Artist
|
Span
|
Work
|
Date
|
Medium
|
Andrea di Bartolo
|
active 1389–1428
|
Madonna and Child[1]
|
date unknown
|
tempera on panel
|
Barna da Siena
|
active c. 1330–1350
|
Christ Bearing the Cross, with a Dominican Friar[2]
|
c. 1350–1360
|
tempera on panel, cradled
|
Lazzaro Bastiani
|
active c. 1425–1512
|
Adoration of the Magi[3]
|
1470–1479
|
tempera on poplar panel
|
Gentile Bellini
|
c. 1429–1507
|
Doge Giovanni Mocenigo[4]
|
1478–1485
|
tempera on poplar panel
|
Giovanni Bellini
|
c. 1430–1516
|
St. Francis in the Desert[5]
|
c. 1476–1478
|
tempera on poplar panel
|
Francesco Botticini
|
15th century
|
The Resurrection[6]
|
1465–1470
|
tempera on poplar panel, cradled
|
François Boucher
|
1703–1770
|
A Lady on Her Day Bed[7]
|
1743
|
oil on canvas
|
François Boucher
|
1703–1770
|
The Four Seasons: Spring[8]
|
1755
|
oil on canvas
|
François Boucher
|
1703–1770
|
The Four Seasons: Summer[8]
|
1755
|
oil on canvas
|
François Boucher
|
1703–1770
|
The Four Seasons: Autumn[9]
|
1755
|
oil on canvas
|
François Boucher
|
1703–1770
|
The Four Seasons: Winter[9]
|
1755
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Astronomy and Hydraulics[10]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Poetry and Music[10]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Fowling and Horticulture[11]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Fishing and Hunting[11]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Architecture and Chemistry[12]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Painting and Sculpture[12]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Comedy and Tragedy[13]
|
1750–1753
|
oil on canvas
|
François Boucher and workshop
|
1703–1770
|
The Arts and Sciences: Singing and Dancing[13]
|
1750–1753
|
oil on canvas
|
François Boucher, workshop of
|
1703–1770
|
Girl with Roses[14]
|
1760s
|
oil on canvas
|
Agnolo Bronzino
|
1503–1572
|
Lodovico Capponi[15]
|
1550–1555
|
oil on poplar panel
|
Pieter Bruegel the Elder
|
active 1551–1569
|
The Three Soldiers[16]
|
1568
|
oil on oak panel
|
Willem Buytewech, attributed
|
c. 1591−1624
|
The Jovial Company[17]
|
c. 1622–1624
|
oil on canvas
|
Eugène Carrière
|
1849–1906
|
Motherhood[18]
|
1880s
|
oil on canvas
|
Jean-Baptiste-Siméon Chardin
|
1699−1779
|
Lady with a Bird-Organ[19]
|
1753
|
oil on canvas
|
Jean-Baptiste-Siméon Chardin
|
1699−1779
|
Still Life with Plums[20]
|
1728
|
oil on canvas
|
Cimabue
|
c. 1240 – c. 1302
|
The Flagellation of Christ[21]
|
c. 1280
|
tempera on poplar panel
|
Claude Lorrain
|
1604–1682
|
The Sermon on the Mount[22]
|
c. 1656
|
oil on canvas
|
John Constable
|
1776–1837
|
Salisbury Cathedral from the Bishop's Garden[23]
|
1826
|
oil on canvas
|
John Constable
|
1776–1837
|
The White Horse[24]
|
1819
|
oil on canvas
|
Jean-Baptiste-Camille Corot
|
1796–1875
|
The Arch of Constantine and the Forum, Rome[25]
|
1843
|
oil on paper mounted on canvas
|
Jean-Baptiste-Camille Corot
|
1796–1875
|
The Boatman of Mortefontaine[26]
|
c. 1865–1870
|
oil on canvas
|
Jean-Baptiste-Camille Corot
|
1796–1875
|
The Lake[27]
|
1861
|
oil on canvas
|
Jean-Baptiste-Camille Corot
|
1796–1875
|
The Pond[28]
|
c. 1868–1870
|
oil on canvas
|
Jean-Baptiste-Camille Corot
|
1796–1875
|
Ville-d'Avray[29]
|
c. 1860
|
oil on canvas
|
Francis Cotes
|
1726–1770
|
Francis Vernon[30]
|
1757
|
pastel on paper affixed to canvas
|
Francis Cotes
