising to form pinnacles. It is surmounted by an octagonal lantern with louvred windows and a pierced embattledparapet.[3][140]
A row of shops with chambers above, in brick with sandstone dressings, a slate roof, and two storeys. The five bays to the left have a central round-headed doorway with an elaborate surround, voussoirs, a keystone, and above it is a bust of St Peter and a round-headed sash window. In the outer bays the ground floor has modern shop fronts, and on the upper floor are three-light windows. The three bays to the right contain a round-headed doorway in the left bay with mouldedimposts and a keystone, and a loggia of three round-headed openings to the right. In the central bay is a decorative oriel window with a gadroonedpedestal, over which is an iron balconette, and a broken triangular pediment. Flanking the oriel window are round-headed sash windows with sunflower motifs in the tympanum.[74][141]
Vestries flanking the tower added in about 1838, and the chancel was built in 1888. The church is in brick with stone dressings and a slate roof. It consists of a nave, an apsidal chancel, and a west tower flanked by vestries. The tower has three stages, the lower two stages are square and the top bell stage is octagonal with a copper-roofed dome. There is a round-headed west doorway with a triple keystone and impostpilasters. In the middle stage are Venetian windows, some blocked, and the top stage has louvred bell openings, and a clock face on the east. The windows in the body of the church are round-headed with Y-tracery.[81][142]
The bridge is a road bridge carrying St Petersgate over Little Underbank. It is in brick, and has stone piers, parapets, dressings, and steps, and a cast iron deck and balustrades. There are five brick arches, into which two properties are incorporated. The piers have dentilcornices, segmental pediments and domed caps, and the iron deck has a cartouche with coats of arms on each side.[52][143]
A Commissioners' church by George Basevi in Classical style, with the chancel added in 1890 by J. Medland Taylor. The church is in ashlar stone, and consists of a nave, north and south aisles, north and south porches, a chancel, and a west tower. The tower has pedimented bell openings, a stage with clock faces and ball finials, and an open cupola that has eight square shafts with Corinthian caps. At the east end is an Ionicportico with six fluted columns and a pediment. Inside the church are galleries on three sides on fluted Corinthian columns.[144][145]
Originally a workhouse, later converted and used for other purposes, it is in red brick on a plinth, with rusticatedquoins, a stone band, a string cornice and a Welsh slate roof. The original block has two storeys and five bays, the outer bays projecting forward and containing double doors with pilasters, a fanlight and a flat hood on consoles. The windows are sashes. The rear wing has three and four storeys. The central block is canted with five bays, and has a campanile with a clock and a lead cupola. It is flanked by links to end pavilions.[146][147]
At first a town house, it was later extended and used for other purposes, and converted into a museum. Originally a three-baycruck house, later extended in timber framing, then stone, and refronted in brick in the 19th century; the roof is slated. It has two and three storeys with attics and cellars, and a front of three bays with a modern shop front, and two-light windows above.[148][149]
A brick public house on a renderedplinth. with a first floor sill band and a slate roof. It has three storeys and a symmetrical front of five bays. The central doorway has Doric half-columns, an open pediment, and a round-arched fanlight.[150]
A double flight of steps in Portland stone, linking Wellington Road with Mersey Square. They include a series of high walls, and have three pairs of bronze lamp bases, and bronze railings.[152]
Originally a council school, it is in red brick with stone dressings, bands, a Westmorlandslate roof, and terracotta ridge tiles. The college is in Renaissance style, and has a U-shaped plan. The front facing Greek Street has a central block of two storeys and four bays, and is flanked by four-storey square towers with shaped parapets and pyramidal roofs with ventilation cupolas. In the central block are segmental-headed windows with voussoirs and consolekeystones. The entrance is on the west front of the tower and is approached by curved steps with a balustrade. The doorway has a fanlight and a broken pediment, and to the right is a four-storey range with a shaped gable.[91][154]
