It's this album of two parts, the first half of it reflects my kind of renewed excitement about electronic music, and it's really I guess my own strange hybridization of pop song structure with EDM aesthetics. And then the second half of the record is more what I call typical Duncan Sheik self-indulgent art songs and it's more organic, sparse, internal and darker. But the whole thing is like a battery, the first half has a positive charge and the second half has a negative charge but it kind of works together as a whole.
Legerdemain is a 2015 studio album by American singer-songwriter Duncan Sheik. The album has received positive reviews from critics and is a transitional one for Sheik as a songwriter, borrowing from his love of electronic music as well as his work scoring musical theater.[3] The music was written contemporaneously to scoring American Psycho,[4] and is his first album of original popular music in almost a decade[5] and was supported by live performances around his Broadway theatre schedule.[6]
Reception
Editors at AllMusic rated this album 4 out of 5 stars, with critic Stephen Thomas Erlewine writing that while this album "may carry some of the sighing melodicism and soft, hazy surfaces that turned [Sheik] into a AAA smash... [Ledgerdemain] is a... like a hybrid between his Broadway work... and his 2011 salute to the '80s" with the "gravity of a stage production" and new wave music sounds.[7] Jim Allen of NPR's First Listen wrote that there was an "ambition and uncompromising nature" to this music with an "unpredictable nature" that shows that Sheik "cares little about the songs' commercial potential".[8] In Paste, Laura Stanley rated this work a 6.6 out of 10, stating that while "the diverseness of the record is praiseworthy, its immensity is obvious and ultimately fumbles the delivery rather than using sleight of hand as the album title would suggest".[9]