When Marion Corsey's husband, Andrew, is conned out of a small fortune by Vivian Hepburn, she dedicates herself to recovering the money. In order to do so, she hides her identity and insinuates herself into the social circle of Vivian, by becoming her secretary, and studies the tactics employed by the sexy con-artist. While employed by Vivian, Marion meets Guy Tarlow, Vivian's love interest. However, Guy seems to be interested Marion.
Taking advantage of Guy's interest, Marion turns the tables on the con-artists and, using Vivian's own strategy, she cons Guy out of all the funds which were taken from Andrew. When her reverse larceny is discovered, Vivian enlists the help of Judge Perry, who is romantically interested in Vivian, in an attempt to recover her ill-gotten gains. In the end, however, Marion is able to prove that Vivian's gambling club is not run honestly, and that Vivian herself is both a cheater and a thief. In light of the evidence, the Judge and Guy end their pursuit of Marion, and Vivian slinks away. Although their marriage is damaged, and may be over, Marion and Andrew decide to stay together as friends, and see how things work out.
The play by Samuel Shipman, on which Jane Murfin's screenplay is based, was originally a comedy, and ran at the Theatre Republic (which is still in existence, now known as the New Victory Theater) in 1922. It was directed by Bertram Harrison, produced by A.H. Woods, and starred Margaret Lawrence, Alan Dinehart, and Lowell Sherman.[5]
Olive Tell, cast in the less than sympathetic role of the sexy con-artist, was the wife of associate producer Henry Hobart.[6]