The hospital was designed by Richard Lane in Greek Revival style, and was extended in 1870–72, and again in 1898–1900, then converted into offices in the 1990s. It is in ashlar stone, and has two storeys, a basement, and a later attic storey. The front is symmetrical, the ground floor is rusticated, and there is a front of 21 bays. In the centre is a tetrastyleDoricportico with a full entablature, a frieze with wreaths, and a pediment containing a clock face, and at the ends are pavilions with pilasters and pediments.[91][155]
The public house is in brick with a stone-slate roof. It has two storeys and two bays. The central doorway has a rectangular fanlight, and the windows are mullioned and transomed. There is a taller range at the rear.[156]
A timber framed house with brick nogging and a stone-slate roof. There are two storeys, four bays, and single-storey extensions to the left and the rear. In the first bay is a recessed porch and a casement window. The third and fourth bays contain a bow window, a casement window and a porch. Inside the house is a closed cruck frame.[7][159]
The town hall was designed by Alfred Brumwell Thomas in free Baroque style. It has a front of Portland stone, and is in brick with Portland stone dressings elsewhere. The front is symmetrical and has a central entrance with paired columns and a broken segmental pediment containing a coat of arms. Framing this is a portico on each side with first floor columns and pediment, and above is a tower rising in diminishing stages, with clock faces, two tiers of open colonnades, and a polygonal top and crown finial. Flanking the entrance bays are five-bay wings with a rusticated ground floor and round-headed windows, and at the ends are projecting pavilions rusticated to the height of the cornice.[160][161]
The museum, in Vernon Park, was extended in 1866. It is in brick with stone dressings, a sill band, a corbel table, a dentilled band, a slate roof with roof lights, and a terracotta ridge. The museum has an L-shaped plan, with the extension forming a cross-wing, and has two storeys. The original part has five bays with a gabled roof, and the extension has a hipped roof. The doorway has a stone architrave with a keystone and a grotesque mask that forms part of a frieze linking the flanking pilasters, and above it is a pediment. The ground floor bays are separated by rusticated pilasters, and in most of the bays are round-arched sash windows. The upper floor is mainly blind, but does contain brick panels, stone roundels, and some sash windows.[162][163]
A former cotton mill in red brick and terracotta, internally with a steel frame and cast iron columns. It has four storeys and fronts of 15 and eight bays, the left three bays projecting. In the angle is an Italianate tower with angle pilasters, a lettered parapet, and a tiled roof with wrought iron cresting, and at the northwest corner is another tower. The windows have metal frames, between them are pilasters, there are mouldedsill bands between the floors, and at the top are modillioneaves and a parapet.[164]
The wall encloses the west and south sides of the churchyard and is contemporary with the church. It is in brick with stone bands and coping. Along the wall are stone piers, and the wall contains wooden gates.[165]
The wall to the west of the rectory is contemporary with it, and is in brick with stone coping, and there are oak gates with ornamental iron hinges.[167]
The art gallery is in Portland stone and brick with slate roofs, and is in Greek Revival style. It has a modified T-shaped plan, with two side galleries, a first-floor picture gallery, and a full-height memorial hall to rear with a dome and an apsidal end wall. Steps lead up to the entrance, which has a portico with four Corinthian columns, a deep inscribed frieze with laurel wreaths, and a pediment containing a coat of arms. At the entrance is a cornice on scrolled consoles and a frieze with paterae. In the outer bays are windows, above which are cartouches.[119][169]
The war memorial is in stone on granite steps, and consists of a copedpedestal, a tall tapering rectangular shaft, and a cross pattée with a halo. The south face of the cross is decorated with Celtic knotwork. On the north and south faces of the pedestal are bronze plaques with inscriptions and the names of those lost in the World Wars.[170]
The war memorial is outside St Paul's Church, and consists of a bronze statue of a soldier by John Cassidy on a plinth of Portland stone. It stands in an enclosure bounded by a semicircular wall.[87][171]
