The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displays mostly mixed paintings, sculpture and furniture together, and there are five period rooms recreating typical period interiors from large houses.
History
Lever began collecting art in the late 19th century, largely to use in advertising for the popular Sunlight Soap brand (manufactured a few minutes' walk from the gallery) that helped to create his fortune. As he grew richer his collections began to expand, his confidence grew as well and he developed a taste for collecting. He mostly collected British art, but he was also fascinated by Chinese art,[3]Roman sculpture and Greek vases, which he had chosen to collect to show styles that had influenced British artists in the eighteenth and the nineteenth centuries.
He endowed the gallery to showcase his collection. It is named in memory of his wife Elizabeth Hulme (Lady Lever) who had died in 1913.[4]
The building
Commissioned in 1913 from architects William and Segar Owen, the Lady Lever Art Gallery was built in the Beaux-Arts style.[5] The building was opened in 1922 by Princess Beatrice, the youngest daughter of Queen Victoria.
In 2015 a touring exhibition visited museums in Japan and elsewhere. The redeveloped South End galleries were restored to their original architecture style as part of a £2.8 million restoration project in 2016.[6] The work included opening up original doorways to increase the circulation of visitors, improving the lighting and restoring some of the original vaulted ceilings.[7]
Gallery Rooms
Main Hall
Room 19, Classical and 18th century sculpture, Greek pottery
^Davis, The Public Catalogue Foundation. Coord.: Siobhan (2013). Oil paintings in public ownership in national museums of Liverpool. [S.l.]: The Public Catalogue Foundation. p. 5. ISBN978-1-909475-08-3.
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