|
1726–1770
|
The Hon. Booth Grey[31]
|
1764
|
oil on canvas
|
Aelbert Cuyp
|
1620–1691
|
Cows and Herdsman by a River[32]
|
After 1650
|
oil on oak panel
|
Aelbert Cuyp
|
1620–1691
|
Dordrecht: Sunrise[33]
|
c. 1650
|
oil on canvas
|
Aelbert Cuyp
|
1620–1691
|
River Scene[34]
|
date unknown
|
oil on oak panel
|
Charles-François Daubigny
|
1817–1878
|
Dieppe[35]
|
1877
|
oil on canvas
|
Charles-François Daubigny
|
1817–1878
|
The Washerwomen[36]
|
1870–1874
|
oil on canvas
|
Gerard David
|
active 1484–1523
|
The Deposition[37]
|
c. 1495–1500
|
oil on linen
|
Jacques-Louis David
|
1748−1825
|
Comtesse Daru[38]
|
1810
|
oil on canvas
|
Césarine-Henriette-Flore Davin-Mirvault
|
1773–1844
|
Antonio Bartolomeo Bruni[39]
|
c. 1804
|
oil on canvas
|
Edgar Degas
|
1834–1917
|
The Rehearsal[40]
|
1878–1879
|
oil on canvas
|
François-Hubert Drouais
|
1727–1775
|
The Comte and Chevalier de Choiseul as Savoyards[41]
|
1758
|
oil on canvas
|
Duccio di Buoninsegna
|
c. 1255 – c. 1319
|
The Temptation of Christ on the Mountain[42]
|
1308–1311
|
tempera on poplar panel
|
Jules Dupré
|
1811–1889
|
The River[43]
|
date unknown
|
oil on canvas
|
James Whitney Fosburgh
|
1910–1978
|
View of Montauk[44]
|
date unknown
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: The Pursuit[45]
|
1771–1772
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: The Meeting[46]
|
1771–1772
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: The Lover Crowned[47]
|
1771–1772
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Love Letters[48]
|
1771–1772
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Reverie[49]
|
1790–1791
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Love Triumphant[50]
|
1790–1791
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Love the Avenger[51]
|
1790–1791
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Love Pursuing a Dove[51]
|
1790–1791
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Love the Jester[51]
|
1790–1791
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Love the Sentinel[51]
|
1790–1791
|
oil on canvas
|
Jean-Honoré Fragonard
|
1732–1806
|
The Progress of Love: Hollyhocks (4 panels)[52]
|
1790–1791
|
oil on canvas
|
French, Probably Burgundian
|
14th century
|
Virgin and Child[53]
|
c. 1390–1400
|
oil and tempera on panel
|
French, Probably South of France
|
15th century
|
Pietà with Donor[54]
|
15th century
|
tempera or mixed technique on panel
|
Thomas Gainsborough
|
1727–1788
|
Grace Dalrymple Elliott[55]
|
c. 1782
|
oil on canvas
|
Thomas Gainsborough, attributed
|
1727–1788
|
Mrs. Charles Hatchett[56]
|
c. 1786
|
oil on canvas
|
Thomas Gainsborough
|
1727–1788
|
Mrs. Peter William Baker[57]
|
1781
|
oil on canvas
|
Thomas Gainsborough
|
1727–1788
|
Richard Paul Jodrell[58]
|
c. 1774
|
oil on canvas
|
Thomas Gainsborough
|
1727–1788
|
Sarah, Lady Innes[59]
|
c. 1757
|
oil on canvas
|
Thomas Gainsborough
|
1727–1788
|
The Hon. Frances Duncombe[60]
|
c. 1777
|
oil on canvas
|
Thomas Gainsborough
|
1727–1788
|
The Mall in St. James's Park[61]
|
c. 1783
|
oil on canvas
|
Gentile da Fabriano
|
c. 1385 – before 1427
|
Madonna and Child, with Saints Lawrence and Julian[62]
|
1423–1425
|
tempera on panel, cradled
|
Baron François Gérard
|
1770–1837
|
Portrait of Camillo Borghese[63]
|
c. 1810
|
oil on canvas
|
Francisco de Goya
|
1746–1828
|
An Officer (Conde de Teba?)[64]
|
c. 1804 (?)
