Karl Konrad Friedrich Wilhelm Lachmann (German:[ˈlaxman]; 4 March 1793 – 13 March 1851) was a German philologist and critic. He is particularly noted for his foundational contributions to the field of textual criticism.
In January 1818, he became professor extraordinarius of classical philology in the University of Königsberg, and at the same time began to lecture on Old Germangrammar and the Middle High German poets. He devoted himself during the following seven years to an extraordinarily detailed study of those subjects, and in 1824, obtained a leave of absence in order to search the libraries of middle and south Germany for further materials.[3]
In 1825, Lachmann was nominated extraordinary professor of classical and German philology at the Humboldt University, Berlin (ordinary professor 1827); in 1830, he was admitted a member of the Academy of Sciences.[3] He died in Berlin.
Importance in scholarship
Lachmann is a figure of considerable importance in the history of German philology.[4][3]
Early in his career, Lachmann translated the first volume of P.E. Müller's Sagabibliothek des skandinavischen Altertums (1816). In his "Habilitationsschrift" über die ursprungliche Gestalt des Gedichts von der Nibelungen Noth (1816), and in his review of Hagen's Nibelungen and Benecke's Bonerius, contributed in 1817 to the Jenaische Literaturzeitung, he had already laid down the rules[clarification needed] of textual criticism and elucidated the phonetic and metrical principles of Middle High German in a manner which marked a distinct advance in that branch of investigation.[3]
The rigidly scientific[clarification needed] character of his method becomes increasingly apparent in the Auswahl aus den hochdeutschen Dichtern des dreizehnten Jahrhunderts (1820); in the edition of Hartmann's Iwein (1827); in those of Walther von der Vogelweide (1827) and Wolfram von Eschenbach (1833); in the papers "Über das Hildebrandslied," "Über althochdeutsche Betonung und Verskunst," "Über den Eingang des Parzivals," and "Über drei Bruchstücke niederrheinischer Gedichte" published in the Abhandlungen of the Berlin Academy; and in Der Nibelunge Not und die Klage (1826), which was followed by a critical commentary in 1836.[3]
Lachmann's Betrachtungen über Homer's Iliad, first published in the Abhandlungen of the Berlin Academy in 1837 and 1841, in which he sought to show that the Iliad consists of eighteen independent "layers" variously enlarged and interpolated[clarification needed], had considerable influence on 19th century Homeric scholarship, although his views were later not accepted.[3]
His smaller edition of the New Testament appeared in 1831, the 3rd edition in 1846, and the larger second edition, in two volumes, between 1842 and 1850. The plan of Lachmann's edition, which he explained in Theologische Studien und Kritiken (1830),[5] is a modification of the unaccomplished project of Richard Bentley (formulated in 1720) to establish a more reliable critical Greek edition of the New Testament than the Textus Receptus. Lachmann was the first major editor to break from the Textus Receptus, seeking to restore the most ancient reading current in manuscripts of the Alexandrian text-type, using the agreement of the Western authorities (Old Latin and Greek Western Uncials)[clarification needed] as the main proof of antiquity of a reading where the oldest Alexandrian authorities differ.[3]
Lachmann's edition of Lucretius (1850), which was the principal occupation of his life from 1845, is perhaps his greatest achievement of scholarship.[3] He demonstrated how the three main manuscripts all derived from one archetype, containing 302 pages of 26 lines to a page. Further, he was able to show that this archetype was a copy of a manuscript written in a minuscule hand, which was in turn a copy of a manuscript of the 4th or 5th centuries written in rustic capitals.[citation needed] To say his recreation of the text was "accepted" is an understatement; HAJ Munro characterized this accomplishment as "a work which will be a landmark for scholars as long as the Latin language continues to be studied." Lachmann also edited Propertius (1816); Catullus (1829); Tibullus (1829); Genesius (1834); Terentianus Maurus (1836); Babrius (1845); Avianus (1845); Gaius (1841–1842); the Agrimensores Romani (1848–1852); and Lucilius (edited after his death by Vahlen, 1876). He also translated Shakespeare's sonnets (1820) and Macbeth (1829).[3]
^"Rechenschaft über seine Ausgabe des Neuen Testaments", Theologische Studien und Kritiken (1830), p. 817—845. Lachmann's 1831 edition contains no commentary except for a short text in Latin, in which he refers to this 1830 explanation in German: "De ratione et consilio huius editionis loco commodiore expositum est (theolog. Studien und Kritiken 1830, p. 817 — 845). hic satis erit dixisse, editorem nusquam iudicium suum, sed consuetudinem antiquissimarum Orientis ecclesiarum secutum esse. hanc quoties minus constantem fuisse animadvertit, quantum fieri potuit ea quae Italorum et Afrorum consensu comprobarentur praetulit: ubi pervagatam omnium auctorum discrepantiam deprehendit, partim uncis partim in marginibus indicavit. quo factum est ut vulgatae et nis proximis duobus saeculis receptae lectionis ratio haberi non posset. huius diversitas hic in fine libri adiecta est, quoniam ea res doctis iudicibus necessaria esse videbatur." ("The nature and design of this edition has been explained in a more convenient place (theolog. Studien und Kritiken 1830, p. 817–845). It will be sufficient to have said here, that the editor never followed his own judgement, but followed the custom of the most ancient churches of the East. He notes that, as far as possible, he preferred those things which should be approved by the consent of the Italians and Africans: when he discovered a discrepancy spread over all the authors, he pointed it out partly in brackets and partly in the margins. This diversity was added here at the end of the book, because that matter seemed necessary to the learned judges.")