The war memorial is in stone, and has a three-stage base, a tapering pillar. and an entablature with an inscribed frieze. On this is a Celtic cross on a rocky base with a carved wreath on each face. On the cross are rosettes in relief and ropework carving. There are inscriptions on the base and the names of those lost in the First World War on the pillar.[172]
The war memorial is in the churchyard, and is in sandstone. It has a tall octagonal base with a mouldedcornice, a high moulded plinth on two octagonal steps, and a tall tapering octagonal cross shaft surmounted by a decorative cross. On the northeast side is a statue of Saint George sanding under a gabled, crocketedcanopy, and on the other sides are flying buttresses. On the base are panels with inscriptions and the names of the members of the parish who died in the First World War.[173]
The war memorial stands in the cricket ground and is in Portland stone. It has a square three-stepped base, a square plinth, and a square cenotaph column carved with a laurel wreath in relief. On the plinth are columns with inscriptions and the names of the members of the club lost in the two World Wars.[174]
An integrated cotton mill, incorporating some 18th-century material, and rebuilt in 1884, it is in brick with slate roofs, and internally has cast iron columns and brick arches. The earliest part has six storeys and was built in three phases, the later main part has six storeys, sides of 15 and six bays, a squat Italianate tower, and an integral engine house. There is also an octagonal tapering chimney, a five-storey block with an engine house in the basement, a single-storey range curving on the corner of the street, a three-bay block containing the 18th-century wheelhouse, and a weaving shed with five roof ridges passing under the railway viaduct.[175]
The bridge was built by the Manchester and BuxtonTurnpike Trust, and carries Wellington Road South (the A6 road) over the valley of the River Mersey. It is in gritstone, partly rendered, concrete and cast iron. The bridge consists of eleven segmental arches of varying spans. The arch spanning the river is 27.4 metres (90 ft) wide and is 15 metres (49 ft) high.[50][40][176]
A cotton mill, then a hat works, and later a museum, it is in brick and has a slate roof with copedgables, and an internal structure of cast iron beams and brick arches. The main block has seven storeys, 18 bays, and a rounded angle turret.[74][177]
A public house on a corner site in brick with stone dressings, some rendering, applied timber framing, and a tile roof. It has a main block of three storeys with attics, fronts of four and two bays and a curved corner bay with a tower, and a rear wing of two storeys. The corner bay has an entrance flanked by columns above which are mullioned and transomed windows, an oculus in a cartouche, and a tower with a projecting domed top. Other features include mullioned windows, gables on both fronts, jettied upper floors, an oriel window, and full-height pilasters flanking the entrance bay.[27][178]
The Congregational church designed by Edward Walters in Gothic style, is in stone and has a modern roof. It consists of a nave and aisles under separate roofs. Steps lead up to the doorways pointed arches and hood moulds in the ends of the aisles. In front of the entrances are railings, gates and four gabled gate piers.[45][181]
Isabel de Navarra Información personalNacimiento 1512 Fallecimiento 1560 FamiliaFamilia Casa de Albret Padres Juan III de Navarra Catalina I de Navarra Cónyuge Renato I de Rohan Hijos Renato II de Rohan [editar datos en Wikidata] Isabel d'Albret de Navarra (1513 - 1560) era hija de Juan III de Navarra (muerto en 1516) y Catalina I de Navarra, hermana y heredera de Francisco Febo, rey de Navarra. Su hermano reclamó el trono en 1518 y fue coronado como Enrique II de Navarra. Biogra...
هذه المقالة يتيمة إذ تصل إليها مقالات أخرى قليلة جدًا. فضلًا، ساعد بإضافة وصلة إليها في مقالات متعلقة بها. (نوفمبر 2019) ملعب مدينة ريتشموندمعلومات عامةالمنطقة الإدارية فرجينيا البلد الولايات المتحدة الاستعمالالمستضيف Richmond Spiders (en) ريتشموند كيكرز المالك ريتشموندمعلومات أ
لمعانٍ أخرى، طالع انشقاق (توضيح). التفرع المُعدَّل (بالإنجليزية: Fork) في هندسة البرمجيات, انشقاق أو تفرع المشروع يحدث عندما يقوم المطورون بأخذ نسخة قانونية لشيفرة المصدر من حزمة برمجية واحدة، والبدء في تطويرها على أنها مستقلة.[1][2][3] أحيانا يكون لشيفرة المصد
Dieser Artikel behandelt den Flughafen Dubai International (IATA-Code DXB); zum neuen Flughafen Dubai World Central (IATA-Code DWC) siehe Flughafen Dubai-World Central. Flughafen Dubaiمطار دبي الدوليDubai International Airport Dubai (Vereinigte Arabische Emirate) Dubai Kenndaten ICAO-Code OMDB IATA-Code DXB Koordinaten 25° 15′ 10″ N, 55° 21′ 52″ O25.25277777777855.36444444444419Koordinaten: 25° 15′ 10″ N, 55° 21′...