|
oil on canvas
|
Francisco de Goya
|
1746–1828
|
Don Pedro, Duque de Osuna[65]
|
c. 1790s
|
oil on canvas
|
Francisco de Goya
|
1746–1828
|
Portrait of a Lady (María Martínez de Puga?)[66]
|
1824
|
oil on canvas
|
Francisco de Goya
|
1746–1828
|
The Forge[67]
|
c. 1815–1820
|
oil on canvas
|
El Greco
|
1541–1614
|
Purification of the Temple[68]
|
c. 1600
|
oil on canvas
|
El Greco
|
1541–1614
|
St. Jerome[69]
|
1590–1600
|
oil on canvas
|
El Greco
|
1541–1614
|
Vincenzo Anastagi[70]
|
1571–1576
|
oil on canvas
|
Jean-Baptiste Greuze
|
1725−1805
|
Madame Baptiste Aîné[71]
|
c. 1799
|
pastel on cream paper
|
Jean-Baptiste Greuze
|
1725−1805
|
Baptiste Aîné[72]
|
c. 1799
|
pastel on cream paper
|
Jean-Baptiste Greuze
|
1725−1805
|
The Wool Winder[73]
|
c. 1759
|
oil on canvas
|
Francesco Guardi
|
1712–1793
|
Regatta in Venice[74]
|
c. 1770
|
oil on canvas
|
Francesco Guardi
|
1712–1793
|
View of the Cannaregio Canal in Venice[75]
|
c. 1770
|
oil on canvas
|
Frans Hals
|
1581/1585–1666
|
Portrait of a Man[76]
|
c. 1660
|
oil on canvas
|
Frans Hals
|
1581/1585–1666
|
Portrait of a Painter[77]
|
early 1650s
|
oil on canvas
|
Frans Hals
|
1581/1585–1666
|
Portrait of a Woman[78]
|
1635
|
oil on canvas
|
Frans Hals
|
1581/1585–1666
|
Portrait of an Elderly Man[79]
|
1627–1630
|
oil on canvas
|
Meyndert Hobbema
|
1638–1709
|
Village among Trees[80]
|
1665
|
oil on oak panel
|
Meyndert Hobbema
|
1638–1709
|
Village with Water Mill among Trees[81]
|
c. 1665
|
oil on canvas
|
William Hogarth
|
1697–1764
|
Miss Mary Edwards[82]
|
1742
|
oil on canvas
|
Hans Holbein the Younger
|
1497/1498–1543
|
Sir Thomas More[83]
|
1527
|
oil on oak panel
|
Hans Holbein the Younger
|
1497/1498–1543
|
Thomas Cromwell[84]
|
1532–1533
|
oil on oak panel
|
John Hoppner
|
1758–1810
|
The Hon. Lucy Byng[85]
|
c. 1790
|
oil on canvas
|
John Hoppner
|
1758–1810
|
The Ladies Sarah and Catherine Bligh[86]
|
c. 1790
|
oil on canvas
|
Jean-Auguste-Dominique Ingres
|
1780–1867
|
Comtesse d'Haussonville[87]
|
1845
|
oil on canvas
|
John C. Johansen
|
1876–1964
|
Henry Clay Frick[88]
|
1943
|
oil on canvas
|
Gerald Kelly
|
1879–1972
|
Portrait of Henry Clay Frick[89]
|
1924
|
oil on canvas
|
Jacques de Lajoue, attributed
|
1687–1761
|
Seven Decorative Panels[90]
|
c. 1730–1740
|
oil on canvas
|
Georges de La Tour, studio of
|
1593–1652
|
The Education of the Virgin[91]
|
c. 1650
|
oil on canvas
|
Thomas Lawrence
|
1769–1830
|
Julia, Lady Peel[92]
|
1827
|
oil on canvas
|
Thomas Lawrence
|
1769–1830
|
Miss Louisa Murray[93]
|
after 1827
|
oil on canvas
|
Jean-Étienne Liotard
|
1702–1789
|
Trompe l'Oeil[94]
|
1771
|
oil on silk transferred to canvas
|
Fra Filippo Lippi
|
c. 1406–1469
|
The Annunciation[95]
|
c. 1440
|
tempera on poplar panels
