His work is largely collage-based, and draws heavily on record sleeve design and comic book art, with an acknowledged pulp influence - in House's own words, "the 'pulp' end of things which still informs me today, as much as classic design… Strange old vinyl LPs, paperback books, found ephemera…"[4] In the same interview, House named many artists across many disciplines as influences, ranging from Peter Saville, Saul Bass and Max Ernst to William S. Burroughs, Bryon Gysin, H. P. Lovecraft, and Lewis Carroll.[4]
House also contributed design work to the 2012 Peter Strickland movie Berberian Sound Studio. As well as producing posters and recording studio ephemera for use within the film, he conceptualized and designed the credit sequence for the ‘film within the film’ on which the movie is based.[5]