Simón Bolívar United World College of AgricultureСільськогосподарський коледж об'єднаного світу Сімона БолівараТип приватна міжнародна школа-інтернатКраїна Венесуела геокоординати не задано: Засновано 1986[1]Закрито 2012[2]Учні понад 1000 (за роки існування)Мова навчання іспанська Сіл
American reality television series Bill Murray & Brian Doyle-Murray's Extra InningsGenre Reality Sports Comedy Starring Bill Murray Brian Doyle-Murray Opening themeThe Thing About Baseball by Bill MurrayCountry of originUnited StatesOriginal languageEnglishNo. of seasons1No. of episodes10ProductionExecutive producers Dub Cornett Bill Murray Brian Doyle-Murray ProducerVictoria Lily ShafferCinematographyAnna SchwaberEditorJack AlvinoRunning time9–11 minutesProduction companyOso StudiosOri...
Lumban Pea TimurDesaKantor Desa Lumban Pea TimurPeta lokasi Desa Lumban Pea TimurNegara IndonesiaProvinsiSumatera UtaraKabupatenTobaKecamatanBaligeKode pos22312Kode Kemendagri12.12.01.2040 Luas1,41 km²Jumlah penduduk1.065 jiwa (2015)Kepadatan755,32 jiwa/km² Lumban Pea Timur adalah salah satu desa di Kecamatan Balige, Kabupaten Toba, Provinsi Sumatera Utara, Indonesia. Pemerintahan Kepala Desa Lumban Pea Timur pada tahun 2015 adalah Tasman Tambunan.[1] Desa Lumban Pea Timur terd...
Shokalsky Island Location of Shokalsky Island in the Kara Sea. Shokalsky Island (Russian: Остров Шокальского) is an island in the Kara Sea, in Russia. It is located on the eastern side of the mouth of the Ob River, off the tip of the narrow northwestern arm of the Gyda Peninsula. It is separated from it by a narrow strait full of islets known as Gydanskiy Proliv. Its latitude is 72° 58' N and its longitude 74° 27' E. The island has an area of 428 km² and it is covered...
Destruction of interned warships, 21 June 1919 Scuttling of the German fleet at Scapa FlowBayern sinking by the sternDate21 June 1919LocationScapa Flow, Orkney Islands, United Kingdom58°54′N 3°11′W / 58.900°N 3.183°W / 58.900; -3.183Result Majority of German fleet sunkBelligerents United Kingdom GermanyCommanders and leaders Sydney Fremantle Ludwig von ReuterUnits involved First Battle Squadron High Seas FleetCasualties and losses None 9 killed16 wo...
Autoridad Territorial de la Movilidad del Área de Lérida LugarUbicación LéridaLérida(España)DescripciónTipo ConsorcioInauguración 2005ExplotaciónLíneas Bus urbano Bus interurbano 2 de Cercanías 3 de RegionalesMapa Zonificación de la ATM del área de LéridaNotas www.atmlleida.cat[editar datos en Wikidata] La Autoridad Territorial de la Movilidad del Área de Lérida[1] (ATM Àrea de Lleida; oficialmente y en catalán: Autoritat Territorial de la Mobilitat de l'Àr...
German businesswoman Johanna QuandtQuandt in 2012BornJohanna Maria Bruhn21 June 1926Berlin, GermanyDied3 August 2015(2015-08-03) (aged 89)Bad Homburg vor der Höhe, GermanySpouseHerbert Quandt (m. 1960–82)ChildrenStefan Quandt Susanne Klatten Johanna Maria Quandt (née Bruhn; 21 June 1926 – 3 August 2015) was a German billionaire businesswoman and the widow of Herbert Quandt, an industrialist and prominent Nazi.[1] When she died in 2015 she was the 8th richest person in Germa...