|
Nicholas Lochoff
|
1872–1948
|
Madonna and Child with Saint Francis and Saint John[96]
|
1928–1930
|
|
Édouard Manet
|
1832–1883
|
The Bullfight[97]
|
1864
|
oil on canvas
|
Jacobus Hendrikus Maris
|
1837–1899
|
The Bridge[98]
|
1885
|
oil on canvas
|
Anton Mauve
|
1838–1888
|
Early Morning Ploughing[99]
|
c. 1875
|
oil on canvas
|
Hans Memling
|
c. 1430–1494
|
Portrait of a Man[100]
|
c. 1470–1475
|
oil on oak panel
|
Gabriel Metsu
|
1629–1667
|
A Lady at Her Toilet[101]
|
c. 1660
|
oil on canvas
|
Jean-François Millet
|
1814–1875
|
Woman Sewing by Lamplight[102]
|
1870–1872
|
oil on canvas
|
Claude-Oscar Monet
|
1840–1926
|
Vétheuil in Winter[103]
|
1878–1879
|
oil on canvas
|
Giovanni Battista Moroni
|
c. 1520/1524–1579/1580
|
Portrait of a Woman[104]
|
c. 1575
|
oil on canvas
|
Bartolomé Esteban Murillo
|
1617–1682
|
Self-Portrait[105]
|
c. 1650–1655
|
oil on canvas
|
Jean-Marc Nattier
|
1685–1766
|
Elizabeth, Countess of Warwick[106]
|
1754
|
oil on canvas
|
William Orpen
|
1878–1931
|
Portrait of Andrew W. Mellon[107]
|
1924
|
oil on canvas
|
Isack van Ostade
|
1621–1649
|
Travelers Halting at an Inn[108]
|
date unknown
|
oil on oak panel
|
Jean-Baptiste Pater
|
1695–1736
|
Procession of Italian Comedians[109]
|
date unknown
|
oil on canvas
|
Jean-Baptiste Pater
|
1695–1736
|
The Village Orchestra[109]
|
date unknown
|
oil on canvas
|
Piero della Francesca
|
c. 1415–1492
|
Augustinian Friar[110]
|
date unknown
|
tempera on poplar panel
|
Piero della Francesca
|
c. 1415–1492
|
Augustinian Nun[110]
|
date unknown
|
tempera on poplar panel
|
Piero della Francesca
|
c. 1415–1492
|
St. John the Evangelist[111]
|
c. 1454–1469
|
tempera on poplar panel
|
Piero della Francesca
|
c. 1415–1492
|
The Crucifixion[112]
|
date unknown
|
tempera on poplar panel
|
Carel van der Pluym
|
1625–1672
|
Old Woman with a Book[113]
|
date unknown
|
oil on canvas
|
Henry Raeburn
|
1756–1823
|
Alexander Allan[114]
|
c. 1815
|
oil on canvas
|
Henry Raeburn
|
1756–1823
|
James Cruikshank[115]
|
1805–1808
|
oil on canvas
|
Henry Raeburn
|
1756–1823
|
Mrs. James Cruikshank[116]
|
1805–1808
|
oil on canvas
|
Rembrandt van Rijn
|
1606–1669
|
Nicolaes Ruts[117]
|
1631
|
oil on mahogany panel
|
Rembrandt van Rijn
|
1606–1669
|
Self-Portrait[118]
|
1658
|
oil on canvas
|
Rembrandt van Rijn
|
1606–1669
|
The Polish Rider[119]
|
c. 1655
|
oil on canvas
|
Rembrandt van Rijn, follower of
|
1606–1669
|
Portrait of a Young Artist[120]
|
date unknown
|
oil on canvas
|
Pierre-Auguste Renoir
|
1841–1919
|
La Promenade[121]
|
1875–1876
|
oil on canvas
|
Joshua Reynolds
|
1723–1792
|
Elizabeth, Lady Taylor[122]
|
c. 1780
|
oil on canvas
|
Joshua Reynolds
|
1723–1792
|
General John Burgoyne[123]
|
c. 1766
|
oil on canvas
|
Joshua Reynolds
|
1723–1792
|
Lady Cecil Rice[124]
|
1762
|
oil on canvas
|
Joshua Reynolds
|
1723–1792
|
Selina, Lady Skipwith[125]
|
1787
|
oil on canvas
|
George Romney
|
1734–1802
|
Charlotte, Lady Milnes[126]
|
1788–1792
|
oil on canvas
|
George Romney
|
1734–1802
|
Henrietta, Countess of Warwick, and Her Children[127]
|
1787–1789
|
oil on canvas
|
George Romney
|
1734–1802
|
Lady Hamilton as 'Nature'[128]
|
1782
|
oil on canvas
|
George Romney
|
1734–1802
|
Miss Frances Mary Harford[129]
|
1780–1783
|
oil on canvas
|
George Romney
|
1734–1802
|
Miss Mary Finch-Hatton[130]
|
1788
|
oil on canvas
|
Théodore Rousseau
|
1812–1867
|
The Village of Becquigny[131]
|
c. 1857
|
oil on mahogany panel
|
Peter Paul Rubens, follower of
|
1577–1640
|
A Knight of the Order of the Golden Fleece[132]
|
date unknown
|
oil on canvas
|
Jacob van Ruisdael
|
c. 1629–1682
|
Landscape with a Footbridge[133]
|
1652
|
oil on canvas
|
Jacob van Ruisdael
|
c. 1629–1682
|
Quay at Amsterdam[134]
|
c. 1670
|
oil on canvas
|
Salomon van Ruysdael
|
c. 1602–1670
|
Landscape with Farmhouse[135]
|
1628
|
oil on panel
|
Salomon van Ruysdael
|
c. 1602–1670
|
River Scene: Men Dragging a Net[136]
|
c. 1667
|
oil on canvas
|
Gabriel de Saint-Aubin
|
1724–1780
|
The Private Academy[137]
|
c. 1755
|
oil on panel
|
Gerard van Spaendonck
|
1746–1822
|
Grapes with Insects on a Marble Top[138]
|
1791–1795
|
oil on marble
|
Gilbert Stuart
|
1755–1828
|
George Washington[139]
|
1795–1796
|
oil on canvas
|
Gerard ter Borch
|
1617–1681
|
Portrait of a Young Lady[140]
|
c. 1665–1670
|
oil on canvas
|
Frits Thaulow
|
1847−1906
|
Winter in Norway[141]
|
c. 1895
|
oil on canvas
|
Giovanni Battista Tiepolo
|
1696–1770
|
Perseus and Andromeda[142]
|
c. 1730–1731
|
oil on paper affixed to canvas
|
Jacopo Tintoretto, circle of
|
1518–1594
|
Portrait of a Venetian Procurator[143]
|
date unknown
|
oil on canvas
|
Titian
|
c. 1488–1576
|
Pietro Aretino[144]
|
c. 1537
|
oil on canvas
|
Titian
|
c. 1488–1576
|
Portrait of a Man in a Red Cap[145]
|
c. 1510
|
oil on canvas
|
Constant Troyon
|
1810–1865
|
A Pasture in Normandy[146]
|
1850s
|
oil on panel
|
Joseph Mallord William Turner
|
1775–1851
|
Antwerp: Van Goyen Looking Out for a Subject[147]
|
1833
|
oil on canvas
|
Joseph Mallord William Turner
|
1775–1851
|
Cologne, the Arrival of a Packet-Boat: Evening[148]
|
1826
|
oil on canvas
|
Joseph Mallord William Turner
|
1775–1851
|
Fishing Boats Entering Calais Harbor[149]
|
c. 1803
|
oil on canvas
|
Joseph Mallord William Turner
|
1775–1851
|
Mortlake Terrace: Early Summer Morning[150]
|
1826
|
oil on canvas
|
Joseph Mallord William Turner
|
1775–1851
|
The Harbor of Dieppe: Changement de Domicile[151]
|
1825–1826
|
oil on canvas
|
Jan van de Cappelle, follower of
|