Institutional corruption in the country Political corruption Concepts Anti-corruption Bribery Cronyism Economics of corruption Electoral fraud Elite capture Influence peddling Kleptocracy Mafia state Nepotism Slush fund Simony Corruption by country Africa Angola Botswana Cameroon Chad Comoros Congo Egypt Equatorial Guinea Eritrea Ethiopia Ghana Guinea-Bissau Kenya Liberia Mauritius Morocco Nigeria Senegal Sierra Leone Somalia South Africa South Sudan Sudan Tanzania Tunisia Uganda Zambia Zimba...
Germanic tribe in present-day northwestern Germany in the 1st centuries BC and AD The Roman Empire under Hadrian (r. 117–138), showing the former location of the Cherusci in northwestern Germany The Cherusci were a Germanic tribe that inhabited parts of the plains and forests of northwestern Germany in the area of the Weser River and present-day Hanover during the first centuries BC and AD. Roman sources reported they considered themselves kin with other Irmino tribes and claimed commo...
Spanish rhythmic gymnast Sandra AguilarPersonal informationFull nameSandra Aguilar NavarroCountry represented SpainBorn (1992-08-09) 9 August 1992 (age 31)Madrid, SpainDisciplineRhythmic gymnasticsLevelSenior International EliteYears on national team2011-2016Retiredyes Medal record Representing Spain Group Rhythmic Gymnastics Olympic Games 2016 Rio de Janeiro Group All-around World Championships 2014 Izmir 10 Clubs 2013 Kiev 10 Clubs 2013 Kiev 3 Balls/2 Ribbons ...
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: Calcium glycerylphosphate – news · newspapers · books · scholar · JSTOR (January 2021) (Learn how and when to remove this template message) Calcium glycerylphosphate Names Preferred IUPAC name Calcium 1,3-dihydroxypropan-2-yl phosphate Identifiers CAS Number 27...
Балка ПанютинськаБалка Панютинська у серпні 2020 рокуКраїна УкраїнаРозташуванняУкраїна,Запорізька область, Оріхівський районПлоща117 гаЗасновано1998ОператорОмельницька сільська рада Балка Панютинська у Вікісховищі Балка Панютинська — ландшафтний заказник міс...
Kirhajm na Vinskom PutuKirchheim an der Weinstraße Grb Osnovni podaci Država Njemačka Gradonačelnik Robert Brunner (CDU) Savezna država Rajna-Palatinat Stanovništvo Stanovništvo 1.742[1] Gustina stanovništva 194 st./km² Geografija Koordinate 49°32′14″N 8°10′51″E / 49.53722°N 8.18083°E / 49.53722; 8.18083 Vremenska zona UTC+1, ljeti UTC+2 Nadmorska visina 145 m Površina 9,0 km² Kirhajm na Vinskom PutuKirhajm na Vinskom Putu (Njemač...
Paghimo ni bot Lsjbot. Alang sa ubang mga dapit sa mao gihapon nga ngalan, tan-awa ang Sugarloaf Peak. 47°45′26″N 120°31′40″W / 47.75735°N 120.52787°W / 47.75735; -120.52787 Sugarloaf Peak Bukid Nasod Tinipong Bansa Estado Washington Kondado Chelan County Range Entiat Mountains Gitas-on 1,331 m (4,367 ft) Tiganos 47°45′26″N 120°31′40″W / 47.75735°N 120.52787°W / 47.75735; -120.52787 Highest point - elevat...
Paghimo ni bot Lsjbot. 33°56′03″N 75°08′06″E / 33.93408°N 75.13487°E / 33.93408; 75.13487 Burwat Nadi Suba Nasod Indiya Estado State of Jammu and Kashmīr Gitas-on 1,751 m (5,745 ft) Tiganos 33°56′03″N 75°08′06″E / 33.93408°N 75.13487°E / 33.93408; 75.13487 Timezone IST (UTC+5:30) GeoNames 10656001 Suba ang Burwat Nadi sa Indiya.[1] Nahimutang ni sa estado sa State of Jammu and Kashmīr, sa amihanang bah...
.JPG)
.JPG)