c. 1624 – c. 1679
|
A View of the River Maas before Rotterdam[152]
|
c. 1645–1665
|
oil on oak panel, cradled
|
Hendrick van der Burgh, attributed
|
active 1649 – after 1669
|
Drinkers before the Fireplace[153]
|
c. 1660
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Frans Snyders[154]
|
c. 1620
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Genoese Noblewoman[155]
|
1625–1627
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
James Stanley, Lord Strange, Later Seventh Earl of Derby, with His Wife, Charlotte, and Their Daughter[156]
|
c. 1636
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Lady Anne Carey, Later Viscountess Claneboye and Countess of Clanbrassil[157]
|
c. 1636
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Marchesa Giovanna Cattaneo[158]
|
1622–1627
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Margareta de Vos[159]
|
c. 1620
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Ottaviano Canevari[160]
|
1627
|
oil on canvas
|
Anthony van Dyck
|
1599–1641
|
Sir John Suckling[161]
|
c. 1638
|
oil on canvas
|
Jan van Eyck and workshop
|
active 1422–1441
|
Virgin and Child, with Saints and Donor[162]
|
c. 1441–1443
|
oil on panel
|
Diego Velázquez
|
1599–1660
|
King Philip IV of Spain[163]
|
1644
|
oil on canvas
|
Paolo Veneziano and his son Giovanni Veneziano
|
active 1321–1358
|
The Coronation of the Virgin[164]
|
1358
|
tempera on poplar panel
|
Johannes Vermeer
|
1632–1675
|
Girl Interrupted at Her Music[165]
|
c. 1658–1659
|
oil on canvas
|
Johannes Vermeer
|
1632–1675
|
Mistress and Maid[166]
|
1666−1667
|
oil on canvas
|
Johannes Vermeer
|
1632–1675
|
Officer and Laughing Girl[167]
|
c. 1657
|
oil on canvas
|
Paolo Veronese
|
1528–1588
|
The Choice Between Virtue and Vice[168]
|
c. 1565
|
oil on canvas
|
Paolo Veronese
|
1528–1588
|
Wisdom and Strength[169]
|
c. 1565
|
oil on canvas
|
Jean-Antoine Watteau
|
1684–1721
|
The Portal of Valenciennes[170]
|
c. 1710–1711
|
oil on canvas
|
James McNeill Whistler
|
1834–1903
|
Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac[171]
|
1891–1892
|
oil on canvas
|
James McNeill Whistler
|
1834–1903
|
Arrangement in Brown and Black: Portrait of Miss Rosa Corder[172]
|
1876–1878
|
oil on canvas
|
James McNeill Whistler
|
1834–1903
|
Harmony in Pink and Gray: Portrait of Lady Meux[173]
|
1881–1882
|
oil on canvas
|
James McNeill Whistler
|
1834–1903
|
Symphony in Flesh Colour and Pink: Portrait of Mrs. Frances Leyland[174]
|
1871–1874
|
oil on canvas
|
James McNeill Whistler
|
1834–1903
|
The Ocean[175]
|
1866
|
oil on canvas
|
Konrad Witz, circle of
|
c. 1400 – c. 1447
|
Pietà[176]
|
c. 1440
|
tempera and oil on panel
|
Philips Wouwerman
|
1619–1668
|
The Cavalry Camp[177]
|
date unknown
|
oil on oak panel
|